Other editions of book The Headless Horseman A Strange Tale of Texas

The legend of the headless horseman is one that has roots in a number of different countries and cultures, dating back much farther than Washington Irving’s well-known tale. Captain Mayne Reid’s tale, published nearly forty years later, is based on a well-known Texas folk tale.Set in nineteenth-century Texas, The Headless Horseman tells the story of Louise Poindexter, who is a newcomer to town. Courted by Cassius Calhoun and Maurice Gerald, Louise finds that her life takes a turn when her brother, Henry Poindexter, is found murdered. The tale twists further when it is reported that a headless horseman has been seen on the Poindexter plantation. In this classic tale, Mayne Reid takes readers on an incredible journey to discover the killer of Henry Poindexter and solve the mystery of the Headless Horseman.The Headless Horseman is an overlooked gem, a classic piece of literature, and an edge-of-your-seat mystery thriller. Originally published in 1866, this edition is a faithful reprint of a rare and out-of-print masterpiece.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The stag of Texas, reclining in midnight lair, is startled from his slumbers by the hoofstroke of a horse. He does not forsake his covert, nor yet rise to his feet. His domain is shared by the wild steeds of the savannah, given to nocturnal straying. He only uprears his head; and, with antlers o’ertopping the tall grass, listens for a repetition of the sound. Again is the hoofstroke heard, but with altered intonation. There is a ring of metal—the clinking of steel against stone. The sound, significant to the ear of the stag, causes a quick change in his air and attitude. Springing clear of his couch, and bounding a score of yards across the prairie, he pauses to look back upon the disturber of his dreams. In the clear moonlight of a southern sky, he recognises the most ruthless of his enemies—man. One is approaching upon horseback. Yielding to instinctive dread, he is about to resume his flight: when something in the appearance of the horseman—some unnatural seeming—holds him transfixed to the spot. With haunches in quivering contact with the sward, and frontlet faced to the rear, he continues to gaze—his large brown eyes straining upon the intruder in a mingled expression of fear and bewilderment. What has challenged the stag to such protracted scrutiny? The horse is perfect in all its parts—a splendid steed, saddled, bridled, and otherwise completely caparisoned. In it there appears nothing amiss—nothing to produce either wonder or alarm. But the man—the rider? Ah! About him there is something to cause both—something weird—something wanting! By heavens! it is the head! Even the unreasoning animal can perceive this; and, after gazing a moment with wildered eyes—wondering what abnormal monster thus mocks its cervine intelligence—terror-stricken it continues its retreat; nor again pauses, till it has plunged through the waters of the Leona, and placed the current of the stream between itself and the ghastly intruder. Heedless of the affrighted deer—either of its presence, or precipitate flight—the Headless Horseman rides on. He, too, is going in the direction of the river. Unlike the stag, he does not seem pressed for time; but advances in a slow, tranquil pace: so silent as to seem ceremonious.

Excerptthis inquiry, in a tone that told of a vacillating spirit."Do, uncle Woodley! What else but keep straight on? The river must be on the other side? If we don't hit the crossing, to a half mile or so, we can go up, or down the bank--as the case may require.""But, Cassius: if we should lose our way?""We can't. There's but a patch of this, I suppose? If we do go a little astray, we must come out somewhere--on one side, or the other.""Well, nephew, you know best: I shall be guided by you.""No fear, uncle. I've made my way out of a worse fix than this. Drive on, niggers! Keep straight after me."The ex-officer of volunteers, casting a conceited glance towards the travelling carriage--through the curtains of which appears a fair face, slightly shadowed with anxiety--gives the spur to his horse; and with confident air trots onward.A chorus of whipcracks is succeeded by the trampling of fours

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.