Books with author Sheridan Le Fanu

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Carmilla by Joseph Sheridan le Fanu Carmilla is a Gothic novella by Joseph Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue (1871–72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The story is often anthologized and has been adapted many times in film and other media. Le Fanu presents the story as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. Laura, the protagonist, narrates, beginning with her childhood in a "picturesque and solitary" castle amid an extensive forest in Styria, where she lives with her father, a wealthy English widower retired from service to the Austrian Empire. When she was six, Laura had a vision of a beautiful visitor in her bedchamber. She later claims to have been punctured in her breast, although no wound was found. Twelve years later, Laura and her father are admiring the sunset in front of the castle when her father tells her of a letter from his friend, General Spielsdorf. The General was supposed to bring his niece, Bertha Rheinfeldt, to visit the two, but the niece suddenly died under mysterious circumstances. The General ambiguously concludes that he will discuss the circumstances in detail when they meet later. Laura, saddened by the loss of a potential friend, longs for a companion. A carriage accident outside Laura's home unexpectedly brings a girl of Laura's age into the family's care. Her name is Carmilla. Both girls instantly recognize the other from the "dream" they both had when they were young. Carmilla appears injured after her carriage accident, but her mysterious mother informs Laura's father that her journey is urgent and cannot be delayed. She arranges to leave her daughter with Laura and her father until she can return in three months. Before she leaves, she sternly notes that her daughter will not disclose any information whatsoever about her family, past, or herself, and that Carmilla is of sound mind. Laura comments that this information seems needless to say, and her father laughs it off.

The foremost teller of scary stories in his day and a profound influence on both the novelists and filmmakers of the 20th century, Anglo-Irish author JOSEPH THOMAS SHERIDAN LE FANU (1814–1873) has, sadly, fallen out of scholarly and popular favor, and unfairly so. To this day, contemporary readers who happen across his works praise his talent for weaving a tense literary atmosphere tinged by the supernatural and bolstered by hints of ambiguous magic. First published in 1864, Uncle Silas, one of his more famous works, is a macabre tale of the death-haunted mansion known as Knowl, and Maud Ruthyn, who narrates for us the ominous goings-on there through her curtain of obsession with the dark and the dead. Considered by some to be among the best horror novels ever written, this is certainly a pinnacle of Victorian suspense that continues to grip sophisticated readers today. With a series of new editions of Le Fanu’s works, Cosimo is proud to reintroduce modern book lovers to the writings of the early master of suspense fiction who pioneered the concept of “psychological horror.”

A noble Huguenot family, owning considerable property in Normandy, the Le Fanus of Caen, were, upon the revocation of the Edict of Nantes, deprived of their ancestral estates of Mandeville, Sequeville, and Cresseron; but, owing to their possessing influential relatives at the court of Louis the Fourteenth, were allowed to quit their country for England, unmolested, with their personal property. We meet with John Le Fanu de Sequeville and Charles Le Fanu de Cresseron, as cavalry officers in William the Third's army; Charles being so distinguished a member of the King's staff that he was presented with William's portrait from his master's own hand. He afterwards served as a major of dragoons under Marlborough.

The foremost teller of scary stories in his day and a profound influence on both the novelists and filmmakers of the 20th century, Anglo-Irish author JOSEPH THOMAS SHERIDAN LE FANU (1814–1873) has, sadly, fallen out of scholarly and popular favor, and unfairly so. To this day, contemporary readers who happen across his works praise his talent for weaving a tense literary atmosphere tinged by the supernatural and bolstered by hints of ambiguous magic. First published in 1864, Uncle Silas, one of his more famous works, is a macabre tale of the death-haunted mansion known as Knowl, and Maud Ruthyn, who narrates for us the ominous goings-on there through her curtain of obsession with the dark and the dead. Considered by some to be among the best horror novels ever written, this is certainly a pinnacle of Victorian suspense that continues to grip sophisticated readers today. With a series of new editions of Le Fanu’s works, Cosimo is proud to reintroduce modern book lovers to the writings of the early master of suspense fiction who pioneered the concept of “psychological horror.”

Silas Rutvyn is something of a riddle. To some, including his niece, he is something of a ghost. There are, however, no simple answers. As Le Fanu gradually unfolds the layers of this story, we are irresistibly drawn into his world. From the writer of such works as Through a Glass Darkly, and The House by the Churchyard, this eerie and chilling tale is one of the finest examples of his art.

Follow the story of Laura, a young girl longing for a friend. When Carmilla enters Laura's life, she is elated for the new found friendship. Laura starts to notice strange things about her new friend, Carmilla. Carmilla likes to sleep during the day and was seen walking around Laura's house at night, and Carmilla cannot stand to hear Laura sing a hymn. Who is Carmilla? Why are people suddenly dying around her? Does she love Laura? Joseph Sheridan Le Fanu was a leading writer for ghost stories in the nineteenth century and is considered as one of the forerunners of the ghost literature. Le Fanu started out as a lawyer, but during his college studies; he switched to journalism. At the age of thirty, Le Fanu married and started a family. His married life was difficult due to his wife having neurotic symptoms and given to fits of anxiety. After fourteen years of marriage, Le Fanu's wife died, but a cause of death was never determined. Le Fanu struggled to support his family financially, but found some relief when he signed a publishing contract and was expected to deliver novels about modern times and specifically about subjects relative to the English people. Le Fanu produced many works including Uncle Silas, Carmilla, and The House by the Churchyard. Le Fanu died in 1873 and is currently honored in his native Ireland.

J. Sheridan LeFanu -- Irish author of such classics as the short vampire novel Carmella (reputed to be the inspiration for Bram Stoker's Dracula) and A Chapter in the History of the Tyrone Family (said to be the tale that gave rise to Emily Bronte's Wuthering Heights -- lived from 1814 until 1873. He wrote all sorts of tales, but he's best remembered as a writer of mysteries and horror. (Jacketless library hardcover.)

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