Other editions of book Death, the knight, and the lady, a ghost story

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

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Excerpt from Death the Knight and the Lady: A Ghost StoryI had almost forgotten James Wilder's existence, when, one night in June, I received an urgent message asking me to call upon him without delay.An hour later I was sitting in his library, and in the arm-chair Opposite mine was sunk what seemed the spectre of my friend. During the 'ten months that had elapsed since our last meeting he had passed from middle life to premature Old age.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Henry De Vere Stacpoole (9 April 1863 – 12 April 1951) was an Irish author, born in Ireland in Kingstown (now Dún Laoghaire). His best known work is the 1908 romance novel The Blue Lagoon, which has been adapted to film on at least four occasions. He published using his own name and sometimes the pseudonym Tyler De Saix. After a brief career as a ship's doctor, which took him to numerous exotic locations in the South Pacific Ocean, later used in his fiction, he became a full-time writer, able to live comfortably after the success of The Blue Lagoon. He lived in the Essex countryside in England before relocating to the Isle of Wight in the 1920s, where he remained until his death. He was buried at St Boniface Church, Bonchurch on the Isle of Wight in 1951.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Death, The Knight, And The Lady: A Ghost Story<author> Henry De Vere Stacpoole<publisher> John Lane, 1897<subjects> History; General; History / General

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

I had almost forgotten James Wilder's existence, when, one night in June, I received an urgent message asking me to call upon him without delay.An hour later I was sitting in his library, and in the arm-chair opposite mine was sunk what seemed the spectre of my friend. During the ten months that had elapsed since our last meeting he had passed from middle life to premature old age."I am glad you have come," he said, "I am in need of a friend, but do not speak to me yet, that is, for a moment, I wish to think."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Henry De Vere Stacpoole (9 April 1863 – 12 April 1951) was an Irish author, born in Ireland in Kingstown (now Dún Laoghaire). His best known work is the 1908 romance novel The Blue Lagoon, which has been adapted to film on at least four occasions. He published using his own name and sometimes the pseudonym Tyler De Saix.After a brief career as a ship's doctor, which took him to numerous exotic locations in the South Pacific Ocean, later used in his fiction, he became a full-time writer, able to live comfortably after the success of The Blue Lagoon.

Death, the Knight, and the Lady is an unchanged, high-quality reprint of the original edition of 1897. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.