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Excerpt from The Open Court, Vol. 21: A Monthly Magazine Devoted to the Science of Religion, the Religion of Science, and to Extension of the Religious Parliament Idea; June, 1907Schiller's first drama, The Robbers, was conceived and writ ten while the poet was still a youth attending school. A critical re view Of it will at once reveal the immaturity of the poet, of which indeed Schiller himself was well aware, for in a preface which he wrote in the spring Of 1781 he admits that he himself would hesitate to have his play acted On the stage. He looks upon it more as a dramatic poem than as a drama, yet he is confident that the moral tendency Of the book will be recognized by all those who would read it with a desire to understand-the author, and, while fearing that it might be suppressed, he adds that fire should not be con demmed because it burns, nor water because it drowns. The truth is that Schiller's first drama in spite Of its crudities exhibits a marvel ous dramatic force unrivaled among the productions Of the age Of storm and stress to which it properly belongs. The age Of storm and stress was a period of transition in Germany in which the lead ing spirits were in a state of fermentation and Showed an extra ordinary anxiety to rebel against every established authority, and SO in Schiller's Robbers the hero, 'karl Moor, is a robber chief, a man who for the sake Of the wrongs which he has suffered would upset the whole moral order of existing institutions and wage a war against society itself. The real villains pretend respectability and represent the social order, but they perish in their own snares.Karl visits his home after years of absence and is not recognized by his people, not even by Amalia, who, however, is reminded of her unfortunate lover by the personality of the mysterious stranger whose features She compares with a miniature of Karl which she always carries about her.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Open Court, Vol. 21: A Monthly Magazine Devoted to the Science of Religion, the Religion of Science, and the Extension of the Religious Parliament Idea; December, 1907Devoted to the Science of Religion, the Religion of Science, and the Extension of the Religious Parliament Idea.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Open Court, Vol. 21: A Monthly Magazine Devoted to the Science of Religion, the Religion of Science, and the Extension of the Religious Parliament Idea; December, 1907Devoted to the Science of Religion, the Religion of Science, and the Extension of the Religious Parliament Idea.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Animal Eco Influencers introduces readers to different ecosystems via an animal that helps maintain a particular ecosystem. Readers will learn all about the featured animal, its habitat, role in the food web, and any threats to the animal. Throughout, the focus is on how the animal affects its ecosystem. Aligned to Common Core Standards and correlated to state standards. Super Sandcastle is an imprint of Abdo Publishing, a division of ABDO.

Excerpt from The Open Court, Vol. 21: A Monthly Magazine Devoted to the Science of Religion, the Religion of Science, and to Extension of the Religious Parliament Idea; June, 1907Schiller's first drama, The Robbers, was conceived and writ ten while the poet was still a youth attending school. A critical re view Of it will at once reveal the immaturity of the poet, of which indeed Schiller himself was well aware, for in a preface which he wrote in the spring Of 1781 he admits that he himself would hesitate to have his play acted On the stage. He looks upon it more as a dramatic poem than as a drama, yet he is confident that the moral tendency Of the book will be recognized by all those who would read it with a desire to understand-the author, and, while fearing that it might be suppressed, he adds that fire should not be con demmed because it burns, nor water because it drowns. The truth is that Schiller's first drama in spite Of its crudities exhibits a marvel ous dramatic force unrivaled among the productions Of the age Of storm and stress to which it properly belongs. The age Of storm and stress was a period of transition in Germany in which the lead ing spirits were in a state of fermentation and Showed an extra ordinary anxiety to rebel against every established authority, and SO in Schiller's Robbers the hero, 'karl Moor, is a robber chief, a man who for the sake Of the wrongs which he has suffered would upset the whole moral order of existing institutions and wage a war against society itself. The real villains pretend respectability and represent the social order, but they perish in their own snares.Karl visits his home after years of absence and is not recognized by his people, not even by Amalia, who, however, is reminded of her unfortunate lover by the personality of the mysterious stranger whose features She compares with a miniature of Karl which she always carries about her.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This book an EXACT reproduction of the original book published before 1923. This IS NOT an OCR?d book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.