Books with title My summer in a garden

Oft quoted but seldom credited,Charles Dudley Warner’s My Summer in a Garden is a classic of American garden writing and was a seminal early work in the then fledgling genre of American nature writing. Warner—prominent in his day as a writer and newspaper editor—was a dedicated amateur gardener who shared with Mark Twain, his close friend and neighbor, a sense of humor that remains deliciously fresh today. In monthly dispatches, Warner chronicles his travails in the garden, where he and his cat, Calvin, seek to ward off a stream of interlopers, from the neighbors’ huge-hoofed cows and thieving children, to the reviled, though “propagatious,” pusley weed. To read Warner is to join him on his rounds of his beloved vegetable patch, to feel the sun on his sore back, the hoe in his blistered hands, and yet, like him, never to lose sight of “the philosophical implications of contact with the earth, and companionship with gently growing things.” This Modern Library edition is published with an extensive new Introduction by Allan Gurganus, author of Oldest Living Confederate Widow Tells All and The Practical Heart.

MY DEAR MR. FIELDS,—I did promise to write an Introduction to these charming papers but an Introduction,—what is it?—a sort of pilaster, put upon the face of a building for looks' sake, and usually flat,—very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon his or her head or shoulders a structure which they did not build, and which could stand just as well without as with them. But an Introduction is more apt to be a pillar, such as one may see in Baalbec, standing up in the air all alone, with nothing on it, and with nothing for it to do. But an Introductory Letter is different. There is in that no formality, no assumption of function, no awkward propriety or dignity to be sustained. A letter at the opening of a book may be only a footpath, leading the curious to a favorable point of observation, and then leaving them to wander as they will. Sluggards have been sent to the ant for wisdom; but writers might better be sent to the spider, not because he works all night, and watches all day, but because he works unconsciously. He dare not even bring his work before his own eyes, but keeps it behind him, as if too much knowledge of what one is doing would spoil the delicacy and modesty of one's work.

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Welcome the outdoors inside for story time with this classic tale of a garden changing through the seasons.A young girl and her older companion watch birds, fly a kite, plant flowers, and play in the snow, watching flowers bloom and leaves fall as the year passes. This quiet story celebrates the simple joys found close to home, and the importance of sharing those experiences with the ones you love. A perfect story time pick for any season, In My Garden explores the natural marvels of the world around us and encourages young readers to think about what they love best throughout the year. Written by picture book master Charlotte Zolotow and originally published in 1960, this elegant reimagining of In My Garden features all-new illustrations by accomplished author-illustrator Philip Stead. His delicate illustrations and gentle, colorful palette bring new life and meaning to this classic tale-- a beautiful tribute to the experience of childhood, and a thank you to a master storyteller.

Charles Dudley Warner (September 12, 1829 – October 20, 1900) was an American essayist, novelist, and friend of Mark Twain, with whom he co-authored the novel The Gilded Age: A Tale of Today.Warner was born of Puritan descent in Plainfield, Massachusetts. From the ages of six to fourteen he lived in Charlemont, Massachusetts, the scene of the experiences pictured in his study of childhood, Being a Boy (1877). He then moved to Cazenovia, New York, and in 1851 graduated from Hamilton College, Clinton, NY. He worked with a surveying party in Missouri; studied law at the University of Pennsylvania; practiced in Chicago (1856–1860); was assistant editor (1860) and editor (1861–1867) of The Hartford Press, and after The Press was merged into The Hartford Courant, was co-editor with Joseph R Hawley; in 1884 he joined the editorial staff of Harper's Magazine, for which he conducted The Editor's Drawer until 1892, when he took charge of The Editor's Study. He died in Hartford on October 20, 1900, and was interred at Cedar Hill Cemetery, with Mark Twain as a pall bearer and Joseph Twichell officiating. Warner traveled widely, lectured frequently, and was actively interested in prison reform, city park supervision, and other movements for the public good. He was the first president of the National Institute of Arts and Letters, and, at the time of his death, was president of the American Social Science Association. He first attracted attention by the reflective sketches entitled My Summer in a Garden (1870; first published in The Hartford Courant), popular for their abounding and refined humour and mellow personal charm, their wholesome love of outdoor things, their suggestive comment on life and affairs, and their delicately finished style, qualities that suggest the work of Washington Irving.

In this charming garden of numbers, readers will be delighted by dancing flowers and crabby apples while they learn to count from one watering can to ten snails, from twenty weepy onions to fifty cherry pies, to as many as two hundred and thirty three peas! Ward Schumaker's bright palette and whimsical illustrations make In My Garden the perfect book for budding counters and gardeners, alike.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.