Books with author Wendell. BERRY

Nathan Coulter, Wendell Berry’s first book, was published in 1960 when he was twenty-seven. In his first novel, the author presents his readers with their first introduction to what would become Berry’s life’s work, chronicling through fiction a place where the inhabitants of Port William form what is more than community, but rather a “membership” in interrelatedness, a spiritual community, united by duty and bonds of affection for one another and for the land upon which they make their livelihood.When young Nathan loses his grandfather, Berry guides readers through the process of Nathan's grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry's own strongly held beliefs, Nathan tells us that his grandfather's life "couldn't be divided from the days he'd spent at work in his fields." Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.

A young boy takes a trip on his own to visit his grandparents in Kentucky in this luminous entry in the acclaimed Port William series. In this “eloquent distillation of Berry’s favorite themes: the importance of family, community and respect for the land” (Kirkus Reviews), nine-year-old Andy Catlett embarks on a solo trip by bus to visit his grandparents in Port William, Kentucky, during the Christmas of 1943. Full of “nostalgic, admiring detail” (Publishers Weekly), Andy observes the modern world crowding out the old ways, and the people he encounters become touchstones for his understanding of a precious and imperiled world. This beautiful, short memoir-like novel is a perfect introduction to Wendell Berry’s rich and ever-evolving saga of the Port William Membership, filled with images “as though describing a painting by Edward Hopper” (New York Times).

“Berry has become ever more prophetic . . . In the Sabbaths of 2005–08 published here, Berry angrily mourns the degradation of the nation wrought by destruction of the land and the pursuit of wealth and power. He says that we must prepare to live without hope for a while, though in the very first of the Sabbaths, he prays not to lose love along with hope: ‘Help me, please, to carry / this candle against the wind.’ Despite anger and bitterness, he often recalls and teaches the beauty and propriety of creation, too. If he is a Jeremiah, he is also a David the psalmist.” ―Booklist No one writes like Wendell Berry. Whether essay, novel, story, or poem, his inimitable voice rings true, as natural as the land he has farmed in Kentucky for over 40 years. Following the widely praised Given, this new collection offers a masterful blend of epigrams, elegies, lyrics, and letters, with the occasional short love poem. Alternately amused, outraged, and resigned, Berry's welcome voice is the constant in this varied mix. The book concludes with a new sequence of Sabbath poems, works that have spawned from Berry's Sunday morning walks of meditation and observation. Berry's themes are reflections of his life: friends, family, the farm, the nature around us as well as within. He speaks strongly for himself and sometimes for the lost heart of the country. As he has borne witness to the world for eight decades, what he offers us now in this collection of poems is of incomparable value.

Originally published in 2005, That Distant Land brings together twenty-three stories from the Port William Membership. Arranged in their fictional chronology, the book is not an anthology so much as it is a coherent temporal mapping of this landscape over time, revealing Berry’s mastery of decades of the life lived alongside this clutch of interrelated characters bound by affection and followed over generations. This volume combines the stories found in The Wild Birds (1985), Fidelity (1992), and Watch with Me (1994), together with a map and a charting of the complex and interlocking genealogies.

A young boy takes a trip on his own to visit his grandparents in Kentucky in this luminous entry in the acclaimed Port William series. In this “eloquent distillation of Berry’s favorite themes: the importance of family, community and respect for the land” (Kirkus Reviews), nine-year-old Andy Catlett embarks on a solo trip by bus to visit his grandparents in Port William, Kentucky, during the Christmas of 1943. Full of “nostalgic, admiring detail” (Publishers Weekly), Andy observes the modern world crowding out the old ways, and the people he encounters become touchstones for his understanding of a precious and imperiled world. This beautiful, short memoir-like novel is a perfect introduction to Wendell Berry’s rich and ever-evolving saga of the Port William Membership, filled with images “as though describing a painting by Edward Hopper” (New York Times).

The sanity and eloquence of these poems spring from the land in Kentucky where Wendell Berry was born, married, lives, farms, and writes. From classic pastoral themes both lyrical and reflective, to a verse play, to a dramatic narrative and the manic, entertaining, prescient ravings of Berry’s Mad Farmer, these poems show a unity of language and consciousness, skill and sensitivity, that has placed Wendell Berry at the front rank of contemporary American poets.

“Berry has become ever more prophetic . . . In the Sabbaths of 2005–08 published here, Berry angrily mourns the degradation of the nation wrought by destruction of the land and the pursuit of wealth and power. He says that we must prepare to live without hope for a while, though in the very first of the Sabbaths, he prays not to lose love along with hope: ‘Help me, please, to carry / this candle against the wind.’ Despite anger and bitterness, he often recalls and teaches the beauty and propriety of creation, too. If he is a Jeremiah, he is also a David the psalmist.” —BooklistNo one writes like Wendell Berry. Whether essay, novel, story, or poem, his inimitable voice rings true, as natural as the land he has farmed in Kentucky for over 40 years.Following the widely praised Given, this new collection offers a masterful blend of epigrams, elegies, lyrics, and letters, with the occasional short love poem. Alternately amused, outraged, and resigned, Berry's welcome voice is the constant in this varied mix. The book concludes with a new sequence of Sabbath poems, works that have spawned from Berry's Sunday morning walks of meditation and observation.Berry's themes are reflections of his life: friends, family, the farm, the nature around us as well as within. He speaks strongly for himself and sometimes for the lost heart of the country. As he has borne witness to the world for eight decades, what he offers us now in this collection of poems is of incomparable value.

Wendell Berry’s Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials. With the publication of this new complete edition, it has become increasingly clear that the Sabbath Poems have become the very heart of Berry’s work. And these magnificent poems, taken as a whole for the first time in This Day, have become one of the greatest contributions ever made to American poetry.

Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now-elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth-century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.

A moving and profound collection of poems that celebrate the land and man’s place in it by a beloved American poet, novelist, and farmer. The sanity and eloquence of these poems spring from the land in Kentucky where Wendell Berry was born, married, lives, farms, and writes. From classic pastoral themes both lyrical and reflective, to a verse play, to a dramatic narrative and the manic, entertaining, prescient ravings of Berry’s Mad Farmer, these poems—“low-key lyrical beauties” (Kirkus Reviews)—show a unity of language and consciousness, skill and sensitivity, that has placed Wendell Berry at the front rank of contemporary American poets. “Mr. Berry is a sophisticated, philosophical poet in the line descending from Emerson and Thoreau.” —The Baltimore Sun “[Berry’s poems] shine with the gentle wisdom of a craftsman who has thought deeply about the paradoxical strangeness and wonder of life.” —The Christian Science Monitor “Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life.” —The Bloomsbury Review “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly