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Other editions of book A Bend in the River

  • A Bend in the River

    V. S. Naipaul

    Paperback (Vintage, March 13, 1989)
    In the "brilliant novel" (The New York Times) V.S. Naipaul takes us deeply into the life of one manā€”an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.
  • A Bend in the River

    V. S. Naipaul, Patrick Marnham

    Hardcover (Everyman's Library, Dec. 3, 2019)
    Widely hailed as Nobel Prize-winning author V. S. Naipaulā€™s greatest work, A Bend in the River takes us deeply into the life of a young Indian man who moves to an isolated town at the bend of a great river in a newly independent African nation. Salim is doubly an outsider in his new homeā€”an unnamed country that resembles the Congoā€”by virtue of his origins in a community of Indian merchants on the coast of East Africa. Uncertain of his future, he has come to take possession of a local trading post he has naively purchased sight unseen. But what Salim discovers on his arrival is a ghost town, reduced to ruins in the wake of the recently departed European colonizers and in the process of being reclaimed by the surrounding forest. Salim struggles to build his business against a backdrop of growing chaos, conflict, ignorance, and poverty. His is a journey into the heart of Africa, into the same territory explored by Joseph Conradā€™s Heart of Darkness nearly eighty years earlierā€”but witnessed this time from the other side of the tragedy of colonization. Salim discovers that the nationā€™s violent legacy persists, through the rise of a dictator who calls himself the peopleā€™s savior but whose regime is built on fear and lies. In this haunting masterpiece of postcolonial literature, short-listed for the Booker Prize in 1979, Naipaul gives us a convincing and disturbing vision of a place caught between the dangerously alluring modern world and its own tenacious past.
  • A Bend in the River

    V. S. Naipaul

    eBook (Picador, March 22, 2012)
    Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continentā€™s remote interior and is selling sundries ā€“ little more than this and that, really ā€“ to the natives. This spot, this ā€˜bend in the riverā€™, is a microcosm of post-colonial Africa at the time of Independence: a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the authorā€™s most potent works ā€“ a truly moving story of historical upheaval and social breakdown.
  • A Bend in the River

    V. S. Naipaul

    Library Binding (Paw Prints, April 9, 2009)
    'Brilliant and terrifying' - "Observer". I had to be the man who was doing well and more than well, the man whose drab shop concealed some bigger operation that made millions. I had to be the man who had planned it all, who had come to the destroyed town at the bend in the river because he had foreseen the rich future. 'Salim, the narrator, is a young man from an Indian family of traders long resident on the coast of Central Africa. Salim has left the coast to make his way in the interior, there to take on a small trading shop of this and that, sundries, sold to the natives. The place is 'a bend in the river'; it is Africa. The time is post-colonial, the time of Independence. The Europeans have withdrawn or been forced to withdraw and the scene is one of chaos, violent change, warring tribes, ignorance, isolation, poverty and a lack of preparation for the modern world they have entered, or partially assumed as a sort of decoration. It is a story of historical upheaval and social breakdown. Naipaul has fashioned a work of intense imaginative force. It is a haunting creation, rich with incident and human bafflement, played out in an immense detail of landscape rendered with a poignant brilliance' - Elizabeth Hardwick. 'Always a master of fictional landscape, Naipaul here shows, in his variety of human examples and in his search for underlying social causes, a Tolstoyan spirit' - John Updike.
  • A Bend in the River

    V.S. Naipaul

    Hardcover (Alfred A. Knopf, May 12, 1979)
    In an African country that has suffered revolution and civil war and that is headed by a man of almost insane energy and crudity, one restless, reflective, and isolated villager and his friends uneasily submit to the tide of events
  • A Bend in the River

    V. S. Naipaul

    Audio CD (Blackstone Audio, Aug. 1, 2012)
    [Read by Simon Vance]This novel chronicles both an internal journey and a physical trek into the heart of Africa, a place caught between the dangerously alluring modern world and its own tenacious past and traditions.
  • A Bend in the River

    V. S. Naipaul

    Mass Market Paperback (Penguin Books, March 15, 1980)
    None
  • A Bend in the River

