Books with author Spence Lewis 1874-1955

The North American Indian has so long been an object of the deepest interest that the neglect of his picturesque and original mythologies and the tales to which they have given rise is difficult of comprehension. In boyhood we are wont to regard him as an instrument specially designed for the execution of tumultuous incident, wherewith heart-stirring fiction may be manufactured. In manhood we are too apt to consider him as only fit to be put aside with the matter of Faery and such evanescent stuff and relegated to the limbo of imagination. Satiated with his constant recurrence in the tales of our youth, we are perhaps but too ready to hearken credulously to accounts which picture him as a disreputable vagabond, getting a precarious living by petty theft or the manufacture of bead ornaments.It is, indeed, surprising how vague a picture the North American Indian presents to the minds of most people in Europe when all that recent anthropological research has done on the subject is taken into account. As a matter of fact, few books have been published in England which furnish more than the scantiest details concerning the Red Race, and these are in general scarce, and, when obtained, of doubtful scientific value.The primary object of this volume is to furnish the reader with a general view of the mythologies of the Red Man of North America, accompanied by such historical and ethnological information as will assist him in gauging the real conditions under which this most interesting section of humanity existed. The basic difference between the Indian and European mental outlook is insisted upon, because it is felt that no proper comprehension of American Indian myth or conditions of life can be attained when such a distinction is not recognized and allowed for. The difference between the view-point, mundane and spiritual, of the Red Man and that of the European is as vast as that which separates the conceptions and philosophies of the East and West. Nevertheless we shall find in the North American mythologies much that enters into the composition of the immortal tales of the older religions of the Eastern Hemisphere. All myth, Asiatic, European, or American, springs from similar natural conceptions, and if we discover in American mythology peculiarities which we do not observe in the systems of Greece, Rome, or Egypt, we may be certain that these arise from circumstances of environment and racial habit as modified by climate and kindred conditions alone.In the last thirty years much has been accomplished in placing the study of the American aborigines on a sounder basis. The older school of ethnologists were for the most part obsessed with the wildest ideas concerning the origin of the Indians, and many of them believed the Red Man to be the degenerate descendant of the lost Ten Tribes of Israel or of early Phoenician adventurers. But these 'antiquaries' had perforce to give way to a new school of students well equipped with scientific knowledge, whose labours, under the admirable direction of the United States Bureau of Ethnology, have borne rich fruit. Many treatises of the utmost value on the ethnology, mythology, and tribal customs of the North American Indians have been issued by this conscientious and enterprising State department. These are written by men who possess first-hand knowledge of Indian life and languages, many of whom have faced great privations and hardships in order to collect the material they have published. The series is, indeed, a monument to that nobler type of heroism which science can kindle in the breast of the student, and the direct, unembellished verbiage of these volumes conceals many a life-story which for quiet, unassuming bravery and contempt for danger will match anything in the records of research and human endurance.

ALTHOUGH the folk-tales and legends of Brittany have received ample attention from native scholars and collectors, they have not as yet been presented in a popular manner to English-speaking readers. The probable reasons for what would appear to be an otherwise incomprehensible omission on the part of those British writers who make a popular use of legendary material are that many Breton folk-tales strikingly resemble those of other countries, that from a variety of considerations some of them are unsuitable for presentation in an English dress, and that most of the folk-tales proper certainly possess a strong family likeness to one another.But it is not the folk-tale alone which goes to make up the romantic literary output of a people; their ballads, the heroic tales which they have woven around passages in their national history, their legends (employing the term in its proper sense), along with the more literary attempts of their romance-weavers, their beliefs regarding the supernatural, the tales which cluster around their ancient homes and castles—all of these, although capable of separate classification, are akin to folk-lore, and I have not, therefore, hesitated to use what in my discretion I consider the best out of immense stores of material as being much more suited to supply British readers with a comprehensive view of Breton story. Thus, I have included chapters on the lore which cleaves to the ancient stone monuments of the country, along with some account of the monuments themselves. The Arthurian matter especially connected with Brittany I have relegated to a separate chapter, and I have considered it only fitting to include such of the lais of that rare and human songstress Marie de France as deal with the Breton land. The legends of those sainted men to whom Brittany owes so much will be found in a separate chapter, in collecting the matter for which I have obtained the kindest assistance from Miss Helen Macleod Scott, who has the preservation of the Celtic spirit so much at heart. I have also included chapters on the interesting theme of the black art in Brittany, as well as on the several species of fays and demons which haunt its moors and forests; nor will the heroic tales of its great warriors and champions be found wanting. To assist the reader to obtain the atmosphere of Brittany and in order that he may read these tales without feeling that he is perusing matter relating to a race of which he is otherwise ignorant, I have afforded him a slight sketch of the Breton environment and historical development, and in an attempt to lighten his passage through the volume I have here and there told a tale in verse, sometimes translated, sometimes original.

