Books in Modern knowledge library series

Nearly two thousand years after it was written, Meditations remains profoundly relevant for anyone seeking to lead a meaningful life.Few ancient works have been as influential as the Meditations of Marcus Aurelius, philosopher and emperor of Rome (A.D. 161–180). A series of spiritual exercises filled with wisdom, practical guidance, and profound understanding of human behavior, it remains one of the greatest works of spiritual and ethical reflection ever written. Marcus’s insights and advice—on everything from living in the world to coping with adversity and interacting with others—have made the Meditations required reading for statesmen and philosophers alike, while generations of ordinary readers have responded to the straightforward intimacy of his style. For anyone who struggles to reconcile the demands of leadership with a concern for personal integrity and spiritual well-being, the Meditations remains as relevant now as it was two thousand years ago. In Gregory Hays’s new translation—the first in thirty-five years—Marcus’s thoughts speak with a new immediacy. In fresh and unencumbered English, Hays vividly conveys the spareness and compression of the original Greek text. Never before have Marcus’s insights been so directly and powerfully presented. With an Introduction that outlines Marcus’s life and career, the essentials of Stoic doctrine, the style and construction of the Meditations, and the work’s ongoing influence, this edition makes it possible to fully rediscover the thoughts of one of the most enlightened and intelligent leaders of any era.

Selected by the Modern Library as one of the 100 best nonfiction books of all timeOn the occasion of the 150th anniversary of the Civil War, the Modern Library publishes Shelby Foote’s three-volume masterpiece in a new boxed set including three hardcovers and a new trade paperback, American Homer: Reflections on Shelby Foote and His Classic Civil War: A Narrative, edited by and with an introduction from Pulitzer Prize winner Jon Meacham and including essays by Michael Beschloss, Ken Burns, Annette Gordon-Reed, and others. Random House publisher Bennett Cerf commissioned southern novelist Shelby Foote to write a short, one-volume history of the American Civil War. Thirty years and a million and a half words later—every word having been written out longhand with nib pens dipped into ink—Foote published the third and final volume of what has become the classic narrative of that epic war. As he approached the end of the final volume, Foote recounted this scene in a letter to his friend, the novelist Walker Percy: “I killed Lincoln last week—Saturday, at noon. While I was doing it (he had his chest arched up, holding his last breath to let it out) some halfassed doctor came to the door with vols I and II under his arm, wanting me to autograph them for his son for Xmas. I was in such a state of shock, I not only let him in; I even signed the goddam books, a thing I seldom do. Then I turned back and killed him and had Stanton say, ‘Now he belongs to the ages.’ A strange feeling, though. I have another 70-odd pages to go, and I have a fear they’ll be like Hamlet with Hamlet left out. Christ, what a man. It’s been a great thing getting to know him as he was, rather than as he has come to be—a sort of TV image of himself, with a ghost alongside.” When Percy read the final book, he wrote to Foote: “It’s a noble work. I’m still staggered by the size of the achievement. . . . It is The Iliad.” A selection of these letters, along with essays by Jon Meacham, Michael Beschloss, Ken Burns, Annette Gordon-Reed, Michael Eric Dyson, Julia Reed, Robert Loomis, Donald Graham, John M. McCardell, Jr., and Jay Tolson, are included in American Homer, the bonus paperback book available only in the Modern Library boxed set of The Civil War. Shelby Foote’s tremendous, sweeping narrative of the most fascinating conflict in our history—a war that lasted four long, bitter years, an experience more profound and meaningful than any other the American people have ever lived through—begins with Jefferson Davis’s resignation from the United States Senate and Abraham Lincoln’s departure from Springfield for the national capital. It is these two leaders, whose lives continually touch on the great chain of events throughout the story, who are only the first of scores of exciting personalities that in effect make The Civil War a multiple biography set against the crisis of an age. Four years later, Lincoln’s second inaugural sets the seal, invoking “charity for all” on the Eve of Five Forks and the Grant-Lee race for Appomattox. Here is the dust and stench of war, a sort of Twilight of the Gods. The epilogue is Lincoln in his grave, and Davis in his postwar existence—“Lucifer in Starlight.” So ends a unique achievement—already recognized as one of the finest histories ever fashioned by an American—a narrative that re-creates on a vast and brilliant canvas the events and personalities of an American epic: the Civil War.

