Books with author W. H. (William Henry) 1841-1922 Hudson

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

CHAPTER I EARLIEST MEMORIES Preamble-The house where I was born-The singular Ombu tree-A tree without a name-The plain-The ghost of a murdered slave-Our playmate, the old sheep-dog-A first riding-lesson-The cattle: an evening scene-My mother-Captain Scott-The hermit and his awful penance. It was never my intention to write an autobiography. Since I took to writing in my middle years I have, from time to time, related some incident of my boyhood, and these are contained in various chapters in The Naturalist in La Plata, Birds and Man, Adventures among Birds, and other works, also in two or three magazine articles: all this material would have been kept back if I had contemplated such a book as this. When my friends have asked me in recent years why I did not write a history of my early life on the pampas, my answer was that I had already told all that was worth telling in these books. And I really believed it was so; for when a person endeavours to recall his early life in its entirety he finds it is not possible: he is like one who ascends a hill to survey the prospect before him on a day of heavy cloud and shadow, who sees at a distance, now here, now there, some feature in the landscape-hill or wood or tower or spire-touched and made conspicuous by a transitory sunbeam while all else remains in obscurity. The scenes, people, events we are able by an effort to call up do not present themselves in order; there is no order, no sequence or regular progression-nothing, in fact, but isolated spots or patches, brightly illumined and vividly seen, in the midst of a wide shrouded mental landscape. It is easy to fall into the delusion that the few things thus distinctly remembered and visualized are precisely those which were most important in our life, and on that account were saved by memory while all the rest has been permanently blotted out.

"Green Mansions: A Romance of the Tropical Forest" is an exotic romance novel by William Henry Hudson, first published in 1904. It follows an intrepid adventurer who travels into darkest south-eastern Venezuela, where he comes into contact with a wild forest-dweller called Rima. A fantastic tale of love and tragedy, this book is not to be missed by lovers of vintage adventure literature. William Henry Hudson (1841 - 1922) was an Argentinian naturalist, author, and ornithologist. He was one of the founding members of the Royal Society for the Protection of Birds, and is best known for his novel "Green Mansions" (1904). Other notable works include "A Crystal Age" (1887) and "Far Away and Long Ago" (1918), which has since been adapted into a film. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This reproduction was printed from a digital file created at the Library of Congress as part of an extensive scanning effort started with a generous donation from the Alfred P. Sloan Foundation. The Library is pleased to offer much of its public domain holdings free of charge online and at a modest price in this printed format. Seeing these older volumes from our collections rediscovered by new generations of readers renews our own passion for books and scholarship.

William Henry Hudson (4 August 1841 – 18 August 1922) was an author, naturalist, and ornithologist Hudson was born in the borough of Quilmes, now Florencio Varela of the greater Buenos Aires, in Buenos Aires Province, Argentina. He was the son of Daniel Hudson and his wife Catherine née Kemble, U.S. settlers of English and Irish origin. He spent his youth studying the local flora and fauna and observing both natural and human dramas on what was then a lawless frontier, publishing his ornithological work in Proceedings of the Royal Zoological Society, initially in an English mingled with Spanish idioms. He had a special love of Patagonia. Hudson settled in England during 1874, taking up residence at St Luke's Road in Bayswater. He produced a series of ornithological studies, including Argentine Ornithology (1888–1899) and British Birds (1895), and later achieved fame with his books on the English countryside, including Hampshire Day (1903), Afoot in England (1909) and A Shepherd's Life (1910), which helped foster the back-to-nature movement of the 1920s and 1930s

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Here, by chance, in the early days of December 1902, at the very spot where my book begins, I am about to bring it to an end. A few days ago, coming hither from the higher country at Silchester, where the trees were already nearly bare, I was surprised to find the oak woods of this lower southern part of the New Forest still in their full autumnal foliage. Even now, so late in the year, after many successive days and nights of rain and wind, they are in leaf still: everywhere the woods are yellow, here where the oak predominates; the stronger golden-red and russet tints of the beech are vanished. We have rain and wind on most days, or rather mist and rain by day and wind with storms of rain by night; days, too, or parts of days, when it is very dark and still, and when there is a universal greyness in earth and sky. At such times, seen against the distant slaty darkness or in the blue-grey misty atmosphere, the yellow woods look almost more beautiful than in fine weather. The wet woodland roads and paths are everywhere strewn, and in places buried deep in fallen leaves—yellow, red, and russet; and this colour is continued under the trees all through the woods, where the dead bracken has now taken that deep tint which it will keep so long as there is rain or mist to wet it for the next four or five months. Dead bracken with dead leaves on a reddish soil; and where the woods are fir, the ground is carpeted with lately-fallen needles of a chestnut red, which brightens almost to orange in the rain. Now, at this season, in this universal redness of the earth where trees and bracken grow, we see that Nature is justified in having given that colour—red and reddish-yellow—to all or to most of her woodland mammals. Fox and foumart and weasel and stoat; the hare too; the bright squirrel; the dormouse and harvest-mouse; the bank-vole and the wood-mouse. Even the common shrew and lesser shrew, though they rarely come out by day, have a reddish tinge on their fur. Water-shrew and water-vole inhabit the banks of streams, and are safer without such a colour; the dark grey badger is strictly a night rover.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

First published in 1915, "Birds and Man" is a collection of interesting and entertaining personal anecdotes relating to birds by W. H. Hudson. This volume contains beautiful descriptions of nature and offers us a unique insight into the habits of birds, making it highly recommended for all lovers of nature writing and ornithology. William Henry Hudson (1841 - 1922) was an Argentinian naturalist, author, and ornithologist. He was one of the founding members of the Royal Society for the Protection of Birds, and is best known for his novel "Green Mansions" (1904). Other notable works include "A Crystal Age" (1887) and "Far Away and Long Ago" (1918), which has since been adapted into a film. Contents include: "Birds at their Best", "Birds and Man", "Daws in the West Country", "Early Spring in Savernake Forest", "A Wood Wren at Wells", "The Secret of the Willow Wren", "Secret of the Charm of Flowers", "Ravens in Somerset", "Owls in a Village", etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.