Books with author William H. Ainsworth

ON the 10th of July, 1553, about two hours after noon, a loud discharge of ordnance burst from the turrets of Durham House, then the residence of the Duke of Northumberland, grand-master of the realm, and occupying the site of the modern range of buildings, known as the Adelphi; and, at the signal, which was immediately answered from every point along the river where a bombard or culverin could be planted,—from the adjoining hospital of the Savoy,—the old palace of Bridewell, recently converted by Edward VI., at the instance of Ridley, bishop of London, into a house of correction,—Baynard's Castle, the habitation of the Earl of Pembroke,—the gates of London-bridge,—and, lastly, from the batteries of the Tower,—a gallant train issued from the southern gateway of the stately mansion abovenamed, and descended the stairs leading to the water's edge, where, appointed for their reception, was drawn up a squadron of fifty superbly-gilt barges,—some decorated with banners and streamers,—some with cloth-of-gold and arras, embroidered with the devices of the civic companies,—others with innumerable silken pennons to which were attached small silver bells, "making a goodly noise and a goodly sight as they waved in the wind,"—while others, reserved for the more important personages of the ceremony, were covered at the sides with shields gorgeously emblazoned with the armorial bearings of the different noblemen and honourable persons composing the privy council, amid which the cognizance of the Duke of Northumberland,—a lion rampant, or, double quevée, vert,—appeared proudly conspicuous.

On the night of Friday, the th of November, , and at the hour of eleven, the door of a miserable habitation, situated in an obscure quarter of the Borough of Southwark, known as the Old Mint, was opened; and a man, with a lantern in his hand, appeared at the threshold. This person, whose age might be about forty, was attired in a brown double-breasted frieze coat, with very wide skirts, and a very narrow collar; a light drugget waistcoat, with pockets reaching to the knees; black plush breeches; grey worsted hose; and shoes with round toes, wooden heels, and high quarters, fastened by small silver buckles. He wore a three-cornered hat, a sandy-coloured scratch wig, and had a thick woollen wrapper folded round his throat. His clothes had evidently seen some service, and were plentifully begrimed with the dust of the workshop. Still he had a decent look, and decidedly the air of one well-to-do in the world. In stature, he was short and stumpy; in person, corpulent; and in countenance, sleek, snub-nosed, and demure. Immediately behind this individual, came a pale, poverty-stricken woman, whose forlorn aspect contrasted strongly with his plump and comfortable physiognomy. She was dressed in a tattered black stuff gown, discoloured by various stains, and intended, it would seem, from the remnants of rusty crape with which it was here and there tricked out, to represent the garb of widowhood, and held in her arms a sleeping infant, swathed in the folds of a linsey-woolsey shawl. Notwithstanding her emaciation, her features still retained something of a pleasing expression, and might have been termed beautiful, had it not been for that repulsive freshness of lip denoting the habitual dram-drinker; a freshness in her case rendered the more shocking from the almost livid hue of the rest of her complexion. She could not be more than twenty; and though want and other suffering had done the work of time, had wasted her frame, and robbed her cheek of its bloom and roundness, they had not extinguished the lustre of her eyes, nor thinned her raven hair. Checking an ominous cough, that, ever and anon, convulsed her lungs, the poor woman addressed a few parting words to her companion, who lingered at the doorway as if he had something on his mind, which he did not very well know how to communicate.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Euphrates Expedition of 1835 was intended to explore the possibility of an overland route to India using the Euphrates river. Led by army officer Francis Rawdon Chesney, the expedition hauled two prefabricated steamboats from the Mediterranean to the upper Euphrates. Among the team of soldiers, engineers and miners assembled was surgeon William Ainsworth (1807-96), who also acted as the expedition's geologist, and published this account in 1838. He describes his work as 'containing a very small portion of the scientific labours' of the expedition. It deals principally with the geological formations around the Euphrates, and the 'indices of the Deluge of Scripture, which are found to exist in the land supposed to have been tenanted by Noah', but also includes descriptions of local plants and animals, and of the archaeological remains which were encountered. This early survey of a remote region will be of interest to students of Assyriology.

