Other editions of book The Sketch-Book of Geoffrey Crayon, Esq

I am of this mind with Homer, that as the snaile that crept out of her shel was turned eftsoones into a toad I and thereby was forced to make a stoole to sit on; so the traveller that stragleth from his owne country is in a short time transformed into so monstrous a shape, that he is faine to alter his mansion with his manners, and to live where he can, not where he would.—LYLY'S EUPHUES.

The Sketch Book of Geoffrey Crayon is the compilation of 34 short stories and essays by Washington Irving. It includes some of his most famous stories, such as The Legend of Sleepy Hollow and Rip Van Winkle, and was one of the first works of American fiction to become popular in Britain and Europe. The tone of the stories varies widely, and they are held together by the powerful charm of their narrator, Geoffrey Crayon.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker, "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym "Geoffrey Crayon", which he would continue to employ throughout his literary career. The Sketch Book, along with James Fenimore Cooper's Leatherstocking Tales, was the first widely read work of American literature in Britain and Europe. It also helped advance the reputation of American writers with an international audience.

The Sketch Book of Geoffrey Crayon is a collection of short stories by Washington Irving, including two of his best and most well-known stories, Rip Van Winkle and The Legend of Sleepy Hollow.The collection features a number of different topics and genres. From emotional stories such as The Widow and Her Son to humorous stories, from picaresque to charming stories inspired by folk tales, The Sketch Book has something for every reader - some of the stories and essays deal with topics and themes typically American, while others elaborate scenes taken from English life. However diverse the topics may seem, though, they are all linked together by the powerful presence of the narrators, Geoffrey Crayon, the pseudonym that Irving would continue to use throughout his literary career and Irving's other pseudonym and literary identity, Diedrich Knickerbocker, a fictional Dutch historian and their interest in human behavior and their insight into human nature.The Sketch Book was first published in series in 1819-1820, appearing in seven installments and then in book form, too. The stories raised instant interest and appreciation - as a matter of fact, the collection was among the first books that enjoyed equal popularity among readers on both sides of the Atlantic Ocean, praised by readers and critics alike for its mature, graceful style as well as for the benevolent and understanding attitude the narrator adopts towards the other characters.There are two distinct versions of the collection - one of them was intended for the American audience and comprises only 29 sketches organized in seven parts; the longer British version was published in two volumes and contains three essays that were not included in the American version. The author revised the collection in 1848 and he added two more essays while also changing the original order of the sketches by moving The Legend of Sleepy Hollow to a more prominent point in the collection.

The Sketch Book of Geoffrey Crayon is the compilation of 34 short stories and essays by Washington Irving. It includes some of his most famous stories, such as The Legend of Sleepy Hollow and Rip Van Winkle, and was one of the first works of American fiction to become popular in Britain and Europe. The tone of the stories varies widely, and they are held together by the powerful charm of their narrator, Geoffrey Crayon.

The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by the American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker: "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym Geoffrey Crayon, which he would continue to employ throughout his literary career.

