Books published by publisher At The Clarendon Press

In the modern theater, Twelfth Night is one of the most popular of Shakespeare's plays, and this edition places particular emphasis on its theatrical qualities in both the introduction and the full and detailed commentary. Where original music has not survived, James Walker has composed settings compatible with the surviving originals, freshly edited so that this edition, unique among modern editions, offers all the music required to perform the play. It will be invaluable to actors, directors, and students at all levels.

This is a fascinating account of daily life in Westminster Abbey, one of medieval England's most important monastic communities. It is also a broad scholarly exploration of some major themes in the social history of the Middle Ages by one of its most distinguished historians. Barbara Harvey exploits the exceptionally rich archives of the Benedictine foundation of Westminster to the full, offering numerous vivid insights into the lives of the Westminster monks, their pensioners, and their patrons. She examines their charitable practices, their food and drink, illness and death, the abbey servants and the institution of corrodies--a key aspect of the abbey's finances. Harvey sets her findings in the context both of other religious institutions and of the secular world. Full of color and interest, Living and Dying in England is a highly readable and authoritative contribution to medieval history.

There are more than ten thousand particle accelerators in the world from the linear accelerators used for cancer therapy in modern hospitals to the giant 'atom-smashers' at international particle physics laboratories used to unlock the secrets of creation. Many scientists and engineers spend their lives designing, constructing, and operating these machines - yet few universities include the subject of particle accelerators in their curricula. The few courses that do exist and the summer schools run by the big accelerator laboratories lack a simple introduction which covers the essentials of the subject for the many who need to learn how these machines work. This book fills that gap and takes the reader through each of the aspects of a modern accelerator giving enough information to unlock the door to the subject but does not overload the understanding with mathematics. Anyone with a general interest in modern technology based on a fascinating variety of physics and engineering will find much of interest in this book.

Based on Chaucer's Knight's Tale, The Two Noble Kinsmen was written at the end of Shakespeare's career, as a collaboration with the rising young dramatist John Fletcher. Neglected until recently by directors and teachers, the play deserves to be better known for its moving dramatization of the conflict of love and friendship. This new edition, compiled by distinguished scholar Eugene M. Waith, offers helpful new material on the play's authenticity as a work of Shakespeare, his collaboration with Fletcher, the relevance to the play of the contemporary ideals of chivalry and friendship, and its limited but increasing stage history. Based on the Quarto of 1634, Waith's edition also sets out to clarify the stage directions, address problems of mislineation, and provide useful guides to unfamiliar words, stage business, allusions, and textual problems.

As well as being the author of the greatest of all children's plays, Peter Pan, J. M. Barrie also wrote sophisticated social comedy and political satire. The Admirable Crichton and What Every Woman Knows are shrewd and entertaining contributions to the politics of class and gender, while Mary Rose is one of the best ghost stories written for the stage.

Mary Anne Warren investigates a theoretical question that is at the center of practical and professional ethics: what are the criteria for having moral status? That is, what does it take to be an entity towards which people have moral considerations? Warren argues that no single property will do as a sole criterion, and puts forward seven basic principles as criteria. She then applies these principles to three controversial moral issues: voluntary euthanasia, abortion, and the moral status of animals.

Introduction to Integration provides a unified account of integration theory, giving a practical guide to the Lebesgue integral and its uses, with a wealth of examples and exercises. Intended as a first course in integration theory for students familiar with real analysis, the book begins with a simplified Lebesgue integral, which is then developed to provide an entry point for important results in the field. The final chapters present selected applications, mostly drawn from Fourier analysis. The emphasis throughout is on integrable functions rather than on measures. Designed as an undergraduate or graduate textbook, it is a companion volume to the author's Introduction to Complex Analysis and is aimed at both pure and applied mathematicians.

Britain and the Last Tsar is a fundamental re-interpretation of British foreign and defense policy before the First World War. The currect orthodoxy asserts that the rise of an aggressive and powerful Germany forced Britain--a declining power--to abandon her traditional policy of avoiding alliances and to enter into alliance with Japan (1902), France (1904), and Russia (1907) in order to contain the German menace. In a controversial rejection of this theory, Keith Neilson argues that Britain was the pre-eminent world power in 1914 and that Russia, not Germany, was the principal long-term threat to Britain's global position. This original and important study shows that only by examining Anglo-Russian relations and eliminating an undue emphasis on Anglo-German affairs can an accurate picture of Britain's foreign and defense policy before 1914 be gained.

The first and only comprehensive work of its kind, The Companion to Twentieth Century Poetry in English charts the development of poetry from 1900 to the present, across the whole of the English-speaking world, from the United States, Great Britain, and Ireland to New Zealand, Pakistan, Singapore, Trinidad and Zimbabwe--anywhere where poets write in English. Alphabetically arranged for ease of reference, it offers biographical entries on some 1,500 individual poets, as well as over one hundred entries covering important magazines, movements, literary terms and concepts. As readable as it is comprehensive, the Companion offers a fascinating survey of this century's shift from 'poetry' to 'poetries,' as American and British traditions of poetry have made way for a growing diversity of voices, and as the burgeoning poetries of Australia, Canada, and other English-speaking countries assert their own identities. The range of poets represented in this Companion is extraordinary. Here are in-depth discussions of Yeats, Eliot, Pound, and Joyce alongside provocative assessments of W.H. Auden, Elizabeth Bishop, Wallace Stevens, and Marianne Moore. John Ashbery, Margaret Atwood, Maya Angelou, and Mary Oliver are accounted for, as well as Carolyn Forché, David Bottoms, Jorie Graham, and many other younger poets just coming into prominence. Chinua Achebee, Jack Mapanje, Femi Oyebode and other important African poets writing in English are here, as well as poets from the Caribbean, India, and even Russia. Readers will relish this Companion's many insightful contributions from celebrated poet-critics, writing on other poets in intriguing author-subject combinations. For example, Seamus Heaney writes on Robert Lowell ("Lowell had invented a way of getting at life, of making poetry kick and freak at the edge of contemporary reality"), Ann Stevenson discusses Sylvia Plath ("In the quarter-century following her suicide, Sylvia Plath has become a heroine and martyr of the feminist movement. In fact, she was a martyr mainly to the recurrent psychodrama that staged itself within the bell jar of her tragically wounded personality"), and Tom Paulin weighs in on Ted Hughes ("His appointment as Poet Laureate in 1984 sealed his essentially shaman-like conception of his poetic mission and enabled him to speak out on environmental issues while celebrating royal weddings and babies"). Other pairings include Jay Parini on Wallace Stevens, Jon Stallworthy on Wilfred Owen and Rupert Brook, and William H. Pritchard on Robert Frost and Randall Jarrell. Each entry includes a wealth of biographical and bibliographical information, and a select bibliography at the end of the book supplies a handy source of information on poets whose work is not otherwise in print, or readily available to readers. From Abse and Auden to Zaturenska and Zukofsky, The Oxford Companion to Twentieth-Century Poetry in English is an essential reference for students, lovers of poetry, and for poets themselves.