Other editions of book With Cochrane the Dauntless: a Tale of the Exploits of Lord Cochrane in South American Waters

In the annals of British sailors there is no name that should stand higher than that of Lord Cochrane. In some respects he resembled that daring leader and great military genius, the Earl of Peterborough. Both performed feats that most men would have regarded as impossible, both possessed extraordinary personal bravery and exceptional genius for war, and a love for adventure. Both accomplished marvels, and neither was appreciated at his full value by his countrymen, both having a touch of originality that amounted in the case of Peterborough to absolute eccentricity. In other respects they had little in common. Cochrane’s life was passed in one long struggle on behalf of the oppressed. He ruined his career in our navy, and created for himself a host of bitter enemies by his crusade against the enormous abuses of our naval administration, and by the ardour with which he championed the cause of reform at home. Finding the English navy closed to him he threw himself into the cause of oppressed nationalities. His valour and genius saved Chili from being reconquered by the Spanish, rescued Peru from their grasp, and utterly broke their power in South America. Similarly he crushed the Portuguese power in Brazil and ensured its independence, and then took up the cause of Greece. In all four enterprises his efforts were hampered by the utter corruption of the governments of these countries, just as his efforts on behalf [pg VI]of British sailors and of the British people at large had brought upon him the hatred and persecution of a government as corrupt as those of Chili, Brazil, and Greece. He was rewarded only with the basest ingratitude, and returned home after having expended a large part of his fortune and permanently injured his health in the inestimable services he had rendered. In other respects besides those exploits connected with the sea, his genius was remarkable. After retiring from active service he devoted himself to inventions, and some of these paved the way to later scientific achievements, giving him a place alongside the Marquis of Worcester.Of Lord Cochrane it can be said that he was the victim of his generous enthusiasm for the oppressed. During the greater portion of his life he rested under a heavy cloud, and it was only in extreme old age that he had the satisfaction of having his name rehabilitated, and of regaining the honours and rank of which he had been so unjustly deprived.G. A. HENTY.

In his action and adventure historical novel G.A. Henty describes the life of a legendary figure of XIX century - that of Lord Cochrane. Admiral Thomas Cochrane, styled Lord Cochrane between 1778 and 1831, was a Scottish naval flag officer of the Royal Navy and radical politician. He was a daring and successful captain of the Napoleonic Wars, leading the French to nickname him Le Loup des Mers ('The Sea Wolf'). He was dismissed from the Royal Navy in 1814, following a conviction for fraud on the Stock Exchange (probably staged). He helped organize and lead the rebel navies of Chile, Brazil and Greece during their respective wars of independence through the 1820s. While in charge of the Chilean Navy, Cochrane also contributed to Peruvian Independence through the Freedom Expedition of Peru. In 1832, he was pardoned by the Crown and reinstated in the Royal Navy with the rank of Rear Admiral of the Blue.

In the annals of British sailors there is no name that should standhigher than that of Lord Cochrane. In some respects he resembledthat daring leader and great military genius, the Earl ofPeterborough. Both performed feats that most men would haveregarded as impossible, both possessed extraordinary personalbravery and exceptional genius for war, and a love for adventure.

"With Cochrane the Dauntless" by G. A. Henty. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

“I am sure I do not know what to do with you, Steve,” Lieutenant Embleton said one afternoon as he and his son were sitting upon a bench on the cliff at Ramsgate, looking over the sea. “Upon my word I don’t see my way at all; this peace has stranded most of us, and at any rate, so far as I am concerned, there is not a ghost of a chance of my obtaining employment—not that I am fit for it if I could get it. I have been nearly ten years ashore. Every one of us who sailed under Cochrane have been marked men ever since. However, that is an old story, and it is no use grumbling over what cannot be helped; besides, that wound in my hip has been troubling me a good deal of late, and I know I am not fit for sea. I don’t think I should have minded so much if I had got post rank before being laid on the shelf. The difference of pension, too, would have been a help, for goodness knows it is hard work making ends meet on a lieutenant’s half-pay. However, that is not the question now. The thing that I have got to consider is what is the best thing to do with you.

