Books with author Virginia Albert

Discover Baby's First Bible Stories, the perfect way to introduce your little one to God's unending love.In coordination with the American Bible Society, this padded board book introduces your little one to the patience, kindness, and hopefulness of God's love. Featuring cozy, classic illustrations and gentle rhyming text, this is the just-right gift for baptisms, baby showers, Easter baskets, birthdays, and more.Build your child's religious library with Baby's First Bible Stories!

Cozy up with your little one and this padded board book for a gentle prayer just-right for bedtime.In coordination with the American Bible Society, this padded board book is the perfect way to say your blessings before bed. Featuring cozy, classic illustrations and gentle rhyming text, this is the just-right gift for baptisms, baby showers, Easter baskets, birthdays, and more.Build your child's religious library with Baby's First Bible Stories!

Set in pre-war England, the novel begins in Jacob's childhood and follows him through college at Cambridge and into adulthood. The story is told mainly through the perspectives of the women in Jacob's life, including the repressed upper-middle-class Clara Durrant and the uninhibited young art student Florinda, with whom he has an affair. His time in London forms a large part of the story, though towards the end of the novel he travels to Italy and then Greece. Jacob's Room is the third novel by Virginia Woolf, first published on 26 October 1922. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations.