Other editions of book A Yellow God: an Idol of Africa

Sir Henry Rider Haggard KBE (1856-1925) was a Victorian writer of adventure novels set in exotic locations. After failing his army entrance exam he was sent to a private 'crammer' in London to prepare for the entrance exam for the British Foreign Office, for which he never sat. Haggard's father sent him to Africa in an unpaid position as assistant to the secretary to Lieutenant-Governor of Natal Sir Henry Bulwer. Heavily influenced by the larger-than-life adventurers he met in Colonial Africa, the great mineral wealth discovered in Africa, and the ruins of ancient lost civilizations in Africa such as Great Zimbabwe, Haggard created his Allan Quatermain adventures. Haggard also wrote about agricultural and social issues reform, in part inspired by his experiences in Africa, but also based on what he saw in Europe. Haggard is most famous as the author of the best-selling novel King Solomon's Mines (1885). Amongst his other works are She (1887), Allan Quatermain (1888), Eric Brighteyes (1891) and Ayesha (1895).

A fantastic early twentieth century lost race novel, an incredible adventure that only Sir Henry Rider Haggard could imagine. The story takes place in Africa and England which includes a magic mask and other weird fetish objects, reincarnation, and a variant of vampirism by an immortal and beautiful woman whose many husbands she has preserved as mummies. "All Mr. Haggard's old and tried materials are here: the previously unexplored region of Africa, the magnificent savage inhabitants, the beautiful immortal who falls in love with the manly British hero, and in addition an excellent plot."--The Bookman.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Sir Robert Aylward, Bart., M.P., sat in his office in the City of London. It was a very magnificent office, quite one of the finest that could be found within half a mile of the Mansion House. Its exterior was built of Aberdeen granite, a material calculated to impress the prospective investor with a comfortable sense of security. Other stucco, or even brick-built, offices might crumble and fall in an actual or a financial sense, but this rock-like edifice of granite, surmounted by a life-sized statue of Justice with her scales, admired from either corner by pleasing effigies of Commerce and of Industry, would surely endure any shock. Earthquake could scarcely shake its strong foundations; panic and disaster would as soon affect the Bank of England. That at least was the impression which it had been designed to convey, and not without success.

Excerpt from The Yellow God: An Idol of AfricaSir Robert Aylward sat in his own quiet room at the back of this enduring building, a Very splendid room that any Secretary of State might have envied, but arranged in excellent taste. Its walls were panelled with figured teak, a rich carpet made the footfall noiseless, an antique Venus stood upon a marble pedestal in the corner, and over the mantel piece hung a fine portrait by Gainsborough, that of a certain Miss Aylward, a famous beauty in her day, with whom, be it added, its present owner could boast no connection whatsoever.Sir Robert was seated at his ebony desk playing with a pencil, and the light from a cheerful fire fell upon his face.In its own way it was a remarkable face, as he appeared then in his four and fortieth year; very pale, but with a natural pallor, very well cut, and on the whole impressive. His eyes were dark.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.