Books with author Terry Tempest Williams

NATIONAL BESTSELLERA Kansas City Star Best Book of the Year"Brilliant, meditative, and full of surprises, wisdom, and wonder."―Ann Lamott, author of Imperfect Birds "I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." This is what Terry Tempest Williams's mother, the matriarch of a large Mormon clan in northern Utah, told her a week before she died. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as it was to discover that the three shelves of journals were all blank. In fifty-four short chapters, Williams recounts memories of her mother, ponders her own faith, and contemplates the notion of absence and presence art and in our world. When Women Were Birds is a carefully crafted kaleidoscope that keeps turning around the question: What does it mean to have a voice?

The beloved author of Refuge returns with a work that explodes and startles, illuminates and celebratesTerry Tempest Williams's mother told her: "I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone."Readers of Williams's iconic and unconventional memoir, Refuge, well remember that mother. She was one of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them. "They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother's journals were blank." What did Williams's mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question "What does it mean to have a voice?"

"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.

The beloved author of Refuge returns with a work that explodes and startles, illuminates and celebrates. Terry Tempest Williams's mother told her: "I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." Fans of Williams's iconic and unconventional memoir, Refuge, well remember that mother. She was a member of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them. They were exactly where she said they would be: three shelves of beautiful cloth-bound books.... "I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty.... Shelf after shelf after shelf, all of my mother's journals were blank." What did Williams's mother mean by that? In 54 chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question "What does it mean to have a voice?"

The beloved author of Refuge returns with a work that explodes and startles, illuminates and celebratesTerry Tempest Williams’s mother told her: “I am leaving you all my journals, but you must promise me you won’t look at them until after I’m gone.”Readers of Williams’s iconic and unconventional memoir, Refuge, well remember that mother. She was one of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them. “They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?” Note: blank pages are intentional.

"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.

In her most original, provocative, and eloquently moving book since Refuge, Terry Tempest Williams gives us a luminous chronicle of finding beauty in a broken world. Always an impassioned and far-sighted advocate for a just relationship between the natural world and humankind, Williams has broadened her concerns over the past several years to include a reconfiguration of family and community in her search for a deeper understanding of what it means to be human in an era of physical and spiritual fragmentation.Williams begins in Ravenna, Italy, where “jeweled ceilings became lavish tales” through the art of mosaic. She discovers that mosaic is not just an art form but a form of integration, and when she returns to the American Southwest, her physical and spiritual home, and observes a clan of prairie dogs on the brink of extinction, she apprehends an ecological mosaic created by a remarkable species in the sagebrush steppes of the Colorado Plateau. And, finally, Williams travels to a small village in Rwanda, where, along with fellow artists, she joins survivors of the 1994 genocide and builds a memorial literally from the rubble of war, an act that becomes a spark for social change and healing.A singular meditation on how the natural and human worlds both collide and connect in violence and beauty, this is a work of uncommon perceptions that dares to find intersections between arrogance and empathy, tumult and peace, constructing a narrative of hopeful acts by taking that which is broken and creating something whole.

When faced with the chaos of our times and tragedy in her own life, Terry Tempest Williams asked: "How do we pick up the pieces? And what do we do with these pieces?" To find her answer, this visionary author and naturalist embarked on a journey that took her around the globe.In Finding Beauty in a Broken World, she delivers a story, a mosaic, that is both heartbreaking and hopeful―an unforgettable exploration of truth from a passionate artist and humanitarian.In this original author adaptation of her acclaimed book, Williams recalls an odyssey that began on the rocky shores of Maine, where she prayed for "one wild word" to follow after the events of 9/11. That word was "mosaic"―and it marked the first step on a path that took her to the artistic heart of Italy, through ecological struggles in the American Southwest, and ultimately to war-torn Rwanda and the seemingly inconceivable task of fostering healing through the art of mosaic in the midst of genocide as villagers and artists build a memorial together. Presented by the author in her own inimitable words, here is an inspiring story of how we can overcome even the most traumatic wounding the world can offer.Finding Beauty in a Broken World is a call to listeners to create beauty in the world we find, each in our own way, each in our own time, each with our own gifts. By taking that which is broken and creating something whole, we can begin to embrace both empathy and engagement within our own communities.This product can be shipped within the US and Canada only.Course objectives:Analyze the importance of community, unity, and language through the art of mosaic creation• Examine in-depth the art of ancient mosaic creation, and list its 11 rules• Discuss language and some of its potential, then some of its dangers when it is not understood• Describe the dangers when there is lack of communication• Discuss the dark violent side and the loving side of human beings• Examine some of the many forms of language

This enduring story of life, adventure, and love in Alaska was written by a woman who embraced the remote Alaskan wilderness and became one of its strongest advocates. In this moving testimonial to the preservation of the Arctic wilderness, Mardy Murie writes from her heart about growing up in Fairbanks, becoming the first woman graduate of the University of Alaska, and marrying noted biologist Olaus J. Murie. So begins her lifelong journey in Alaska and on to Jackson Hole, Wyoming where along with her husband and others, they founded The Wilderness Society. Mardy's work as one of the earliest female voices for the wilderness movement earned her the Presidential Medal of Freedom.

A new collection of the seminal writings of America's first naturalist and the founder of the modern conservation movement.AN EVERYMAN'S LIBRARY ORIGINAL.This volume of John Muir's selected writings chronicles the key turning points in his life and study of the American wilderness. The Story of My Boyhood and Youth is Muir's account of his childhood on a Wisconsin farm, where his interest in nature was first piqued; in The Mountains of California, The Yosemite, and Travels in Alaska, we follow him on long journeys into stunning mountain ranges and valleys, where he records native flora and fauna and finds proof of his theories of the effect of glaciers on landscape formation. These four full-length works--along with a selection of important essays--helped galvanize American naturalists, and led to the founding of the Sierra Club and several national parks. In these pages, written with meticulous thoroughness and an impassioned lyricism, we witness Muir's awakening to the incredible beauty of our planet, and the honing of an eye turned as acutely toward the scientific as the spiritual.