Published to coincide with the 50th anniversary of its initial publication, this special edition of Jane Jacobs’s masterpiece, The Death and Life of Great American Cities, features a new Introduction by Jason Epstein, the book’s original editor, who provides an intimate perspective on Jacobs herself and unique insights into the creation and lasting influence of this classic. The Death and Life of Great American Cities was described by The New York Times as “perhaps the most influential single work in the history of town planning. . . . [It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of traditional planning theory can still be read for pleasure even by those who long ago absorbed and appropriated the book’s arguments.” Jane Jacobs, an editor and writer on architecture in New York City in the early sixties, argued that urban diversity and vitality were being destroyed by powerful architects and city planners. Rigorous, sane, and delightfully epigrammatic, Jane Jacobs’s tour de force is a blueprint for the humanistic management of cities. It remains sensible, knowledgeable, readable, and indispensable.

The World According to Garp is a comic and compassionate coming-of-age novel that established John Irving as one of the most imaginative writers of his generation. A worldwide bestseller since its publication in 1978, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, novelist and bastard son of Jenny Fields--a feminist leader ahead of her time. Beyond that, The World According to Garp virtually defies synopsis.----"Nothing in contemporary fiction matches it," said critic Terrence Des Pres. "Irving's blend of gravity and play is unique, audacious, almost blasphemous. . . . Friendship, marriage and family are his primary themes, but at that blundering level of life where mishap and folly--something close to joyful malice--perpetually intrude and disrupt, often fatally. Life, in Irving's fiction, is always under siege." Time magazine commented: "Irving's popularity is not hard to understand. His world is really the world according to nearly everyone."----This Modern Library edition includes a new Introduction by the author.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editons of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoringas its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

NATIONAL BOOK AWARD WINNER • “Altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature.”—Michael Dirda, The New York Review of Books Killing Mister Watson, Lost Man’s River, and Bone by Bone—Peter Matthiessen’s great American epic about Everglades sugar planter and notorious outlaw E. J. Watson on the wild Florida frontier at the turn of the twentieth century—were originally conceived as one vast, mysterious novel. Now, in this bold new rendering, Matthiessen has marvelously distilled a monumental work while deepening the insights and motivations of his characters with brilliant rewriting throughout. Praise for Shadow Country “Magnificent . . . breathtaking . . . Finally now we have [this three-part saga] welded like a bell, and with Watson’s song the last sound, all the elements fuse and resonate.”—Los Angeles Times“Peter Matthiessen has done great things with the Watson trilogy. It’s the story of our continent, both land and people, and his writing does every justice to the blood fury of his themes.”—Don DeLillo “The fiction of Peter Ma­­tthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. Shadow Country lives up to anyone’s highest expectations for great writing.” —Richard Ford “Shadow Country, Matthiessen’s distillation of the earlier Watson saga, represents his original vision. It is the quintessence of his lifelong concerns, and a great legacy.”—W. S. Merwin “[An] epic masterpiece . . . a great American novel.”—The Miami Herald

Friedrich Nietzsche's most accessible and influential philosophical work, misquoted, misrepresented, brilliantly original and enormously influential, Thus Spoke Zarathustra is translated from the German by R.J. Hollingdale in Penguin Classics. Nietzsche was one of the most revolutionary and subversive thinkers in Western philosophy, and Thus Spoke Zarathustra remains his most famous and influential work. It describes how the ancient Persian prophet Zarathustra descends from his solitude in the mountains to tell the world that God is dead and that the Superman, the human embodiment of divinity, is his successor. Nietzsche's utterance 'God is dead', his insistence that the meaning of life is to be found in purely human terms, and his doctrine of the Superman and the will to power were all later seized upon and unrecognisably twisted by, among others, Nazi intellectuals. With blazing intensity and poetic brilliance, Nietzsche argues that the meaning of existence is not to be found in religious pieties or meek submission to authority, but in an all-powerful life force: passionate, chaotic and free. Frederich Nietzsche (1844-1900) became the chair of classical philology at Basel University at the age of 24 until his bad health forced him to retire in 1879. He divorced himself from society until his final collapse in 1899 when he became insane. A powerfully original thinker, Nietzsche's influence on subsequent writers, such as George Bernard Shaw, D.H. Lawrence, Thomas Mann and Jean-Paul Sartre, was considerable. If you enjoyed Thus Spoke Zarathustra you might like Nietzsche's Beyond Good and Evil, also available in Penguin Classics. 'Enigmatic, vatic, emphatic, passionate, often breathtakingly insightful, his works together make a unique statement in the literature of European ideas' A. C. Grayling

