Books with author Wendell Berry

“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber. Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty. He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek. "You have been given questions to which you cannot be given answers. You will have to live them out―perhaps a little at a time." "And how long is that going to take?" "I don't know. As long as you live, perhaps." "That could be a long time." "I will tell you a further mystery," he said. "It may take longer." Wendell Berry’s clear-sighted depiction of humanity’s gifts―love and loss, joy and despair―is seen though his intimate knowledge of the Port William Membership.

Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now-elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth-century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.

Wendell Berry’s Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials. With the publication of this new complete edition, it has become increasingly clear that the Sabbath Poems have become the very heart of Berry’s work. And these magnificent poems, taken as a whole for the first time in This Day, have become one of the greatest contributions ever made to American poetry.

First published in 1972, “Think Little” is cultural critic and agrarian Wendell Berry at his best: prescient about the dire environmental consequences of our mentality of greed and exploitation, yet hopeful that we will recognize war and oppression and pollution not as separate issues, but aspects of the same. “Think Little” is presented here alongside one of Berry’s most popular and personal essays, “A Native Hill.” This gentle essay of recollection is told alongside a poetic lesson in geography, as Berry explains at length and in detail, that what he stands for is what he stands on. Each palm-size book in the Counterpoints series is meant to stay with you, whether safely in your pocket or long after you turn the last page. From short stories to essays to poems, these little books celebrate our most-beloved writers, whose work encapsulates the spirit of Counterpoint Press: cutting-edge, wide-ranging, and independent.

A magnificent poetry collection spanning 1979 to 2013, revealing the incomparable genius of “a poet, his window, and his poems.” For more than thirty-five years, Wendell Berry has been spending his sabbaths outdoors, walking and wandering around familiar territory, seeking a deep intimacy that inspired poems in which “Thoreau would be gratified” (Lexington Herald-Leader). Each year since, he has completed a series of these poems dated by the year of its composition. This Day, “a book well worth reading, on a Sabbath or any other day of the week” (Marginalia Review of Books) collects Berry’s Sabbath Poems from 1979–2013 Filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials, Berry’s Sabbath Poems have become the very heart of Berry’s grand work. And these magnificent poems, taken as a whole for the first time in This Day, have become one of the greatest contributions ever made to American poetry. “Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life, be they those of composing a poem, preparing a hill for planting, raising a family, working for the good of oneself and one’s neighbors, loving.” —The Bloomsbury Review “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly

“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber.Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty.He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek. "You have been given questions to which you cannot be given answers. You will have to live them out—perhaps a little at a time." "And how long is that going to take?" "I don't know. As long as you live, perhaps." "That could be a long time." "I will tell you a further mystery," he said. "It may take longer."Wendell Berry’s clear-sighted depiction of humanity’s gifts—love and loss, joy and despair—is seen though his intimate knowledge of the Port William Membership.

Nathan Coulter, Wendell Berry’s first book, was published in 1960 when he was twenty-seven. In his first novel, the author presents his readers with their first introduction to what would become Berry’s life’s work, chronicling through fiction a place where the inhabitants of Port William form what is more than community, but rather a “membership” in interrelatedness, a spiritual community, united by duty and bonds of affection for one another and for the land upon which they make their livelihood. When young Nathan loses his grandfather, Berry guides readers through the process of Nathan's grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry's own strongly held beliefs, Nathan tells us that his grandfather's life "couldn't be divided from the days he'd spent at work in his fields." Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.

Originally published in 2005, That Distant Land brings together twenty-three stories from the Port William Membership. Arranged in their fictional chronology, the book is not an anthology so much as it is a coherent temporal mapping of this landscape over time, revealing Berry’s mastery of decades of the life lived alongside this clutch of interrelated characters bound by affection and followed over generations. This volume combines the stories found in The Wild Birds (1985), Fidelity (1992), and Watch with Me (1994), together with a map and a charting of the complex and interlocking genealogies.

Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now-elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth-century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.

The story of the community of Port William is one of the great works in American literature. This collection, the tenth volume in the series, is the perfect occasion to celebrate Berry’s huge achievement. It feels as if the entire membership―all the Catletts, Burley Coulter, Elton Penn, the Rowanberrys, Laura Milby, the preacher’s wife, Kate Helen Branch, Andy’s dog, Mike―nearly everyone returns with a story or two, to fill in the gaps in this long tale. Those just now joining the Membership will be charmed. Those who’ve attended before will be enriched. For more than fifty years, Wendell Berry has been telling us stories about Port William, a mythical town on the banks of the Kentucky River, populated over the years by a cast of unforgettable characters living in a single place over a long time. In A Place in Time, the stories dates range from 1864, when Rebecca Dawe finds herself in her own reflection at the end of the Civil War, to one from 1991 when Grover Gibbs' widow, Beulah, attends the auction as her home place is offered for sale. "And so it's all gone. A new time has come. Various ones of the old time keep faith and stop by to see me, Coulter and Wilma and a few others. But the one I wait to see is Althie. Seems like my whole life now is lived under the feeling of her hand touching me that day of the sale, and every day still. I lie awake in the night, and I can see it all in my mind, the old place, the house, all the things I took care of so long. I thought I might miss it, but I don't. The time has gone when I could do more than worry about it, and I declare it's a load off my mind. But the thoughts, still, are a kind of company." ― Beulah Gibbs

First published in 1972, “Think Little” is cultural critic and agrarian Wendell Berry at his best: prescient about the dire environmental consequences of our mentality of greed and exploitation, yet hopeful that we will recognize war and oppression and pollution not as separate issues, but aspects of the same. “Think Little” is presented here alongside one of Berry’s most popular and personal essays, “A Native Hill.” This gentle essay of recollection is told alongside a poetic lesson in geography, as Berry explains at length and in detail, that what he stands for is what he stands on.Each palm-size book in the Counterpoints series is meant to stay with you, whether safely in your pocket or long after you turn the last page. From short stories to essays to poems, these little books celebrate our most-beloved writers, whose work encapsulates the spirit of Counterpoint Press: cutting-edge, wide-ranging, and independent.

One of America’s most acclaimed writers deepens and expands his great literary saga set in small-town Kentucky spanning the Civil War to the present. For more than fifty years, Wendell Berry has been telling us stories about Port William, a mythical town on the banks of the Kentucky River, populated over the years by a cast of unforgettable characters living in a single place over a long time. In A Place in Time, the stories dates range from 1864, when Rebecca Dawe finds herself in her own reflection at the end of the Civil War, to one from 1991 when Grover Gibbs’ widow, Beulah, attends the auction as her home place is offered for sale. Written in “a style as clean and distinctive as H—emingway’s” and “as perspicacious as Mark Twain’s” (Booklist, Starred Review), the twenty stories here deepen Berry’s Port William saga, one of the great works in American literature. This collection, the tenth volume in the series, is the perfect occasion to celebrate Berry’s huge achievement. It feels as if the entire membership—all the Catletts, Burley Coulter, Elton Penn, the Rowanberrys, Laura Milby, the preacher’s wife, Kate Helen Branch, Andy’s dog, Mike—nearly everyone returns with a story or two, to fill in the gaps in this long tale. Those just now joining the Membership will be charmed. Those who’ve attended before will be enriched. “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly