Other editions of book The Black

Fashionable Londoner James Morlake is a gentleman with many secrets and several particularly valuable skills--like terrorizing bankers across the city. His Moorish servant Mahmet has some secrets to hide as well, particularly when his employer gives him the odd task to perform in the dead of night in dark London. Richard Horatio Edgar Wallace (April 1, 1875-February 10, 1932) was a prolific British crime writer, journalist and playwright, who wrote 175 novels, 24 plays, and countless articles in newspapers and journals. Over 160 films have been made of his novels, more than any other author. In the 1920s, one of Wallace's publishers claimed that a quarter of all books read in England were written by him. He is most famous today as the co-creator of "King Kong", writing the early screenplay and story for the movie, as well as a short story "King Kong" (1933) credited to him and Draycott Dell. He was known for the J. G. Reeder detective stories, The Four Just Men, the Ringer, and for creating the Green Archer character during his lifetime.

The Black JAMES LEXINGTON MORLAKE, gentleman of leisure, Lord of the Manor of Wold and divers other titles which he rarely employed, unlocked the drawer of his elaborate Empire writing-table and gazed abstractedly into its depths. It was lined with steel and there were four distinct bolts. Slowly he put in his hand and took out first a folded square of black silk, then a businesslike automatic pistol, then a roll of fine leather. He unfastened a string that was tied about the middle and unrolled the leather on the writing-table. It was a hold-all of finely-grained sealskin, and in its innumerable pockets and loops was a bewildering variety of tools, grips, ratchets each small, each of the finest tempered steel. He examined the diamond-studded edge of a bore, no larger than a cheese tester, then replacing the tool, he rolled up the hold-all and sat back in his chair, his eyes fixed meditatively upon the articles he had exposed. James Morlake sflat in Bond Street was, perhaps, the most luxurious apartment in that very exclusive thoroughfare. The room in which he sat, with its high ceiling fantastically carved into scrolls and arabesques by the most cunning of Moorish workmen, was wide and long and singular. The walls were of marble, the floor an amazing mosaic covered with the silky rugs of I spahan. Four hanging lamps, delicate fabrics of silver and silk, shed a subdued light. With the exception of the desk, incongruously gaudy in the severe and beautiful setting, there was little furniture. A low divan under the curtained window, a small stool, lacquered a vivid green, and another chair was all. The man who sat at the writing-table might have been forty he was four years less or fifty.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Fo

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Excerpt from The BlackWith the exception of the desk, incongruously gaudy in the severe and beautiful setting, there was little furniture. A low divan under the curtained window, a small stool, lacquered a vivid green, and another chair was all.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.