Books with title After Dark: Early

William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and author of short stories. He was very popular during the Victorian era and wrote 30 novels, more than 60 short stories, 14 plays, and over 100 non-fiction pieces. His best-known works are The Woman in White, The Moonstone, Armadale and No Name. Collins was a lifelong friend of Charles Dickens. A number of Collins's works were first published in Dickens's journals All the Year Round and Household Words. The two collaborated on several dramatic and fictional works, and some of Collins's plays were performed by Dickens's acting company. -wikipedia

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

After Dark is Wilkie Collins's first collection of six short stories, published in 1856. The book is a series of tales supposed to be told to poor travelling portrait-painter, William Kerby, who is forced to abandon his profession for six months in order to save his sight.Collins provides a narrative framework, which tells us how the painter came to think of publishing the stories, (Kerby’s wife Leah realizes that if she acts as amanuensis William can support them by turning author), how they were collected (from the people who ‘sat’ for him to have their portraits painted) and descriptions of the circumstances under which the tales were told. The tales are stories of adventure, well varied, and often striking in the incidents, or with thrilling situations; and are as pleasant reading as a novel reader could desire.The six stories contained in the book are:The Traveller's Story of A Terribly Strange BedThe Lawyer's Story of A Stolen LetterThe French Governess's Story of Sister RoseThe Angler's Story of The Lady of Glenwith GrangeThe Nun's Story of Gabriel's MarriageThe Professor's Story of The Yellow MaskThis idea for the book may have been prompted by a period of eye-trouble suffered by Collins's father, William Collins, an English landscape and genre painter. In the preface to After Dark, Collins also acknowledges the painter W. S. Herrick as his source for the facts on which 'A Terribly Strange Bed' and 'The Yellow Mask' are based

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

After Dark is Wilkie Collins's first collection of six short stories, published in 1856. Collins provides a narrative framework, 'Leaves from Leah's Diary', set in 1827. Leah Kerby's husband, William, is a poor travelling portrait-painter forced to abandon his profession for six months in order to save his sight. Leah realises that if she acts as amanuensis William can support them by turning author. This situation may have been prompted by a period of eye-trouble suffered by Collins's father. In the preface to After Dark, Collins also acknowledges the painter W. S. Herrick as his source for the facts on which 'A Terribly Strange Bed' and 'The Yellow Mask' are based.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.