Books with author Sir Thomas Malory

Sir Thomas Malory's Le Morte d'Arthur is the basis for the vast literature concerning King Arthur and his Knights of the Round Table. Malory compiled, translated, and edited the tales from earlier French sources, and all later authors who added to Arthurian legend are indebted to his work. This handsome edition features 16 of Arthur Rackham's finest color illustrations, and Malory's text was edited for modern readers by English scholar Alfred W. Pollard. An essential treasury edition for any collector of Arthurian myths or Rackham enthusiast. Film fans will also cherish this deluxe hardcover: the stories have inspired numerous movie adaptations, including the 2017 release King Arthur: Legend of the Sword, directed by Guy Ritchie and starring Charlie Hunnam, Jude Law, Eric Bana, Djimon Hounsou, and Annabelle Wallis.

The greatest English version of the stories of King Arthur, Le Morte D'Arthur was completed in 1469-70 by Sir Thomas Malory, "knight prisoner." This edition is the first designed for the general reader to be based on the "Winchester manuscript" which represents what Malory wrote more closely than the version printed by William Caxton. Extensively annotated, this edition is highly user-friendly.

The legend of King Arthur and his knights of the Round Table is one of the most enduring and influential stories in world literature. Its themes - love, war, religion, treachery and family loyalty - are timeless, as are the reputations of its major characters, Arthur, Merlin, Guenever and Launcelot. Malory's Le Morte Darthur is a story of noble knights, colourful tournaments and fateful love, set in a courtly society which is outwardly secure and successful, but in reality torn by dissent and, ultimately, treachery. Originally published in 1485, Malory's Le Morte Darthur is here presented in modern spelling and is accompanied by an Introduction and helpful Glossary

Le Morte d'Arthur is a reworking by Sir Thomas Malory of existing tales about the legendary King Arthur, Guinevere, Lancelot, Merlin, and the Knights of the Round Table. Malory interpreted existing French and English stories about these figures and added original material (e.g., the Gareth story). Malory's actual title for the work was The Whole Book of King Arthur and His Noble Knights of the Round Table, but after Malory's death the publisher changed the title to that commonly known today, which originally only referred to the final volume of the work.Le Morte d'Arthur was first published in 1485 by William Caxton and is today one of the best-known works of Arthurian literature in English. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of Le Morte d'Arthur and that closest to Malory's translation and compilation. Winchester College headmaster W. F. Oakeshott discovered a previously unknown manuscript copy of the work in June 1934, during the cataloging of the college's library. Newspaper accounts announced that what Caxton had published in 1485 was not exactly what Malory had written. Oakeshott published "The Finding of the Manuscript" in 1963, chronicling the initial event and his realization that "this indeed was Malory," with "startling evidence of revision" in the Caxton edition.

"JBS Classics specializes in selling JUST BEST SELLERS (JBS).'Le Morte D'arthur' by Thomas Malory Kindle Formatting details:'Le Morte D'arthur' by Thomas Malory 100% perfectly on ALL devices (including Kindle, Android, iBook, Cloud Readers etc.).Book formatting details:1) Active Table of Contents.Footnotes & Endnotes.2) Word Wise – Enabled.3) Illustrations & Tables (if any) are available with ZOOM feature on double-click.“Le Morte D'arthur” by 'Thomas Malory' Book DescriptionIn a time when there were damsels in distress to save, and mythical dragons to slay, King Arthur and his knights of the Round Table were there to render justice in the face of any danger. From the incredible wizardry of Merlin to the undeniable passion of Sir Launcelot, these tales of Arthur and his knights offer epic adventures with the supernatural, as well as timeless battles with our humanity.Keith Baine's splendid rendition of Le Morte d'Arthur faithfully preserves the original flavor of Malory's masterpiece - that of banners and bloodshed, knights and ladies, Christians and sorcerers, sentiment and savagery. It remains a vivid medieval tapestry, woven about a central figure who symbolizes the birth of an age of chivalry."

