Books with author Walter Paget

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Walter Stanley Paget (1863–1935) was a British illustrator. His work appeared in both books and magazines. He received a gold medal from the Royal Academy of Arts. He was a younger brother of the Sherlock Holmes illustrator Sidney Paget.The works he illustrated included an edition of Charles and Mary Lamb's Tales from Shakespeare, c. 1910.PREFACE. There are few difficulties that cannot be surmounted by patience, resolution, and pluck, and great as are the obstacles that nature and the Russian government oppose to an escape from the prisons of Siberia, such evasions have occasion- ally been successfully carried out, and that under far less advantageous circumstances than those under which the hero of this story undertook the venture. For the account of life in the convict establishments in Siberia I am indebted to the very valuable books by my friend the Rev. Dr. Lans- dell, who has made himself thoroughly acquainted with Siberia, traversing the country from end to end and visiting all the principal prisons....George Alfred Henty (8 December 1832 – 16 November 1902) was a prolific English novelist and war correspondent.He is best known for his historical adventure stories that were popular in the late 19th century. His works include The Dragon & The Raven (1886), For The Temple (1888), Under Drake's Flag (1883) and In Freedom's Cause (1885).BiographyG. A. Henty was born in Trumpington, near Cambridge. He was a sickly child who had to spend long periods in bed. During his frequent illnesses he became an avid reader and developed a wide range of interests which he carried into adulthood. He attended Westminster School, London, and later Gonville and Caius College, Cambridge,where he was a keen sportsman. He left the university early without completing his degree to volunteer for the Army Hospital Commissariat when the Crimean War began. He was sent to the Crimea and while there he witnessed the appalling conditions under which the British soldier had to fight. His letters home were filled with vivid descriptions of what he saw. His father was impressed by his letters and sent them to The Morning Advertiser newspaper which printed them. This initial writing success was a factor in Henty's later decision to accept the offer to become a special correspondent, the early name for journalists now better known as war correspondents.Shortly before resigning from the army as a captain in 1859 he married Elizabeth Finucane. The couple had four children. Elizabeth died in 1865 after a long illness and shortly after her death Henty began writing articles for the Standard newspaper. In 1866 the newspaper sent him as their special correspondent to report on the Austro-Italian War where he met Giuseppe Garibaldi. He went on to cover the 1868 British punitive expedition to Abyssinia, the Franco-Prussian War, the Ashanti War, the Carlist Rebellion in Spain and the Turco-Serbian War.He also witnessed the opening of the Suez Canal and travelled to Palestine, Russia and India.

Excerpt from An Imaginary PortraitHalf, tint and trace and accident of homely colour and form, from the wood and the bricks; half, mere foul-fluff, floated thither from who knows how far. In the houfe and garden of his dream.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Walter Stanley Paget (1865–1935) was a British illustrator. His work appeared in both books and magazines. He received a gold medal from the Royal Academy of Arts. He was a younger brother of the Sherlock Holmes illustrator Sidney Paget.George Alfred Henty (8 December 1832 – 16 November 1902) was a prolific English novelist and war correspondent. He is best known for his historical adventure stories that were popular in the late 19th century. His works include The Dragon & The Raven (1886), For The Temple (1888), Under Drake's Flag (1883) and In Freedom's Cause (1885).BiographyG. A. Henty was born in Trumpington, near Cambridge. He was a sickly child who had to spend long periods in bed. During his frequent illnesses he became an avid reader and developed a wide range of interests which he carried into adulthood. He attended Westminster School, London, and later Gonville and Caius College, Cambridge,where he was a keen sportsman. He left the university early without completing his degree to volunteer for the Army Hospital Commissariat when the Crimean War began. He was sent to the Crimea and while there he witnessed the appalling conditions under which the British soldier had to fight. His letters home were filled with vivid descriptions of what he saw. His father was impressed by his letters and sent them to The Morning Advertiser newspaper which printed them. This initial writing success was a factor in Henty's later decision to accept the offer to become a special correspondent, the early name for journalists now better known as war correspondents.Shortly before resigning from the army as a captain in 1859 he married Elizabeth Finucane. The couple had four children. Elizabeth died in 1865 after a long illness and shortly after her death Henty began writing articles for the Standard newspaper. In 1866 the newspaper sent him as their special correspondent to report on the Austro-Italian War where he met Giuseppe Garibaldi. He went on to cover the 1868 British punitive expedition to Abyssinia, the Franco-Prussian War, the Ashanti War, the Carlist Rebellion in Spain and the Turco-Serbian War.He also witnessed the opening of the Suez Canal and travelled to Palestine, Russia and India.Henty was a strong supporter of the British Empire all his life; according to literary critic Kathryn Castle: "Henty ... exemplified the ethos of the new imperialism, and glorified in its successes".Henty's ideas about politics were influenced by writers such as Sir Charles Dilke and Thomas Carlyle.Henty once related in an interview how his storytelling skills grew out of tales told after dinner to his children. He wrote his first children's book, Out on the Pampas in 1868, naming the book's main characters after his children. The book was published by Griffith and Farran in November 1870 with a title page date of 1871. While most of the 122 books he wrote were for children, he also wrote adult novels, non-fiction such as The March to Magdala and Those Other Animals,

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The RenaissanceBut, besides these great men, there is a certain number of artists who have a distinct faculty Of their own by which they convey to us a peculiar quality Of pleasure which we cannot get elsewhere; and these, too, have their place in general culture, and must be interpreted to it by those who have felt their charm strongly, and are often the Objects Of a special diligence and a consideration wholly affectionate, just because there is not about them the stress Of a great name and authority.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.