Books with author William Wadsworth Longfellow

It has been said that a copy of Longfellow's narrative poem Evangeline could be found in every literate household in America in the nineteenth century. Certainly its poignant romance touched many hearts and stirred deepening interest in the Maine-born Harvard educator who, in his lifetime, would become America's most famous poet. This book contains the complete Evangeline and a number of other widely admired Longfellow poems.Included are the memorable "The Skeleton in Armor," "The Arsenal at Springfield," "Mezzo Cammin," and "Aftermath." Here, too, is Divina Commedia, the six sonnets on Dante that are among the poet's finest works. All have been reprinted from an authoritative edition of Longfellow's poems.

Return to the shores of Gitche Gumee and sing the Song of Hiawatha Out of childhood into manhood Now had grown my Hiawatha, Skilled in all the craft of hunters, Learned in all the lore of old men, In all youthful sports and pastimes, In all manly arts and labors. Swift of foot was Hiawatha; He could shoot an arrow from him, And run forward with such fleetness, That the arrow fell behind him! Strong of arm was Hiawatha; He could shoot ten arrows upward, Shoot them with such strength and swiftness, That the tenth had left the bow-string Ere the first to earth had fallen!--Longfellow

IN the Acadian land, on the shores of the Basin of Minas, Distant, secluded, still, the little village of Grand-Pré Lay in the fruitful valley. Vast meadows stretched to the eastward, Giving the village its name, and pasture to flocks without number. Dikes, that the hands of the farmers had raised with labor incessant, Shut out the turbulent tides; but at stated seasons the flood-gates Opened, and welcomed the sea to wander at will o'er the meadows. West and south there were fields of flax, and orchards and cornfields Spreading afar and unfenced o'er the plain; and away to the northward Blomidon rose, and the forests old, and aloft on the mountains Sea-fogs pitched their tents, and mists from the mighty Atlantic Looked on the happy valley, but ne'er from their station descended. There, in the midst of its farms, reposed the Acadian village. Strongly built were the houses, with frames of oak and of chestnut, Such as the peasants of Normandy built in the reign of the Henries. Thatched were the roofs, with dormer-windows; and gables projecting Over the basement below protected and shaded the door-way. There in the tranquil evenings of summer, when brightly the sunset Lighted the village street, and gilded the vanes on the chimneys, Matrons and maidens sat in snow-white caps and in kirtles Scarlet and blue and green, with distaffs spinning the golden Flax for the gossiping looms, whose noisy shuttles within doors Mingled their sound with the whir of the wheels and the songs of the maidens.- Taken from "Evangeline" written by Henry Wadsworth Longfellow

"At the door on summer eveningsSat the little Hiawatha;Heard the whispering of the pine-trees,Sounds of music, words of wonder . . ."The infectious rhythm of The Song of Hiawatha has captured the ears of millions. Once drawn in, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people.America's most popular nineteenth-century poet, Henry Wadsworth Longfellow devoted himself to providing his country with a national mythology, poetic tradition, and epic forms. Known and loved by generations of schoolchildren for its evocative storytelling, his 1855 classic is regarded as a masterpiece of American literature, combining romance and idealism in an idyllic natural setting.

It has been said that a copy of Longfellow's narrative poem Evangeline could be found in every literate household in America in the nineteenth century. Certainly its poignant romance touched many hearts and stirred deepening interest in the Maine-born Harvard educator who, in his lifetime, would become America's most famous poet. This book contains the complete Evangeline and a number of other widely admired Longfellow poems.Included are the memorable "The Skeleton in Armor," "The Arsenal at Springfield," "Mezzo Cammin," and "Aftermath." Here, too, is Divina Commedia, the six sonnets on Dante that are among the poet's finest works. All have been reprinted from an authoritative edition of Longfellow's poems.

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This colourful edition of Henry Wadsworth Longfellow's epic poem 'The Song of Hiawatha' is specially selected with children in mind, tracing Hiawatha's life from his early years and his friendship with animals and nature spirits through his marriage to Minnehaha and his mission to teach agriculture and bring peace among the warring Ojibway, Dakota and other tribes along the US-Canadian border. The poem was first published in 1855 but is set in the age just prior to the first European settlers to North America. Profusely illustrated, the forty-eight colour and thirty-eight black and white images blend seamlessly with the hypnotic rhythm of Longfellow's famous poem, bringing the magical world of the American Indian - where dream and waking life were considered equally real - fully to life. The moon is a grandmother, a rainbow the place flowers go to when they die, dwarves (Puk-Wudjies) haunt the dark woods, and Hiawatha himself is the son of Mudjekeewis, the West Wind. Brief explanatory links between excerpted verses maintain the integrity of the story, giving even the youngest reader an understanding of the wondrous scope of this magnificent epic.

The Song of Hiawatha is an 1855 epic poem, in trochaic tetrameter, by Henry Wadsworth Longfellow, featuring an Indian hero. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during their visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Commons; Algic Researches and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow's poem is very much a work of American Romantic literature, not a representation of Native American oral tradition. Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends."