Books in Modern Classics series

After reading an 1836 newspaper account of a shipwreck and its two survivors, Edgar Allan Poe penned his only novel, The Narrative of Arthur Gordon Pym of Nantucket, the story of a stowaway on a Nantucket whaleship who finds himself enmeshed in the dark side of life at sea: mutiny, cannibalism, savagery—even death. As Jeffrey Meyers writes in his Introduction: “[Poe] remains contemporary because he appeals to basic human feelings and expresses universal themes common to all men in all languages: dreams, love, loss; grief, mourning, alienation; terror, revenge, murder; insanity, disease, and death.” Within the pages of this novel, we encounter nearly all of them.This Modern Library Paperback Classic reprints the text of the original 1838 American edition.

Introduction by George Saunders Commentary by Thomas Perry Sergeant, Bernard DeVoto, Clifton Fadiman, T. S. Eliot, and Leo Marx “All modern American literature comes from one book by Mark Twain called Huckleberry Finn,” Ernest Hemingway wrote. “It’s the best book we’ve had.” A complex masterpiece that spawned controversy right from the start (it was banished from the Concord library shelves in 1885), it is at heart a compelling adventure story. Huck, in flight from his murderous father, and Jim, in flight from slavery, pilot their raft through treacherous waters, surviving a crash with a steamboat and betrayal by rogues. As Norman Mailer has said, “The mark of how good Huckleberry Finn has to be is that one can compare it to a number of our best modern American novels and it stands up page for page.”

Hugely admired by Tolstoy, David Copperfield is the novel that draws most closely from Charles Dickens's own life. Its eponymous hero, orphaned as a boy, grows up to discover love and happiness, heartbreak and sorrow amid a cast of eccentrics, innocents, and villains. Praising Dickens's power of invention, Somerset Maugham wrote: "There were never such people as the Micawbers, Peggotty and Barkis, Traddles, Betsey Trotwood and Mr. Dick, Uriah Heep and his mother. They are fantastic inventions of Dickens's exultant imagination...you can never quite forget them."This Modern Library Paperback Classics edition includes a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes.

The rugged west coast of Ireland seems like the perfect place for a holiday. Then everything starts to go wrong. Colin is aware of an awful smell coming off the land, a smell of death and decay…Colin and Prill were looking forward to a holiday of fun and adventure in Ireland. It would have been perfect if only they hadn’t had to drag along their “odd” cousin Oliver. But Oliver, it turns out, isn’t their biggest problem.Almost from the moment they arrive, Colin feels sick from an awful smell, so powerful and horrible that it seems to be rising from the land of the dead. At the same time, Prill is visited by a strange creature creeping into her dreams. Who is she, and what does she want?Only Oliver seems untouched by the danger. As the hot summer days continue, their terror mounts and their baby sister becomes critically ill. Oliver links the present horror with the terrible famine in Ireland of the 1840s – and the strange occupant of the nearby caravan, whose land was lost then through eviction – and he must bring about the reconciliation to save himself and his cousins.

Drawn from Melville’s own adolescent experience aboard a merchant ship, Redburn charts the coming-of-age of Wellingborough Redburn, a young innocent who embarks on a crossing to Liverpool together with a roguish crew. Once in Liverpool, Redburn encounters the squalid conditions of the city and meets Harry Bolton, a bereft and damaged soul, who takes him on a tour of London that includes a scene of rococo decadence unlike anything else in Melville’s fiction. In her Introduction, Elizabeth Hardwick writes, “Redburn is rich in masterful portraits—a gallery of wild colors, pretensions and falsehoods, fleeting associations of unexpected tenderness. . . . Redburn is not a document; it is a work of art by the unexpected genius of a sailor, Herman Melville.”This Modern Library Paperback Classic is set from the text of the first American edition of 1849.

Dorothy Parker, more than any of her contemporaries, captured the spirit of her age in her writing. The decadent 1920S and 1930s in New York were a time of great experiment and daring for women. For the rich, life seemed a continual party, but the excesses took their emotional toll. With a biting wit and perceptive insight, Dorothy Parker examines the social mores of her day and exposes the darkness beneath the dazzle. Her own life exemplified this duality, for a while she was one of the most talked-about women of her day, she was also known as a "masochist whose passion for unhappiness knew no bounds". As philosopher Irwin Edman said, she was "a Sappho who could combine a heartbreak with a wisecrack". Her dissection of the jazz age in poetry and prose is collected in this volume along with articles and reviews.

“The boastful, unstable Toad, the hospitable Water Rat, the shy, wise, childlike Badger, and the Mole with his pleasant habit of brave boyish impulse,” noted Vanity Fair nearly a century ago, “are types of that deeper humanity which sways us all.” Written by Kenneth Grahame as bedtime stories for his son, The Wind in the Willows continues to delight readers today. Basing his fanciful animal characters on human archetypes, Grahame imparts a gentle, playful wisdom in his timeless tales. Few readers will be able to resist an invitation to join the Wild Wooders at Toad Hall, enjoy a quick splash in the river with Rat and Badger, or take a swerving ride with Toad in a “borrowed” motor-car. This Modern Library Paperback Classic is set from the first illustrated American edition of 1913.

This is not a devotional classic; it is a dangerous tale.One of the most widely read books of all time, this adventure reveals John Bunyan's intense grasp of the Scriptures. Penned while in prison for refusing to compromise the gospel, The Pilgrim's Progress is a guide for the journey from death to life. The times have changed, but the landmarks and adversaries are very much the same. The Pilgrim's Progress is a call to the high stakes of every Christian's journey. Don't pick it up expecting quaint amusement; it is a story of the undeniable truth, great cost, and overwhelming joy of the gospel. Note on the Moody Classics series:Many factors influence our spiritual growth and development, and Christian classics play a key role. Learning from those who have walked the path and fought the fight brings wisdom and strengthens resolve. And hearing the familiar chords of kingdom living sung by voices from other times can penetrate cultural barriers that limit our allegiance to the King. To this end, Moody Publishers is honored to build an ongoing series of spiritual classics. Selected for their enduring influence and timeless perspective, these new editions promise to shape the lives of spiritual pilgrims for generations to come.

A continuation of the major series of individual Shakespeare plays from the world renowned Royal Shakespeare Company, edited by two brilliant, younger generation Shakespearean scholars Jonathan Bate and Eric RasmussenIncorporating definitive text and cutting-edge notes from William Shakespeare: Complete Works-the first authoritative, modernized edition of Shakespeare's First Folio in more than 300 years-this remarkable series of individual plays combines Jonathan Bate's insightful critical analysis with Eric Rasmussen's textual expertise.

Gathered by the renowned Irish poet, playwright, and essayist William Butler Yeats, the sixty-five tales and poems in this delightful collection uniquely capture the rich heritage of the Celtic imagination. Filled with legends of village ghosts, fairies, demons, witches, priests, and saints, these stories evoke both tender pathos and lighthearted mirth and embody what Yeats describes as “the very voice of the people, the very pulse of life.” “The impact of these tales doesn’t stop with Yeats, or Joyce, or Oscar Wilde,” writes Paul Muldoon in his Foreword, “for generations of readers in Ireland and throughout the world have found them flourishing like those persistent fairy thorns.”