Other editions of book Witch Wood

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.

John Buchan's own favourite among his novels, in which he dealt with the hypocrisy which can lie close to the surface of apparently god-fearing respectability. The story is set in the Scottish Borders during the civil war and the main character is the new young minister in a small village. The minister wrestles with his own christian faith as opposed to the severe presbyterianism of the Kirk and also has to deal with a pagan coven, a wounded soldier from Montrose's defeated army as well as falling in love. The story itself is breathlessly exciting – a real page-turner – and Buchan's characters really live, from the young minister David, with his gradual disillusionment with the Kirk he is pledged to serve to the grace and gaiety of Buchan's most attractive and well drawn heroine, Katrine Yester.

John Buchan's own favourite among his novels, in which he dealt with the hypocrisy which can lie close to the surface of apparently god-fearing respectability. The story is set in the Scottish Borders during the civil war and the main character is the new young minister in a small village. The minister wrestles with his own christian faith as opposed to the severe presbyterianism of the Kirk and also has to deal with a pagan coven, a wounded soldier from Montrose's defeated army as well as falling in love. The story itself is breathlessly exciting – a real page-turner – and Buchan's characters really live, from the young minister David, with his gradual disillusionment with the Kirk he is pledged to serve to the grace and gaiety of Buchan's most attractive and well drawn heroine, Katrine Yester.

Set against the religious struggles and civil wars of seventeenth century Scotland, John Buchan’s gripping atmospheric tale in the spirit of Stevenson and Neil Munro. As a moderate presbyterian minister, young David Sempill disputes with the extremists of his faith, as all around, the defeated remnants of Montrose’s men are being harried and slaughtered. There are still older conflicts to be faced however, symbolised by the presence of the Melanudrigall Wood, a last remnant of the ancient Caledonian forest. Here there is black magic to be uncovered, but also the more positive pre-Christian intimations of nature worship. In such setting, and faced with the onset of the plague, David Sempill’s struggle and eventual disappearance take on a strange and timeless aspect in what was John Buchan’s own favourite among his many novels.