The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries. "The Brothers Karamazov stands as the culmination of Dostoevsky's art—his last, longest, richest, and most capacious book," said The Washington Post Book World. "Nothing is outside Dostoevsky's province," observed Virginia Woolf. "Out of Shakespeare there is no more exciting reading."

First published in 1776, The Wealth of Nations is generally regarded as the foundation of contemporary economic thought. Adam Smith, a Scottish professor of moral philosophy, expounded the then-revolutionary doctrine of economic liberalism. The book’s importance was immediately recognized by Smith’s peers, and later economists have shown an unusual consensus in their admiration for his ideas. Combining economics, political theory, history, philosophy, and practical programs, Smith assumes that human self-interest is the basic psychological drive behind economics and that a natural order in the universe makes all the individual, self-interested strivings add up to the social good. His conclusion, that the best program is to leave the economic process alone and that government is useful only as an agent to preserve order and to perform routine functions, is now known as laissez-faire economics or noninterventionism. In noting for the first time the significance of the division of labor and by stating the hypothesis that a commodity’s value correlates to its labor input, Smith anticipated the writings of Karl Marx. Like Marx’s Das Capital and Machiavelli’s The Prince, his great book marked the dawning of a new historical epoch.

In this major new rendition by the acclaimed translator Julie Rose, Victor Hugo’s tour de force, Les Misérables, is revealed in its full unabridged glory. A favorite of readers for nearly 150 years, and the basis for one of the most beloved stage musicals ever, this stirring tale of crime, punishment, justice, and redemption pulses with life and energy. Hugo sweeps readers from the French provinces to the back alleys of Paris, and from the battlefield of Waterloo to the bloody ramparts of Paris during the uprising of 1832. First published in 1862, this sprawling novel is an extravagant historical epic that is teeming with harrowing adventures and unforgettable characters. In the protagonist, Jean Valjean, a quintessential prisoner of conscience who languished for years in prison for stealing bread to feed his starving family, Les Misérables depicts one of the grand themes in literature–that of the hunted man. Woven into the narrative are the prevalent social issues of Hugo’s day: injustice, authoritarian rule, social inequality, civic unrest. And this new translation brings astonishing vivacity and depth to Hugo’s immortal dramatis personae–the relentless police detective Javert, the saintly bishop Myriel, the tragic prostitute Fantine and her innocent daughter, Cosette, the dashing lover Marius, and many others whom Jean Valjean encounters on his path to sublime sacrifice.Featuring an Introduction by the award-winning journalist and author Adam Gopnik, this Modern Library edition is an outstanding, authoritative translation of a masterpiece, a literary high-wire act that continues to astonish, stimulate, enlighten, and entertain readers around the world.

"Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

" Don Quixote is practically unthinkable as a living being," said novelist Milan Kundera. "And yet, in our memory, what character is more alive?"----Widely regarded as the world's first modern novel, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. This Modern Library edition presents the acclaimed Samuel Putnam translation of the epic tale, complete with notes, variant readings, and an Introduction by the translator.----The debt owed to Cervantes by literature is immense. From Milan Kundera: "Cervan-tes is the founder of the Modern Era. . . . The novelist need answer to no one but Cervantes." Lionel Trilling observed: "It can be said that all prose fiction is a variation on the theme of Don Quixote." Vladmir Nabo-kov wrote: "Don Quixote is greater today than he was in Cervantes's womb. [He] looms so wonderfully above the skyline of literature, a gaunt giant on a lean nag, that the book lives and will live through [his] sheer vitality. . . . He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon." And V. S. Pritchett observed: "Don Quixote begins as a province, turns into Spain, and ends as a universe. . . . The true spell of Cervantes is that he is a natural magician in pure story-telling."The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.