This ebook collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.Le Morte D'Arthur is today one of the best-known works of Arthurian literature in English. Malory interprets existing French and English stories about the legendary King Arthur, Guinevere, Lancelot, Merlin, and the Knights of the Round Table, and adds the original material on the myths and tales.

King Arthur and the Knights of the Round Table! What magic is in the words! How they carry us straight to the days of chivalry, to the witchcraft of Merlin, to the wonderful deeds of Lancelot and Perceval and Galahad, to the Quest for the Holy Grail, to all that "glorious company, the flower of men," as Tennyson has called the king and his companions! Down through the ages the stories have come to us, one of the few great romances which, like the tales of Homer, are as fresh and vivid to-day as when men first recited them in court and camp and cottage. Other great kings and paladins are lost in the dim shadows of long-past centuries, but Arthur still reigns in Camelot and his knights still ride forth to seek the Grail."No little thing shall beThe gentle music of the bygone years,Long past to us with all their hopes and fears."So wrote the poet William Morris in The Earthly Paradise. And surely it is no small debt of gratitude we owe the troubadours and chroniclers and poets who through many centuries have sung of Arthur and his champions, each adding to the song the gifts of his own imagination, so building from simple folk-tales one of the most magnificent and moving stories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétien de Troies, a Frenchman, who in the twelfth century put many of the old Arthurian legends into verse; to Sir Thomas Malory, who first wrote out most of the stories in English prose, and whose book, the Morte Darthur, was printed by William Caxton, the first English printer, in 1485; and to Alfred, Lord Tennyson, who in his series of poems entitled the Idylls of the King retold the legends in new and beautiful guise in the nineteenth century.

This classic fifteenth-century chronicle of King Arthur and his knights is the essential interpretation of Arthurian legend in the English language.Full of adventure, magic, and romance, these are the timeless tales of Arthur, the great warrior king of Britain; his loyal knight Lancelot; the beautiful Queen Guinevere; and the mysterious Merlin. Based on French Arthurian romances reaching back to the twelfth century, Sir James Knowles’s narrative tells of the goings-on at Camelot, epic battles against invading Saxon enemies, and Arthur’s quest for the Holy Grail, among many other exciting events.Sometimes published as Le Morte d’Arthur, these accounts of chivalry and daring escapades have inspired generations of storytellers, from the Romantic poet Alfred, Lord Tennyson to T. H. White, author of The Once and Future King, from American satirist Mark Twain to British comedy troupe Monty Python.

King Arthur and the Knights of the Round Table! What magic is in the words! How they carry us straight to the days of chivalry, to the witchcraft of Merlin, to the wonderful deeds of Lancelot and Perceval and Galahad, to the Quest for the Holy Grail, to all that "glorious company, the flower of men," as Tennyson has called the king and his companions! Down through the ages the stories have come to us, one of the few great romances which, like the tales of Homer, are as fresh and vivid to-day as when men first recited them in court and camp and cottage. Other great kings and paladins are lost in the dim shadows of long-past centuries, but Arthur still reigns in Camelot and his knights still ride forth to seek the Grail."No little thing shall beThe gentle music of the bygone years,Long past to us with all their hopes and fears."So wrote the poet William Morris in The Earthly Paradise. And surely it is no small debt of gratitude we owe the troubadours and chroniclers and poets who through many centuries have sung of Arthur and his champions, each adding to the song the gifts of his own imagination, so building from simple folk-tales one of the most magnificent and moving stories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétien de Troies, a Frenchman, who in the twelfth century put many of the old Arthurian legends into verse; to Sir Thomas Malory, who first wrote out most of the stories in English prose, and whose book, the Morte Darthur, was printed by William Caxton, the first English printer, in 1485; and to Alfred, Lord Tennyson, who in his series of poems entitled the Idylls of the King retold the legends in new and beautiful guise in the nineteenth century.