Books with author Theodore Dreisler

The "Genius" is a semi-autobiographical novel by Theodore Dreiser, first published in 1915. The story concerns Eugene Witla, a talented painter of strong sexual desires who grapples with his commitment to his art and the force of his erotic needs. The book sold 8,000 copies in the months immediately following publication but encountered legal difficulties when it was declared potentially obscene. Dreiser's publisher was nervous about continuing publication and recalled the book from bookstores, and the novel did not receive broad distribution until 1923. When The "Genius" was reissued by a different publisher, the firm of Horace Liveright, it immediately sold more than 40,000 copies.

Theodore Dreiser heavily invested himself in The Genius, an autobiographical novel first published in 1915. Thoroughly immersed in the turn-of-the-century art scene, The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time.

By 1914, Theodore Dreiser was a successful writer living in New York. He had not been back to his home state in over 20 years. When his friend Franklin Booth approached him with the idea of driving from New York to Indiana, Dreiser's response to Booth was immediate: "All my life I've been thinking of making a return trip to Indiana and writing a book about it." Along the route, Dreiser recorded his impressions of the people and land in words while his traveling companion sketched some of these scenes. In this reflective tale, Dreiser and Booth cross four states to arrive at Indiana and the sites and memories of Dreiser's early life in Terre Haute, Sullivan, Evansville, Warsaw, and his one year at Indiana University. "Because [the book] provides a portrait of the artist as a young man and describes the nation as a mosaic of individual cultures, Dreiser's journey offers several different lessons. Part travelogue, part autobiography, part collection of essays, A Hoosier Holiday lays out the landscape of a nation that ceased to exist once the highway unfurled across the map." -Publishers Weekly

The "Genius" is a semi-autobiographical novel by Theodore Dreiser, first published in 1915. The story concerns Eugene Witla, a talented painter of strong sexual desires who grapples with his commitment to his art and the force of his erotic needs. The book sold 8,000 copies in the months immediately following publication but encountered legal difficulties when it was declared potentially obscene. Dreiser's publisher was nervous about continuing publication and recalled the book from bookstores, and the novel did not receive broad distribution until 1923. When The "Genius" was reissued by a different publisher, the firm of Horace Liveright, it immediately sold more than 40,000 copies

The "Genius" is a semi-autobiographical novel by Theodore Dreiser, first published in 1915. The story concerns Eugene Witla, a talented painter of strong sexual desires who grapples with his commitment to his art and the force of his erotic needs. The book sold 8,000 copies in the months immediately following publication but encountered legal difficulties when it was declared potentially obscene. Dreiser's publisher was nervous about continuing publication and recalled the book from bookstores, and the novel did not receive broad distribution until 1923. When The "Genius" was reissued by a different publisher, the firm of Horace Liveright, it immediately sold more than 40,000 copies.

The Genius is Theodore Dreiser's autobiographical novel about the turn-of-the-century art scene. It explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time. Theodore Dreiser was an American novelist and journalist who the naturalist school and is known for portraying characters whose value lies not in their moral code, but in their persistence against all obstacles, and literary situations that more closely resemble studies of nature than tales of choice and agency.

The "Genius" is a semi-autobiographical novel by Theodore Dreiser, first published in 1915. The story concerns Eugene Witla, a talented painter of strong sexual desires who grapples with his commitment to his art and the force of his erotic needs. The book sold 8,000 copies in the months immediately following publication but encountered legal difficulties when it was declared potentially obscene. Dreiser's publisher was nervous about continuing publication and recalled the book from bookstores, and the novel did not receive broad distribution until 1923. When The "Genius" was reissued by a different publisher, the firm of Horace Liveright, it immediately sold more than 40,000 copies.

Theodore Dreiser heavily invested himself in The Genius, an autobiographical novel first published in 1915. Thoroughly immersed in the turn-of-the-century art scene, The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time.

The insistent theme of Mr. Dreiser's work is desire, perennial, unquenchable. No matter how badly Mr. Dreiser might do his work, he would be significant as the American novelist who has most felt this subterranean current of life. Many novelists have seen this current as a mere abyss of sin from which the soul is to be dragged to the high ground of moral purpose and redemption, but this will not quite do. The great interpreters see life as a struggle between this desire and the organized machinery of existence, but they are not eager, as we are, to cover up and belittle the desire.