Books with author Susan Warner

WHO IS SHE? "Tom, who was that girl you were so taken with last night?" "Wasn't particularly taken last night with anybody." Which practical falsehood the gentleman escaped from by a mental reservation, saying to himself that it was not last night that he was "taken." "I mean the girl you had so much to do with. Come, Tom!" "I hadn't much to do with her. I had to be civil to somebody. She was the easiest." "Who is she, Tom?" "Her name is Lothrop." "O you tedious boy! I know what her name is, for I was introduced to her, and Mrs. Wishart spoke so I could not help but understand her; but I mean something else, and you know I do. Who is she? And where does she come from?" "She is a cousin of Mrs. Wishart; and she comes from the country somewhere." "One can see that." "How can you?" the brother asked rather fiercely. "You see it as well as I do," the sister returned coolly. "Her dress shows it." "I didn't notice anything about her dress." "You are a man." "Well, you women dress for the men. If you only knew a thing or two, you would dress differently." "That will do! You would not take me anywhere, if I dressed like Miss Lothrop." "I'll tell you what," said the young man, stopping short in his walk up and down the floor;-"she can afford to do without your advantages!" Susan Bogert Warner (July 11, 1819 – March 17, 1885), was an American evangelical writer of religious fiction, children's fiction, and theological works. Biography Born in New York City, she wrote, under the name of "Elizabeth Wetherell", thirty novels, many of which went into multiple editions. However, her first novel, The Wide, Wide World (1850), was the most popular. It was translated into several other languages, including French, German, and Dutch. Other than Uncle Tom's Cabin, it was perhaps the most widely circulated story of American authorship. Other works include Queechy (1852), The Law and the Testimony, (1853), The Hills of the Shatemuc, (1856), The Old Helmet (1863), and Melbourne House (1864). In the nineteenth century, critics admired the depictions of rural American life in her early novels. American reviewers also praised Warner's Christian and moral teachings, while London reviewers tended not to favor her didacticism. Early twentieth-century critics classified Warner's work as "sentimental" and thus lacking in literary value. In the later twentieth century, feminist critics rediscovered The Wide, Wide World, discussing it as a quintessential domestic novel and focusing on analyzing its portrayal of gender dynamics. Some of her works were written jointly with her younger sister Anna Bartlett Warner, who sometimes wrote under the pseudonym "Amy Lothrop". The Warner sisters also wrote famous children's Christian songs. Susan wrote "Jesus Bids Us Shine" while Anna was author of the first verse of the well-known children's song "Jesus Loves Me", which she wrote at Susan's request. Both sisters became devout Christians in the late 1830s. After their conversion, they became confirmed members of the Mercer Street Presbyterian church, although in later life, Warner became drawn into Methodist circles. The sisters also held Bible studies for the West Point cadets. When they were on military duty, the cadets would sing "Jesus Loves Me." The popularity of the song was so great that upon Warner's death, she was buried in the West Point Cemetery. Susan Warner died in Highland Falls, New York and is buried in the West Point Cemetery.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Oh Norton! Oh Norton! do you know what has happened?" Matilda had left the study and rushed out into the dining-room to tell her news, if indeed it were news to Norton. She had heard his step. Norton seemed in a preoccupied state of mind. "Yes!" he said. "I know that confounded shoemaker has left something in the heel of my boot which is killing me." Matilda was not like some children. She could wait; and she waited, while Norton pulled off his boot, made examinations into the interior, and went stoutly to work with penknife and file. In the midst of it he looked up, and asked,— "What has happened to you, Pink?"

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Excerpt from The End of a CoilNo, not much fairy tales, said Dolly, now ris ing up from the cat. I have read about them in Midsummer Night's Dream.'About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The door stands open of a handsome house in Walnut Street—the Walnut Street which belongs to the city of William Penn; and on the threshold stands a lady, with her hand up to her brows, shielding her eyes from the light. She is watching to see what will come out of a carriage just driving up to the curbstone. The carriage stops; there descends first the figure of a handsome, very comfortable-looking gentleman. Mrs. Eberstein's eyes pass over him very cursorily; she has seen him before; and there is hardly a curl on his handsome head which his wife does not know by heart. What comes next? Ah, that is she!—the figure of the expected one; and a little girl of some eleven years is helped carefully out by Mr. Eberstein, and comes up the steps to the waiting and watching lady. A delicate little thing, delicate in frame and feature alike, with a fair, childish face, framed in by loose light brown curls, and a pair of those clear, grave, wise, light hazel eyes which have the power of looking so young and so spiritually old at once. Those eyes are the first thing that Mrs. Eberstein sees, and they fascinate her already. Meanwhile kind arms are opened wide, and take the little one in.

The Wide, Wide World is a work of sentimentalism based on the life of young Ellen Montgomery. The story begins with Ellen’s happy life being disrupted by the fact that her mother is very ill and her father must take her to Europe, requiring Ellen to leave home to live with an almost-unknown aunt. Though Ellen tries to act strong for her mother’s sake, she is devastated and can find solace in nothing.

Excerpt from Glen Luna, Vol. 21: Or Dollars and CentsThen at other times there was talk - Often above my comprehension, and where I could only amuse myself with the different looks and tones Of the speakers; with Kate's earnestness and my father's coolness, and with Mrs Howard's smile at them both, and at my listening face. If my father caught sight of this last, he would Often end the lesson he was giving with some laughing remark to me.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Excerpt from Carl Krinken: Or, the Christmas StockingLest Miss Wetherell should not have her dues, they are giving her the dues of every one else; and whatever my hand may have to do on Ellen Montgomery's Bookshelf, there it is even.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.