Books with author William H. Howell

Walter Foster's classic How to Draw and Paint series provides aspiring artists with an exceptional array of art instruction books featuring all subject areas and media. Each title includes easy step-by-step exercises as well as finished illustrations or paintings that will inspire artistic talent in anyone. Packed with practical information, helpful tips, and fundamental techniques, the How to Draw and Paint series offers a complete library of resources to which artists of all skill levels can refer again and again. What you'll learn from this book ... • Step-by-step processes for drawing trees, from the initial block-in stage to the final details • The fundamentals of shading, composition, and perspective • Basic tree shapes and leaf types • How to make notes and sketches while on location • Skills for creating a focal point in your drawings • Tips on drawing root patterns, branches, bark, and fallen trees • Techniques for drawing cast shadows • How to enhance your tree drawings with ground foliage

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

William Dean Howells (1837-1920) was an American realist author and literary critic. He wrote his first novel, Their Wedding Journey, in 1871, but his literary reputation really took off with the realist novel A Modern Instance, published in 1882, which describes the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur in the paint business. His social views were also strongly

WHEN Bartley Hubbard went to interview Silas Lapham for the "Solid Men of Boston" series, which he undertook to finish up in The Events, after he replaced their original projector on that newspaper, Lapham received him in his private office by previous appointment. "Walk right in!" he called out to the journalist, whom he caught sight of through the door of the counting-room. He did not rise from the desk at which he was writing, but he gave Bartley his left hand for welcome, and he rolled his large head in the direction of a vacant chair. "Sit down! I'll be with you in just half a minute." "Take your time," said Bartley, with the ease he instantly felt. "I'm in no hurry." He took a note-book from his pocket, laid it on his knee, and began to sharpen a pencil.

The Rise of Silas Lapham is a realist novel by William Dean Howells published in 1885. The story follows the materialistic rise of Silas Lapham from rags to riches, and his ensuing moral susceptibility. Silas earns a fortune in the paint business, but he lacks social standards, which he tries to attain through his daughter's marriage into the aristocratic Corey family. Silas' morality does not fail him. He loses his money but makes the right moral decision when his partner proposes the unethical selling of the mills to English settlers.Howells is known to be the father of American realism, and a denouncer of the sentimental novel. The resolution of the love triangle of Irene Lapham, Tom Corey, and Penelope Lapham highlights Howells' rejection of the conventions of sentimental romantic novels as unrealistic and deceitful. An excerpt of the text was used in the 2019 AP English Literature and Composition Exam as a short answer question.

In the fall of the year 1850 my father removed with his family from the city of D——, where we had been living, to a property on the Little Miami River, to take charge of a saw-mill and grist-mill, and superintend their never-accomplished transformation into paper-mills. The property belonged to his brothers—physicians and druggists—who were to follow later, when they had disposed of their business in town. My father left a disastrous newspaper enterprise behind him when he came out to apply his mechanical taste and his knowledge of farming to the care of their place. Early in the century his parents had brought him to Ohio from Wales, and his boyhood was passed in the new country, where pioneer customs and traditions were still rife, and for him it was like renewing the wild romance of those days to take up once more the life in a log-cabin interrupted by forty years’ sojourn in matter-of-fact dwellings of frame and brick. He had a passion for nature as tender and genuine and as deeply moralized as that of the English poets, by whom it had been nourished; and he taught us children all that he felt for the woods and fields and open skies; all our walks had led into them and under them. It was the fond dream of his boys to realize the trials and privations which he had painted for them in such rosy hues, and even if the only clap-boarded dwelling on the property had not been occupied by the miller, we should have disdained it for the log-cabin in which we took up our home till we could build a new house. Our cabin stood close upon the road, but behind it broadened a cornfield of eighty acres. They still built log-cabins for dwellings in that region forty years ago, but ours must have been nearly half a century old when we went into it. It had been recently vacated by an old Virginian couple, who had long occupied it, and we decided that it needed some repairs to make it habitable even for a family inured to hardship by dauntless imaginations, and accustomed to retrospective discomforts of every kind.