In this volume the religious history of ancient Egypt has been reviewed in the light of the science of modern mythology. Few Egyptologists are well informed regarding the basic laws of that science, and much misapprehension regarding the character and attributes of many of the deities worshipped in the Nile Valley in times past has thereby resulted. The statement that Egyptian religious ideas cannot be collated with barbarian and savage conceptions simply because they are Egyptian and therefore 'classic' and inviolate will no longer remain unquestioned among that section of the public accustomed to think for itself, and such pronouncements as that the animal gods of Egypt have no connection with totemic origins will shortly assume their proper perspective.

"Legends & Romances of Spain" by Lewis Spence. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The myths and legends of the Algonquins, Iroquois, Pawnees, Sioux, and northern and northwestern Indians offer rich insights into the character and beliefs of the tribes that once dominated extensive territories of North America. The distinguished British anthropologist and folklorist Lewis Spence has collected many of the most interesting and compelling of these myths and presented them here according to ethnic grouping, prefacing the collection with important historical and ethnological information that will give the reader an accurate view of the conditions under which these fascinating tribal cultures once flourished.The myths range in theme from steadfast love to rivalry between warriors to victory over powerful forces, and in their unfolding lie powerful images of the innermost fears and aspirations that motivated the behavior of Algonquin, Iroquois, Pawnees, Sioux, and northwestern Indians alike. Lewis Spence relates each tale in a simple, direct way that will appeal to children as well as to adults. The book includes photographs and drawings that depict various tribes in their typical costumes and dwellings. It contains as well a map of the geographical areas where primary language families were spoken.This fascinating book, a major forerunner of modern studies of myth, combines an appealing presentation of Indian legend with factual and illustrative material that gives each myth meaningful perspective. Students of anthropology and ethnology will enjoy the especially rich variety of mythical imagery in this generous collection, and general readers in search of a good story for themselves and for their children will find in these pages a treasury of suspenseful tales that reveal much of the spirit of North America’s original cultures.

Lewis Spence was a Scottish journalist, a Fellow of the Royal Anthropological Institute of Great Britain and Ireland, and Vice-President of the Scottish Anthropological and Folklore Society.Over his long career, he published more than forty books, many of which remain in print to this day. "Myths and Legends of Ancient Egypt" is one Spence's most popular works, and according to some contemporary reviews, 'a showcase for his erudition and the width of his reading, his industry and imagination'. In it he explores myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, whereas the earliest periods of time were linear. Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, the fundamental order of the universe. Amongst the most important episodes from the mythic past are the creation myths, in which the gods form the universe out of primordial chaos; the stories of the reign of the sun god Ra upon the earth; and the Osiris myth, concerning the struggles of the gods Osiris, Isis, and Horus against the disruptive god Set. Events from the present that might be regarded as myths include Ra's daily journey through the world and its otherworldly counterpart, the Duat. Recurring themes in these mythic episodes include the conflict between the upholders of maat and the forces of disorder, the importance of the pharaoh in maintaining maat, and the continual death and regeneration of the gods.The details of these sacred events differ greatly from one text to another and often seem contradictory. Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians' understanding of the gods and the world.Mythology profoundly influenced Egyptian culture. It inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, and amulets. In literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes.

Since the days of Southey the romantic literature of Spain has not received from English writers and critics the amount of study and attention it undoubtedly deserves. In no European country did the seeds of Romance take root so readily or blossom so speedily and luxuriantly as in Spain, which perhaps left the imprint of its national character more deeply upon the literature of chivalry than did France or England. When we think of chivalry, do we not think first of Spain, of her age-long struggle against the pagan invaders of Europe, her sensitiveness to all that concerned personal and national honour, of the names of the Cid Campeador, Gayferos, and Gonzalvo de Cordova, gigantic shadows in harness, a pantheon of heroes, which the martial legends of few lands can equal and none surpass. The epic of our British Arthur, the French chansons de gestes, are indebted almost as much to folklore as to the imagination of the singers who first gave them literary shape. But in the romances of Spain we find that folklore plays an inconsiderable part, and that her chivalric fictions are either the offspring of historic happenings or of that brilliant and glowing imagination which illumines the whole expanse of Peninsular literature...