    V.S. Naipaul

    Paperback (Vintage, May 12, 1980)
    'Brilliant and terrifying' - "Observer". I had to be the man who was doing well and more than well, the man whose drab shop concealed some bigger operation that made millions. I had to be the man who had planned it all, who had come to the destroyed town at the bend in the river because he had foreseen the rich future. 'Salim, the narrator, is a young man from an Indian family of traders long resident on the coast of Central Africa. Salim has left the coast to make his way in the interior, there to take on a small trading shop of this and that, sundries, sold to the natives. The place is 'a bend in the river'; it is Africa. The time is post-colonial, the time of Independence. The Europeans have withdrawn or been forced to withdraw and the scene is one of chaos, violent change, warring tribes, ignorance, isolation, poverty and a lack of preparation for the modern world they have entered, or partially assumed as a sort of decoration. It is a story of historical upheaval and social breakdown. Naipaul has fashioned a work of intense imaginative force. It is a haunting creation, rich with incident and human bafflement, played out in an immense detail of landscape rendered with a poignant brilliance' - Elizabeth Hardwick. 'Always a master of fictional landscape, Naipaul here shows, in his variety of human examples and in his search for underlying social causes, a Tolstoyan spirit' - John Updike.
  • A Bend in the River

    V.S. Naipaul

    Hardcover (Modern Library, July 29, 1997)
    First published in 1979, A Bend in the River is a profound and richly observed novel of the politics and society of postcolonial Africa. Salim, a young Indian man, moves to a town on a bend in the river of a recently independent nation. As Salim strives to establish his business, he comes to be closely involved with the fluid and dangerous politics of the newly created state, the remnants of the old regime clashing inevitably with the new. "Naipaul's novels are about the struggle for existence in a world still colonial despite the breakup of the old Western empires," wrote Alfred Kazin. A Bend in the River is demonstration of V. S. Naipaul's status as one of the world's best novelists. The New York Times Book Review noted: "For sheer abundance of talent there can hardly be a writer alive who surpasses V. S. Naipaul." Elizabeth Hardwick, who has provided a The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford-able hardbound editions of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoringas its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.For a complete list of titles,see the inside of the jacketnew Introduction for this Modern Library edition, has said, "The sweep of Naipaul's imagination, the brilliant fictional frame that expresses it, are in my view without equal today."
  • A Bend in the River

    V. S. Naipaul

    Paperback (Picador USA, April 1, 2011)
    'Brilliant and terrifying' Observer Set in an unnamed African country, the book is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent's remote interior and is selling sundries little more than this and that, really to the natives. This spot, this 'bend in the river', is a microcosm of post-colonial Africa at the time of Independence: a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author's most potent works a truly moving story of historical upheaval and social breakdown. 'Naipaul has fashioned a work of intense imaginative force. It is a haunting creation, rich with incident and human bafflement, played out in an immense detail of landscape rendered with a poignant brilliance.' Elizabeth Hardwick 'Always a master of fictional landscape, Naipaul here shows, in his variety of human examples and in his search for underlying social causes, a Tolstoyan spirit' John Updike
  • A Bend in the River

    V.S. Naipaul

    Paperback (Vintage, March 13, 1989)
    In the "brilliant novel" (The New York Times) V.S. Naipaul takes us deeply into the life of one manā€”an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.
  • A Bend in the River

    V.S. Naipaul

    Paperback (Pan MacMillan, May 15, 2002)
    `Brilliant and terrifying` Observer I had to be the man who was doing well and more than well, the man whose drab shop concealed some bigger operation that made millions. I had to be the man who had planned it all, who had come to the destroyed town at the bend in the river because he had foreseen the rich future. `Salim, the narrator, is a young man from an Indian family of traders long resident on the coast of Centeral Africa. Salim has left the coast to make his way in the interior, there to take on a small trading shop of this and that, sudries, sold to the natives. The place is ā€œa bend in the riverā€; it is Africa. The time is post-colonial, the time of Independence. The Europeans have withdrawn or been forced to withdraw and the scene is one of chaos, violent change, warring tribes, ignorance, isolation, poverty and a lack of prepartion for the modern world they have entered, or partially assumed as a sort of decoration. It is a story of historical upheaval and social breakdown. Naipaul has fashioned a work of intense imaginative force. It is a haunting creation, rich with incident and human bafflement, played out in an immense detail of landscape rendered with a poignant brilliance.` Elizabeth Hardwick `Always a master of fictional landscape, Naipaul here shows, in his variety of human examples and in his search for underlying social causes, a Tolstoyan spirit` John Updike