Other editions of book The Age Of Shakespeare

The first great English poet was the father of English tragedy and the creator of English blank verse. Chaucer and Spenser were great writers and great men: they shared between them every gift which goes to the making of a poet except the one which alone can make a poet, in the proper sense of the word, great. Neither pathos nor humor nor fancy nor invention will suffice for that: no poet is great as a poet whom no one could ever pretend to recognize as sublime. Sublimity is the test of imagination as distinguished from invention or from fancy: and the first English poet whose powers can be called sublime was Christopher Marlowe...

The first great English poet was the father of English tragedy and the creator of English blank verse. Chaucer and Spenser were great writers and great men: they shared between them every gift which goes to the making of a poet except the one which alone can make a poet, in the proper sense of the word, great. Neither pathos nor humor nor fancy nor invention will suffice for that: no poet is great as a poet whom no one could ever pretend to recognize as sublime. Sublimity is the test of imagination as distinguished from invention or from fancy: and the first English poet whose powers can be called sublime was Christopher Marlowe...

"The Age of Shakespeare" by Algernon Charles Swinburne. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The first great English poet was the father of English tragedy and the creator of English blank verse. Chaucer and Spenser were great writers and great men: they shared between them every gift which goes to the making of a poet except the one which alone can make a poet, in the proper sense of the word, great. Neither pathos nor humor nor fancy nor invention will suffice for that: no poet is great as a poet whom no one could ever pretend to recognize as sublime. Sublimity is the test of imagination as distinguished from invention or from fancy: and the first English poet whose powers can be called sublime was Christopher Marlowe. The majestic and exquisite excellence of various lines and passages in Marlowe’s first play must be admitted to relieve, if it cannot be allowed to redeem, the stormy monotony of Titanic truculence which blusters like a simoom through the noisy course of its ten fierce acts. With many and heavy faults, there is something of genuine greatness in "Tamburlaine the Great"; and for two grave reasons it must always be remembered with distinction and mentioned with honor. It is the first poem ever written in English blank verse, as distinguished from mere rhymeless decasyllabics; and it contains one of the noblest passages perhaps, indeed, the noblest in the literature of the world ever written by one of the greatest masters of poetry in loving praise of the glorious delights and sublime submission to the everlasting limits of his art. In its highest and most distinctive qualities, in unfaltering and infallible command of the right note of music and the proper tone of color for the finest touches of poetic execution, no poet of the most elaborate modern school, working at ease upon every consummate resource of luxurious learning and leisurely refinement, has ever excelled the best and most representative work of a man who had literally no models before him, and probably or evidently was often, if not always, compelled to write against time for his living.

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Formatted for the Kindle. Linked Contents:THE AGE OF SHAKESPEAREI. CHRISTOPHER MARLOWEII. JOHN WEBSTERIII. THOMAS DEKKERIV. JOHN MARSTONV. THOMAS MIDDLETONVI. WILLIAM ROWLEYVII. THOMAS HEYWOODVIII> GEORGE CHAPMANIX. CYRIL TOURNEURA STUDY OF SHAKESPEAREI. FIRST PERIOD: LYRIC AND FANTASTICII. SECOND PERIOD: COMIC AND HISTORICIII. THIRD PERIOD: TRAGIC AND ROMANTICAPPENDIX I. NOTE ON THE HISTORICAL PLAY OF KING EDWARD III.APPENDIX II. REPORT OF THE PROCEEDINGS ON THIS FIRST ANNIVERSARY SESSION OF THE NEWEST SHAKESPEARE SOCIETYAPPENDIX III. ADDITIONS AND CORRECTIONS

The Age of Shakespeare is a collection of essays on the literary contemporaries of William Shakespeare, by Algernon Charles Swinburne. The work was first published in 1908. T.S. Eliot believed that Swinburne knew his material on this age of literature that he was more valuable than Hazlitt, Coleridge or even Lamb. The work contains essays on Christopher Marlowe, John Webster, Thomas Dekker, John Marston, Thomas Middleton, William Rowley, Thomas Heywood, George Chapman, Cyril Tourneur.

Algernon Charles Swinburne is often thought to be one of the most talented poets in English history. Recognized at the age of thirty as England's premier poet during the Victorian era, in a very real sense he succeeded Lord Tennyson. He published several books of poetry, many of which were considered somewhat controversial at the time, as well as a few notable essays including The Age of Shakespeare. In this piece, Swinburne shines as a poet writing about other poets, such as Christopher Marlowe, George Chapman, and John Marston, all of whom lived during the same time as William Shakespeare. He endeavors to identify what sets them apart from other writers and show how the brilliance of their works borders on the prominence of Shakespeare. He demonstrates that there were more great minds at work during this period than are often recognized. With its flowing language and insightful opinions, The Age of Shakespeare is a stimulating and profound look into a century of poetic knowledge.