Books with author William Le Queux

"The Closed Book: Concerning the Secret of the Borgias" by William Le Queux. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> The Stretton Street Affair<author> William Le Queux<publisher> Macaulay Co., 1922

These strange facts would never have been placed on record, nor would this exciting chapter of an eventful life have been written, except for two reasons: first, because the discovery I made has been declared to be of considerable importance to scientists, bibliophiles, and the world at large; and, secondly, because it is my dear wife's wish that in order to clear her in the eyes of both friends and foes nothing should be concealed, misrepresented, or withheld.It was, indeed, a memorable day when I halted before the white, almost windowless house of the prior of San Sisto and knocked twice at its plain, green-painted door. The sun-blanched, time-mellowed city of Florence lay silent, glaring, and deserted in the blazing noon of a July day. The Florentines had fled to the mountains for air. The persiennes, or sun-shutters, were everywhere closed, the shops shut, the people slumbering, and the silence only broken by the heat-song of the chirping cicale in the scorched trees at the end of the Lung Arno.

These strange facts would never have been placed on record, nor would this exciting chapter of an eventful life have been written, except for two reasons: first, because the discovery I made has been declared to be of considerable importance to scientists, bibliophiles, and the world at large; and, secondly, because it is my dear wife's wish that in order to clear her in the eyes of both friends and foes nothing should be concealed, misrepresented, or withheld. It was, indeed, a memorable day when I halted before the white, almost windowless house of the prior of San Sisto and knocked twice at its plain, green-painted door. The sun-blanched, time-mellowed city of Florence lay silent, glaring, and deserted in the blazing noon of a July day. The Florentines had fled to the mountains for air. The persiennes, or sun-shutters, were everywhere closed, the shops shut, the people slumbering, and the silence only broken by the heat-song of the chirping cicale in the scorched trees at the end of the Lung Arno.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

These strange facts would never have been placed on record, nor would this exciting chapter of an eventful life have been written, except for two reasons: first, because the discovery I made has been declared to be of considerable importance to scientists, bibliophiles, and the world at large; and, secondly, because it is my dear wife’s wish that in order to clear her in the eyes of both friends and foes nothing should be concealed, misrepresented, or withheld.

These strange facts would never have been placed on record, nor would this exciting chapter of an eventful life have been written, except for two reasons: first, because the discovery I made has been declared to be of considerable importance to scientists, bibliophiles, and the world at large; and, secondly, because it is my dear wife’s wish that in order to clear her in the eyes of both friends and foes nothing should be concealed, misrepresented, or withheld. It was, indeed, a memorable day when I halted before the white, almost windowless house of the prior of San Sisto and knocked twice at its plain, green-painted door. The sun-blanched, time-mellowed city of Florence lay silent, glaring, and deserted in the blazing noon of a July day. The Florentines had fled to the mountains for air. The persiennes, or sun-shutters, were everywhere closed, the shops shut, the people slumbering, and the silence only broken by the heat-song of the chirping cicale in the scorched trees at the end of the Lung Arno.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.