Books with author William Henry

Here, by chance, in the early days of December 1902, at the very spot where my book begins, I am about to bring it to an end. A few days ago, coming hither from the higher country at Silchester, where the trees were already nearly bare, I was surprised to find the oak woods of this lower southern part of the New Forest still in their full autumnal foliage. Even now, so late in the year, after many successive days and nights of rain and wind, they are in leaf still: everywhere the woods are yellow, here where the oak predominates; the stronger golden-red and russet tints of the beech are vanished. We have rain and wind on most days, or rather mist and rain by day and wind with storms of rain by night; days, too, or parts of days, when it is very dark and still, and when there is a universal greyness in earth and sky. At such times, seen against the distant slaty darkness or in the blue-grey misty atmosphere, the yellow woods look almost more beautiful than in fine weather. The wet woodland roads and paths are everywhere strewn, and in places buried deep in fallen leaves—yellow, red, and russet; and this colour is continued under the trees all through the woods, where the dead bracken has now taken that deep tint which it will keep so long as there is rain or mist to wet it for the next four or five months. Dead bracken with dead leaves on a reddish soil; and where the woods are fir, the ground is carpeted with lately-fallen needles of a chestnut red, which brightens almost to orange in the rain. Now, at this season, in this universal redness of the earth where trees and bracken grow, we see that Nature is justified in having given that colour—red and reddish-yellow—to all or to most of her woodland mammals. Fox and foumart and weasel and stoat; the hare too; the bright squirrel; the dormouse and harvest-mouse; the bank-vole and the wood-mouse. Even the common shrew and lesser shrew, though they rarely come out by day, have a reddish tinge on their fur. Water-shrew and water-vole inhabit the banks of streams, and are safer without such a colour; the dark grey badger is strictly a night rover.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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First published in 1915, "Birds and Man" is a collection of interesting and entertaining personal anecdotes relating to birds by W. H. Hudson. This volume contains beautiful descriptions of nature and offers us a unique insight into the habits of birds, making it highly recommended for all lovers of nature writing and ornithology. William Henry Hudson (1841 - 1922) was an Argentinian naturalist, author, and ornithologist. He was one of the founding members of the Royal Society for the Protection of Birds, and is best known for his novel "Green Mansions" (1904). Other notable works include "A Crystal Age" (1887) and "Far Away and Long Ago" (1918), which has since been adapted into a film. Contents include: "Birds at their Best", "Birds and Man", "Daws in the West Country", "Early Spring in Savernake Forest", "A Wood Wren at Wells", "The Secret of the Willow Wren", "Secret of the Charm of Flowers", "Ravens in Somerset", "Owls in a Village", etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

"The Land's End" is 1843 work by Argentinian naturalist William Henry Hudson. Profusely illustrated and wonderfully-written, this descriptive illustration of Land's End in Cornwall, England will appeal to all with an interest in this beautiful spot, and it is not to be missed by fans and collectors of Hudson's work. Contents include: "Wintering In West Cornwall", "Gulls At St. Ives", "Cornwall's Connemara", "Old Cornish Hedges", "Bolerium: The End Of All The Land", "Castles By The Sea", "The British Pelican", "Bird Life In Winter", "The People And The Farm", etc. William Henry Hudson (1841 - 1922) was an Anglo-Argentine naturalist, author, and ornithologist. He was one of the founding members of the Royal Society for the Protection of Birds, and is best known for his novel "Green Mansions" (1904). Other notable works include "A Little Boy Lost" (1905) and "Far Away and Long Ago" (1918), which has since been adapted into a film. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

Originally published in 1950, No Survivors was the first of Will Henry’s many novels based on historic incident. In it he shows what General Custer’s lonely stand and final moments at the 1876 Battle of the Little Bighorn might have been like, militarily and emotionally. Though the history books say that only the horse Comanche escaped alive, Will Henry creates one other survivor, Colonel John Clayton—and he was doomed, too.The fictional Civil War officer who once saved Custer’s life, Clayton leaves a journal describing his later career on the western frontier. As a civilian scout for the U.S. Army, he tries to head off the Fetterman Massacre. He is captured by Crazy Horse and taken into the Oglala Sioux tribe. For nine years he lives as an Indian—the adopted son of Crazy Horse, an intimate of Sitting Bull, and the husband of a medicine woman. He rides with the Indians against the white invaders, but by 1876 he has to make a choice about who he really is.

Excerpt from Presbyterian Pioneers in CongoSamuel Norvell Lapsley. Frontispiece 8 Wm. H. Sheppard and Mrs. Sheppard. 10 Wm. H. Sheppard, the author's father l3 Fannie Sheppard, the author's mother. 13 Matadi and the Congo River 23 Luebo Rapids in the Lulua River 60 Cannibal dance in the Congo 88 Congo corn and mill 91 King Lukenga's Special medicine men 109 An Observation house of King Lukenga 110 Prince Maxamalinge and wife (son of the Lukeng a of 1592) 115 Congo cloth. 119 A dwarf (batwa) 139 Lapsley Memorial Church, Ibanje. 143 Shaving with a chisel 146 Lukusa, later called Dick, the first convert in the Kasai.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.