Books with author Werner E. T. C. (Edward Theo Chalmers)

From the preface: “ The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssu K’u Ch’uan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsueh-hsun, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV. This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths.”

From the preface: “ The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssu K’u Ch’uan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsueh-hsun, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV. This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths.”

The chief literary sources of Chinese myths are the Li tai shên hsien t'ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssu K'u Ch'üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV.This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths. Page 8My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology—those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive—in short, a true, not a distorted image.

The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssŭ K’u Ch’üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV.This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths.My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology—those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive—in short, a true, not a distorted image.Edward Theodore Chalmers WernerPekingFebruary 1922

As a member of the Chinese government's Historiographical Bureau in Peking, as well as a former barrister and British consul in Foochow, E.T.C. Werner published "Myths and Legends of China" in 1922 to elucidate the ideas and beliefs that governed the daily lives of the Chinese people prior to the 20th century. These provocative and fantastical tales of Chinese history, myth and legend draw from many ancient texts and offer a glimpse into a world dominated by tradition and superstition. These stories include the myths of stars, thunder, lightening, water and fire, and various gods, Dynasties and Emperors. It also explains the significance the Buddhism and Taoism, Confucius, yin and yang, dragons, New Year, Spirit Festivals, The Tao Te Ching and much more. Complete with an introductory chapter on the sociology of the Chinese, this fascinating and informative book will appeal to any reader who wishes to receive a true, undistorted image of Chinese mythology.