Books with author Seth Thompson

“Saving” The Giving TreeAs part of my Bachelor of Education degree (over twenty years ago now!) we were asked to write a children’s story. I chose to rewrite Shel Silverstein’s classic, The Giving Tree, in a brighter light. I always felt this touching story was a little too sad. I also felt it missed the opportunity to impart an important perspective; the messages of stewardship and symbiosis, central to First Nations and Aboriginal cultures the world over.This is the message I hope this book can share with new generations of young people. As a Canadian of Metis heritage, I feel it is an important message. There are other parts of First Nations culture touched upon as well. I have taken literary license in their incorporation. Tobacco and smudging are sacred rites, and they are meant to show respect, just not necessarily in the way they are portrayed here. Flutes and love songs are also a part of many cultures as are canoes and the use of lodge poles. I hope this book can also act as a springboard for further study. This story offers a different perspective on the friendship that can exist between human (the boy Meekwun) and nature (as personified through the tree). Informed from the First Nations’ perspective of stewardship over the Earth, this re-imagining is one that offers a view of interdependence and encourages young readers and adults alike to be more thoughtful in their interactions with our living home. It is meant to be read and enjoyed by individual readers and as a sharing opportunity for discussion between children and their care-givers, teachers, friends and classmates as they define their own relationship to our home. It has been particularly rewarding to use this book as a comparative literature study with my students over the years when read in contrast to Mr. Silverstein’s book as well.Sean Thompson, 2020

Bryson Miller is a sixteen-year-old high school student who has already dealt with his mother's death and his father's subsequent alcoholism. When that happened, he adapted. He became the core of the family, making sure that groceries were bought and his sisters stayed out of trouble all while maintaining perfect grades with matching ambitions. Balancing his dysfunctional family life with a shining image became routine. He doesn't view himself as special or even especially unlucky. After all, there are plenty of people in his small town who are worse off. What is supposed to be just another normal Friday night, attending his friend Gary's party and keeping Gary out of trouble, becomes a nightmare when Bryson is attacked. In the days that follow, he does what he always does and attempts to adjust... to being a vampire. However, his sire won't leave him or his family alone. What she wants isn't something Bryson is willing to give, and when her threats to his girlfriend get Bryson killed, his soul ends up in the Underworld, ruled by the creator of vampires, the God of Temptation. Now Bryson is being asked to work for the god responsible not only for ruining his life but actually ending it. Although given a choice, the consequences for his refusal are far more complicated and far reaching than they seem. When he learns he won't be the one paying the price, how can he say no? Gods Don't Sleep is the first book in a planned trilogy. It serves as an origin story for the young protagonist and sets up the action to come.

Fifteen-year-old Samson Ashburner has always felt like an outsider—even before the accident that left his face scarred and his confidence shattered. With the jeers and taunts of the local children ringing in his ears, Samson’s only refuge is his ancestor's hut deep in the nearby woods. It is here that he encounters Angel Obscura, a gypsy girl who teachers Samson that not everybody takes him at face value. But Angel is not all that she seems, and Samson is soon drawn into a web of deceit and shady dealings with an explosive outcome.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

When Jody breaks her mother's special cookie jar, she feels horrible but is even more afraid of telling the truth. When she studies God's commandment "Thou shalt not lie" during devotion time, she begins to feel badly about lying, and another Bible story leaves Jody completely conflicted. Will Jody tell the truth or keep her lie quiet? Find out in I Cannot Tell A Lie.