Unedited, unabridged, original format editions with original colored cover art, these Henty books reproduce the original in careful detail. The hero of this story, an orphaned lad, accompanies Cochrane as midshipman, and serves in the war between Chili and Peru. He has many exciting adventures in battles by sea and land, is taken prisoner and condemned to death by the Inquisition, but escapes by a long and thrilling flight across South America and down the Amazon, piloted by two faithful Indians. His pluck and coolness prove him a fit companion to Chochrane the Dauntless, and his final success is well deserved.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

With Cochrane the dauntless : a tale of the exploits of Lord Cochrane in South American waters, By:G. A. Henty and W. H. Margetson(illustrator).George Alfred Henty (8 December 1832 – 16 November 1902) was a prolific English novelist and war correspondent.He is best known for his historical adventure stories that were popular in the late 19th century. His works include The Dragon & The Raven (1886), For The Temple (1888), Under Drake's Flag (1883) and In Freedom's Cause (1885).Biography--G.A.Henty was born in Trumpington, near Cambridge. He was a sickly child who had to spend long periods in bed. During his frequent illnesses he became an avid reader and developed a wide range of interests which he carried into adulthood. He attended Westminster School, London, and later Gonville and Caius College, Cambridge,where he was a keen sportsman. He left the university early without completing his degree to volunteer for the Army Hospital Commissariat when the Crimean War began. He was sent to the Crimea and while there he witnessed the appalling conditions under which the British soldier had to fight. His letters home were filled with vivid descriptions of what he saw. His father was impressed by his letters and sent them to The Morning Advertiser newspaper which printed them. This initial writing success was a factor in Henty's later decision to accept the offer to become a special correspondent, the early name for journalists now better known as war correspondents. Shortly before resigning from the army as a captain in 1859 he married Elizabeth Finucane. The couple had four children. Elizabeth died in 1865 after a long illness and shortly after her death Henty began writing articles for the Standard newspaper. In 1866 the newspaper sent him as their special correspondent to report on the Austro-Italian War where he met Giuseppe Garibaldi. He went on to cover the 1868 British punitive expedition to Abyssinia, the Franco-Prussian War, the Ashanti War, the Carlist Rebellion in Spain and the Turco-Serbian War.He also witnessed the opening of the Suez Canal and travelled to Palestine, Russia and India. William Henry Margetson (Londen, 1860 - Wallingford, 2 januari 1940) was een Engels kunstschilder en illustrator, vooral bekend om zijn esthetische portretten van vrouwen.Leven en werk Margetson studeerde aan het Dulwich College, en vervolgens aan de South Kensington Schools en de Royal Academy Schools. In 1885 exposeerde hij ook voor het eerst bij de Royal Academy, en later ook bij de Royal Society of British Artists, het Royal Institute of Oil Painters en de Grosvenor Gallery. In 1909 werd hij lid van het Royal Institute. Margetson schilderde in olie en in waterverf. Hij maakte vooral naam als portrettist van mooie vrouwen, vaak met modern aandoende korte kapsels en hoeden. Ook maakte hij religieuze en allegorische werken. Aanvankelijk werkte bij in een academische, Victoriaans stijl. Later hanteerde hij een meer losse penseelvoering, beinvloed door het post-impressionisme en de prerafaëlieten, meer in het bijzonder door Laurens Alma-Tadema. Zijn meest succesvolle werk is het klassiek-decoratieve The Sea Hath its Pearls, waarmee hij in 1897 exposeerde bij de Royal Academy, thans in het bezit van de 'Art Gallery of New South Wales', Australië. Een door Margetson geschilderd portret van Alfred Tennyson hangt in de National Portrait Gallery te Londen. Margetson werkte ook veel als boekillustrator. Hij was gehuwd met kunstenares Helen Hatton, die hij had leren kennen tijdens een gezamenlijke illustratieopdracht. Hij woonde en werkte eerst in Londen en later in Blewbury en Wallingford. Hij overleed in 1940, 79 jaar oud.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.