Books with author Tim Hutchinson

Excerpt from The Works in Prose and Verse of Charles and Mary Lamb, Vol. 2: Tales for Children; Poetry for Children; Poems; Dramatic WorksI have wished to make these Tales easy reading for very young children. To the utmost of my ability I have constantly kept this in my mind but the subjects Of most of them made this a very difficult task. It was no easy matter to give the histories Of men and women in terms familiar to the apprehension of a very young mind. For young ladies too it has been my intention chiefly to write, because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently having the best scenes Of Shakespear by heart, before their sisters are permitted to look into this manly book and therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, I must rather beg their kind assistance in explaining to their Sisters such parts as are hardest for them to understand; and when they have helped them to get over the difficulties, then perhaps they will read to them (carefully selecting what is proper for a young sister's ear) some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken and I trust they will find that the beauti ful extracts, the select passages, they may chuse to give their sisters in this way, will be much better relished and understood from their having some notion of the general story from one of these imperfect abridgments - 1which if they be fortunately so done as to prove delightful to any Of you, my young readers, I hope will have no worse effect upon you, than to make you wish yourselves a little older.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This children's picture book consists of six separate short stories with characters Yako the monkey, a stuffed monkey who comes to lfe, and his new-found friend Emma, along with neighborhood children. Each story teaches life's fundamentals at a level that children can understand in an entertaining fashion. This book includes learning to share; learning how to deal with bullies; learning about the hurt of gossip; learning how to deal with the loss of a family member; learning unconditional giving; and learning about love and being lost. Each story depicts Yako the monkey,who is learning the self-developmental stages of life, with his owner/friend Emma teaching him. The neighborhood children pose many challenges to Yako in his learning abilities.

Excerpt from The Works in Prose and Verse of Charles and Mary Lamb, Vol. 2: Tales for Children; Poetry for Children; Poems; Dramatic WorksI have wished to make these Tales easy reading for very young children. To the utmost of my ability I have constantly kept this in my mind but the subjects Of most of them made this a very difficult task. It was no easy matter to give the histories Of men and women in terms familiar to the apprehension of a very young mind. For young ladies too it has been my intention chiefly to write, because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently having the best scenes Of Shakespear by heart, before their sisters are permitted to look into this manly book and therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, I must rather beg their kind assistance in explaining to their Sisters such parts as are hardest for them to understand; and when they have helped them to get over the difficulties, then perhaps they will read to them (carefully selecting what is proper for a young sister's ear) some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken and I trust they will find that the beauti ful extracts, the select passages, they may chuse to give their sisters in this way, will be much better relished and understood from their having some notion of the general story from one of these imperfect abridgments - 1which if they be fortunately so done as to prove delightful to any Of you, my young readers, I hope will have no worse effect upon you, than to make you wish yourselves a little older.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Elephant and Castle: A ReconstructionBoard of Trade and he let me in (which cost Shagan two quid). On the whole I wished he hadn't. Anyone who wants to study the interior architecture of Mickett Lane can do so without fear of being jostled by me. The Scene of the Crime was a bedroom upstairs. They had drawn the curtains, and there was one electric bulb burning over the bed, but the curtains let in quite a lot of daylight, giving the room the neither-the-one-damned-thing-nor-the-other appearance which you get in an empty theatre with the stage set and the curtain up. There was a smell of disuse and disinfectants, with a lingering stink of face-powder. At my age I am not, I hope, sensitive to what the half-baked call atmosphere but I. Found the cheapness of the whole set-up quite disagreeable. There were two or three seedy little men in smart three guinea suits doing exactly what they do in whodunits, taking photo graphs with micro-cameras and making measurements, one fellow with a cigarette stuck to his lip was calling out the figures just as a tailor does. N 0 one took any notice of me, and I had the impression that if I'd started to intone the burial service in a high, childish treble or to unleash a brace of bloodhounds from my brief-case they still wouldn't have taken any notice. It was that sort of scene, by Tchehov out of Madame Tussaud. There was a rheumy-eyed old man who I suppose was the police doctor examining the body. So feeling that I ought to give Shagan his money's worth I examined it too. The medical was kind enough to point out the wounds in the throat, which I could per fectly well have seen for myself. A wheezy old bore in love with footling technicalities.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Elephant and Castle: A ReconstructionBoard of Trade and he let me in (which cost Shagan two quid). On the whole I wished he hadn't. Anyone who wants to study the interior architecture of Mickett Lane can do so without fear of being jostled by me. The Scene of the Crime was a bedroom upstairs. They had drawn the curtains, and there was one electric bulb burning over the bed, but the curtains let in quite a lot of daylight, giving the room the neither-the-one-damned-thing-nor-the-other appearance which you get in an empty theatre with the stage set and the curtain up. There was a smell of disuse and disinfectants, with a lingering stink of face-powder. At my age I am not, I hope, sensitive to what the half-baked call atmosphere but I. Found the cheapness of the whole set-up quite disagreeable. There were two or three seedy little men in smart three guinea suits doing exactly what they do in whodunits, taking photo graphs with micro-cameras and making measurements, one fellow with a cigarette stuck to his lip was calling out the figures just as a tailor does. N 0 one took any notice of me, and I had the impression that if I'd started to intone the burial service in a high, childish treble or to unleash a brace of bloodhounds from my brief-case they still wouldn't have taken any notice. It was that sort of scene, by Tchehov out of Madame Tussaud. There was a rheumy-eyed old man who I suppose was the police doctor examining the body. So feeling that I ought to give Shagan his money's worth I examined it too. The medical was kind enough to point out the wounds in the throat, which I could per fectly well have seen for myself. A wheezy old bore in love with footling technicalities.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"Extinct Monsters" by H. N. Hutchinson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

I have been requested by my friend Mr. Hutchinson, to express my opinion upon the series of drawings which have been prepared by that excellent artist of animals, Mr. Smit, for this little book entitled “Extinct Monsters.” Many of the stories told in early days, of Giants and Dragons, may have originated in the discovery of the limb-bones of the Mammoth, the Rhinoceros, or other large animals, in caves, associated with heaps of broken fragments, in which latter the ignorant peasant saw in fancy the remains of the victims devoured at the monster’s repasts.