Books with author Virginia Pye

Hot Stuff, A Second Chance Romance (Including: MC Biker, Secret Baby, Billionaire, Second Chance, and HEA)Falling in love with a gorgeous biker hadn’t been my plan, but I wasn’t complaining at all. One amazing night, destiny had brought us together, until we were unexpectedly separated.When I searched, I couldn’t find him anywhere. His motorcycle clubhouse had been destroyed, apparently no survivors, a rival MC interaction gone wrong. After weeks of no leads, I’d lost all hope.Then I found out I was pregnant, and losing the father of my baby had devastated me. I didn’t have any food, money, or place to stay. Without proper life skills, I became destitute, and I needed someone, anyone, to help me.While sitting in a coffeehouse getting warm, I’d met a wealthy businessman, who took me in and eventually asked me to marry him, him accepting my newborn baby as his own. I’d agreed, even though I didn’t really love him, but I figured I could learn to love him. Not a day had passed by that I didn’t wonder how my life would have been if only I’d gotten a second chance with my one and only true love, the father of my daughter.

Set in pre-war England, the novel begins in Jacob's childhood and follows him through college at Cambridge and into adulthood. The story is told mainly through the perspectives of the women in Jacob's life, including the repressed upper-middle-class Clara Durrant and the uninhibited young art student Florinda, with whom he has an affair. His time in London forms a large part of the story, though towards the end of the novel he travels to Italy and then Greece. Jacob's Room is the third novel by Virginia Woolf, first published on 26 October 1922. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.