The Sketch-Book of Geoffrey Crayon is a collection of classic American short stories by Washington Irving featuring many of hid classic stories such as The Legend of Sleepy Hollow. Contents: The author's account of himself -- The voyage -- Roscoe -- The wife -- Rip Van Winkle -- English writers on America -- Rural life in England -- The broken heart -- The art of book-making -- A royal poet -- The country church -- The widow and her son -- A Sunday in London -- The Boar's Head Tavern, Eastcheap -- The mutability of literature -- Rural funerals -- The inn kitchen -- The spectre bridegroom -- Westminster Abbey -- Christmas -- The stage-coach -- Christmas Eve -- Christmas Day -- The Christmas dinner -- London antiques -- Little Britain -- Stratford-on-Avon -- Traits of Indian character -- Philip of Pokanoket -- John Bull -- The pride of the village -- The angler -- The legend of Sleepy Hollow -- L'envoy. The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by the American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker: "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym Geoffrey Crayon, which he would continue to employ throughout his literary career. The Sketch Book, along with James Fenimore Cooper's Leatherstocking Tales, was among first widely read works of American literature in Britain and Europe. It also helped advance the reputation of American writers with an international audience. Irving began writing the tales that would appear in The Sketch Book shortly after moving to England for the family business, in 1815. When the family business spiraled into bankruptcy throughout 1816 and 1817 — a humiliation that Irving never forgot — Irving was left with no job and few prospects. He tried at first to serve as an intermediary between American and English publishers, scouting for English books to reprint in America and vice versa, with only marginal success. In the autumn of 1818, his oldest brother William, sitting as a Congressman from New York, secured for him a political appointment as chief clerk to the Secretary of the U.S. Navy, and urged Irving to return home.[4] Irving demurred, however, choosing to remain in England and take his chances as a writer. As he told friends and family back in the United States: I now wish to be left for a little while entirely to the bent of my own inclination, and not agitated by new plans for subsistence, or by entreaties to come home . . . I am determined not to return home until I have sent some writings before me that shall, if they have merit, make me return to smiles, rather than skulk back to the pity of my friends. Irving spent late 1818 and the early part of 1819 putting the final touches on the short stories and essays that he would eventually publish as The Sketch Book through 1819 and 1820. The Sketch Book initially existed in two versions: a seven-part serialized American version in paperback and a two-volume British version in hardback. The British edition contained three essays that were not included in the original American serialized format. Two more essays, "A Sunday in London" and "London Antiques", were added by Irving in 1848 for inclusion in the Author's Revised Edition of The Sketch Book for publisher George Putnam. At that time, Irving reordered the essays. Consequently, modern editions — based on Irving's own changes for the Author's Revised Edition — do not reflect the order in which the sketches originally appeared.

The Sketch-Book of Geoffrey Crayon is a collection of classic American short stories by Washington Irving featuring many of hid classic stories such as The Legend of Sleepy Hollow.Contents: The author's account of himself -- The voyage -- Roscoe -- The wife -- Rip Van Winkle -- English writers on America -- Rural life in England -- The broken heart -- The art of book-making -- A royal poet -- The country church -- The widow and her son -- A Sunday in London -- The Boar's Head Tavern, Eastcheap -- The mutability of literature -- Rural funerals -- The inn kitchen -- The spectre bridegroom -- Westminster Abbey -- Christmas -- The stage-coach -- Christmas Eve -- Christmas Day -- The Christmas dinner -- London antiques -- Little Britain -- Stratford-on-Avon -- Traits of Indian character -- Philip of Pokanoket -- John Bull -- The pride of the village -- The angler -- The legend of Sleepy Hollow -- L'envoy.The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by the American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker: "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym Geoffrey Crayon, which he would continue to employ throughout his literary career.The Sketch Book, along with James Fenimore Cooper's Leatherstocking Tales, was among first widely read works of American literature in Britain and Europe. It also helped advance the reputation of American writers with an international audience.Irving began writing the tales that would appear in The Sketch Book shortly after moving to England for the family business, in 1815. When the family business spiraled into bankruptcy throughout 1816 and 1817 — a humiliation that Irving never forgot — Irving was left with no job and few prospects. He tried at first to serve as an intermediary between American and English publishers, scouting for English books to reprint in America and vice versa, with only marginal success. In the autumn of 1818, his oldest brother William, sitting as a Congressman from New York, secured for him a political appointment as chief clerk to the Secretary of the U.S. Navy, and urged Irving to return home.[4] Irving demurred, however, choosing to remain in England and take his chances as a writer. As he told friends and family back in the United States:I now wish to be left for a little while entirely to the bent of my own inclination, and not agitated by new plans for subsistence, or by entreaties to come home . . . I am determined not to return home until I have sent some writings before me that shall, if they have merit, make me return to smiles, rather than skulk back to the pity of my friends.Irving spent late 1818 and the early part of 1819 putting the final touches on the short stories and essays that he would eventually publish as The Sketch Book through 1819 and 1820.The Sketch Book initially existed in two versions: a seven-part serialized American version in paperback and a two-volume British version in hardback. The British edition contained three essays that were not included in the original American serialized format. Two more essays, "A Sunday in London" and "London Antiques", were added by Irving in 1848 for inclusion in the Author's Revised Edition of The Sketch Book for publisher George Putnam. At that time, Irving reordered the essays. Consequently, modern editions — based on Irving's own changes for the Author's Revised Edition — do not reflect the order in which the sketches originally appeared.