Books with author Sir Arthur Thomas Quiller-Couch

In fairness to Captain Vyell be it added that he—a young English blood, bearing kinship with two or three of the great Whig families at home, and sceptical as became a person of quality—was capable as any one of relishing the comedy, had it been pointed out to him. With equal readiness he would have scoffed at Man’s pretensions in this world and denied him any place at all in the next. Nevertheless on a planet the folly of which might be taken for granted he claimed at least his share of the reverence paid by fools to rank and wealth. He was travelling this lonely coast on a tour of inspection, to visit and report upon a site where His Majesty’s advisers had some design to plant a fort; and a fine ostentation coloured his progress here as through life. He had brought his coach because it conveyed his claret and his batterie de cuisine (the seaside inns were detestable); but being young and extravagantly healthy and, with all his faults, very much of a man, he preferred to ride ahead on his saddle-horse and let his pomp follow him. Six horses drew the coach, and to each pair of leaders rode a postillion, while a black coachman guided the wheelers from the box-seat; all three men in the Collector’s livery of white and scarlet. On a perch behind the vehicle—which, despite its weight, left but the shallowest of wheel-ruts on the hard sand—sat Manasseh, the Collector’s cook and body-servant; a huge negro, in livery of the same white and scarlet but with heavy adornments of bullion, a cockade in his hat, and a loaded blunderbuss laid across his thighs. Last and alone within the coach, with a wine-case for footstool, sat a five-year-old boy. Master Dicky Vyell—the Collector’s only child, and motherless—sat and gazed out of the windows in a delicious terror. For hours that morning the travellers had ploughed their way over a plain of blown sand, dotted with shrub-oaks, bay-berries, and clumps of Indian grass; then, at a point where the tall cliffs began, had wound down to the sea between low foothills and a sedge-covered marsh criss-crossed by watercourses that spread out here and there into lagoons. At the head of this descent the Atlantic had come into sight, and all the way down its echoes had grown in the boy’s ears, confusing themselves with a delicious odour which came in fact from the fields of sedge, though he attributed it to the ocean.

This sumptuous volume is a welcome follow-up to the earlier Calla publication of Dulac's Stories from Hans Christian Andersen. Edmund Dulac was second only to Arthur Rackham in his sensitivity to the world of fairy tales, and his style is at once exotic and elegant. The present edition contains four tales: "The Sleeping Beauty," "Blue Beard," "Cinderella," and "Beauty and the Beast" in artful retelling, but the main feature of the book is the generous offering of 30 full-page color plates in Dulac's inimitable style. Additional design elements make this Calla edition a keepsake for readers and collectors alike.

- Add history about Arthur Quiller-Couch--PREFACEONCE upon a time I found myself halting between two projects, both magnificent. For the first, indeed—which was to discover, digest and edit all the fairy tales in the world—I was equipped neither with learning, nor with command of languages, nor with leisure, nor with length of years. It is a task for many men, clubbing their lifetimes together. But the second would have cost me quite a respectable amount of toil ; for it was to translate and annotate • the whole collection of stories in the

Sir Arthur Thomas Quiller-Couch was a Cornish writer, who published under the pen name of Q. He published his Dead Man's Rock (a romance in the vein of Stevenson's Treasure Island) in 1887, and he followed this up with Troy Town (1888) and The Splendid Spur (1889). After some journalistic experience in London, mainly as a contributor to the Speaker, in 1891 he settled at Fowey in Cornwall. He published in 1896 a series of critical articles, Adventures in Criticism, and in 1898 he completed Robert Louis Stevenson's unfinished novel, St Ives. With the exception of the parodies entitled Green Bays: Verses and Parodies (1893), his poetical work is contained in Poems and Ballads (1896). In 1895 he published an anthology from the sixteenth and seventeenth-century English lyrists, The Golden Pomp, followed in 1900 by an equally successful Oxford Book of English Verse, 1250-1900 (1900). He was made a Bard of Gorseth Kernow in 1928, taking the Bardic name Marghak Cough ('Red Knight').

Wednesday, January 29, 1913 In all the long quarrel set between philosophy and poetry I know of nothing finer, as of nothing more pathetically hopeless, than Plato's return upon himself in his last dialogue 'The Laws.' There are who find that dialogue (left unrevised) insufferably dull, as no doubt it is without form and garrulous. But I think they will read it with a new tolerance, may-be even with a touch of feeling, if upon second thoughts they recognise in its twisting and turnings, its prolixities and repetitions, the scruples of an old man who, knowing that his time in this world is short, would not go out of it pretending to know more than he does, and even in matters concerning which he was once very sure has come to divine that, after all, as Renan says, 'La Verité consiste dans les nuances.' Certainly 'the mind's dark cottage battered and decayed' does in that last dialogue admit some wonderful flashes, From Heaven descended to the low-roofed house Of Socrates, or rather to that noble 'banquet-hall deserted' which aforetime had entertained Socrates. Suffer me, Mr Vice-Chancellor and Gentlemen, before reaching my text, to remind you of the characteristically beautiful setting.

Excerpt from The Pilgrims' Way: A Little Scrip of Good Counsel for TravellersI want to urge here a reason or two why this good custom of our fathers, of going on pilgrimages, should not be discontinued.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sir Arthur Thomas Quiller-Couch was a Cornish writer, who published under the pen name of Q. He published his Dead Man's Rock (a romance in the vein of Stevenson's Treasure Island) in 1887, and he followed this up with Troy Town (1888) and The Splendid Spur (1889). After some journalistic experience in London, mainly as a contributor to the Speaker, in 1891 he settled at Fowey in Cornwall. He published in 1896 a series of critical articles, Adventures in Criticism, and in 1898 he completed Robert Louis Stevenson's unfinished novel, St Ives. With the exception of the parodies entitled Green Bays: Verses and Parodies (1893), his poetical work is contained in Poems and Ballads (1896). In 1895 he published an anthology from the sixteenth and seventeenth-century English lyrists, The Golden Pomp, followed in 1900 by an equally successful Oxford Book of English Verse, 1250-1900 (1900). He was made a Bard of Gorseth Kernow in 1928, taking the Bardic name Marghak Cough ('Red Knight').