Books published by publisher METHUEN

"Once upon a time, a very long time ago, Winnie-the-Pooh lived in a forest "The world of Pooh is a world of enchantment. It is a world forever fixed in the minds and hearts of countless children -- a world where Winnie-the-Pooh and his friends Piglet, Eeyore, Tigger, Kanga and the others share unforgettable adventures with Christopher Robin.Winnie-the-Pooh is filled with delight: Pooh goes hunting with Piglet, celebrates Eeyore's birthday, and accompanies Christopher Robin and the others on an "Expotition" to the North Pole. Through it all, Pooh remains the whimsical philosopher and staunch friend, captivating children as he has for generations.

Three contentious and enduring plays about the clash of the individual and societyFire Raisers (1958) tells the tale of a respectable bourgeois whose house is one day visited by three strangers. It "is successful on every level; the story is as gripping as an adventure story; each line is fraught with several meanings: as an allegory it is unique" (Edna O'Brien); Andorra is based on the author's own experience of anti-semitism in Switzerland and is about Andri, a young man who is believed to be a Jew and who is persecuted by his community as a result; Triptych is a portrait of a writer grappling with his own mortality. The flexible and contemporary translations by Michael Bullock (The Fire Raisers, Andorra) and Geoffrey Skelton (Triptych) are here complemented by an introduction by Peter Loeffler.

This volume contains three of Strindberg's most famous plays, spanning twenty years of prodigious creativity and recurrent personal crises: The Father, which displays Strindberg's suspicion of women at its most implacable, 'powerful and profound' (Guy de Maupassant); Miss Julie (1888), which he called his masterpiece, and in which he presents with startling modernity the conflict between sexual passion and social position; and The Ghost Sonata (1907), written in physical pain and spiritual torment, which is a phantasmagoric dream play, 'a direct source for the Theatre of the Absurd' (Martin Esslin). "Michael Meyer is the translator most actors turn to when seeking a definitive text" (Sunday Times)