Excerpt from The Lancashire Witches, a Romance of Pendle Forest, Vol. 1 of 3: In Three VolumesDreary was the prospect on all sides. Black moor, bleak fell, straggling forest, intersected with sullen streams as black as ink, with here and there a small tarn, or moss-pool, with waters Of the same hue-these consti tuted the chief features of the scene. The whole district was barren, and thinly-populated. Of towns only Clithero, Colne, and Burnley - the latter little more than a village - were in view. In the valleys there were a few hamlets and scattered cottages, and on the uplands an occasional booth, as the hut Of the herdsman was termed; but of more important mansions, there were only six, as Merlay, Twistleton, Alcancoats, Saxfeld, Ightenhill, and Gawthorpe. The vaccaries for the cattle, Of which the herdsmen had the care, and the lawnds, or parks within the forest, appertaining to some of the halls before mentioned, Offered the only evidences of cultivation. All else was heathy waste, morass, and wood.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Jack Sheppard - A Romance is presented here in a high quality paperback edition. This popular classic work by William Harrison Ainsworth is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of William Harrison Ainsworth then we highly recommend this publication for your book collection.

William Harrison Ainsworth (4 February 1805 – 3 January 1882) was an English historical novelist born in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife.Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882.Ainsworth based his story largely on the official account of the Lancashire witch trials written by the clerk to the court, Thomas Potts, first published in 1613 under the title The Wonderfull Discoverie of Witches in the Countie of Lancaster. Potts himself makes an appearance in the novel, as a "scheming and self-serving lawyer".Book one is set against the backdrop of the 1536 Pilgrimage of Grace, an uprising by northern Catholics against the English Reformation instituted by King Henry VIII.

Ainsworth's last masterpiece, The Lancashire Witches proved a best-seller in its day and influenced many contemporary authors. The Lancashire Witches begins in the 16th century, in Lancashire, England. When a Cistercian monk, Borlace Alvetham, is falsely accused of witchcraft and condemned to death by his rival, Brother Paslew, he sells his soul to Satan and escapes. Years later, granted the powers of a warlock, he returns in the guise of Nicholas Demdike to witness Paslew's execution for treason. Dying, Paslew curses Demdike's offspring -- who become the titular 'Lancashire Witches.' The rest of the book set in the 17th century. Mother Demdike, a powerful witch, and her clan face rival witches, raise innocent young Alizon Devi as their own, and try to corrupt Alizon despite her innocent ways. Ultimately, the book becomes a struggle between Heaven and Hell, with Alizon's fate hanging in the balance. Ainsworth's last masterpiece, The Lancashire Witches proved a best-seller in its day and influenced many contemporary authors.

Oi PKEFACE IT has been, for years, the cherished wish of the writer of the following pages to make the Tower of London the proudest monument of antiquity, considered with reference to its historical associations, which this country or any other country possesses the groundwork of a Romance; and it was no slight satisfaction to him that circumstances, at length, enabled him to carry into effect the favourite project. Desirous of exhibiting the Tower in its triple light of a Palace, a Prison, and a Fortress, the Author has shaped his story with reference to that end ;and he has endeavoured to contrive such a series of incidents as should naturally introduce every relic of the old pile its towers, chapels, halls, chambers, gateways, arches, and drawbridges so that no part of it should remain unillustrated. How far the design has been accomplished what interest has been given to particular buildings and what mouldering walls have been informed with life is now to be determined: unless, indeed, the point may be considered determined by the numbers who have visited the different buildings, as they have been successively depicted, during the periodical appearance of the work.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at

When a Cistercian monk, Borlace Alvetham, is falsely accused of witchcraft and condemned to death by his rival, Brother Paslew, he sells his soul to Satan and escapes. Granted the powers of a warlock, he returns in the guise of Nicholas Demdike to witness Paslew's execution for treason. Dying, Paslew curses Demdike's offspring -- who become the titular ""Lancashire Witches."" Years later, Mother Demdike, a powerful witch, and her clan face rival witches, raise Alizon Devi as their own, and try to corrupt Alizon despite her innocent ways. Ultimately, the story becomes a struggle between Heaven and Hell, with Alizon's fate hanging in the balance. Read by Andy Winter, music by Kevin MacLeod.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from The Lancashire Witches, Vol. 3 of 3: A Romance of Pendle ForestIt would be difficult to increase the darkness of the picture, said the chirurgeon, but what remedy will you apply?About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.