Books with author Sally R. Francis

Nineteen-year-old orphan Elaina has a lot going for her. She’s beautiful. She’s creative—crafting gourmet dairy products in a factory she built. She’s also a brilliant student, finding higher dimensional physics quite simple, really. But she’s alone much of the day. She has no family and only two friends: her magnificent black horse, and her private tutor, Alessa.Everything changes the day Elaina rescues the handsome Prince Jaimin of Arra. Pulled into his turbulent world, she becomes the secret girlfriend of a future king, and discovers true friendship and love. When a bitter evil threatens to destroy her, the prince, her new friends, and the rest of the kingdom, Elaina finds a remarkable power within herself. Along with this power, she discovers who she truly is, the incredible truth about her parents, and how she came to live on the farm. She also learns that only she can save everything she loves. Follow Elaina, Prince Jaimin, and the socialite genius Nastasha, as they unravel clues from their past to save their kingdom.

While everyone else prepares for war, Elaina is on a divine mission to restore peace. She grew up believing she was an orphan, but Elaina now knows who and what she is, and she’s learning how to use her new powers over nature, life, and death to achieve her goals.Heavy snow is falling in Arra, and its army and royal court are hiding in caves from the Destaurian invaders. Elaina, her mentor Alessa, and Queen Alethea have journeyed northward to secure allies for a counterstrike.Meanwhile, Elaina’s love Prince Jaimin learns how to inspire his people, and Jaimin’s best friend and advisor Nastasha struggles with her feelings for him.Even if the counterstrike succeeds, peace is not assured. Ultimately, Elaina must travel far into a hostile land to find and heal the enemy king. And she will need the help of a family she never knew she had.

Assassins are on their way, Prince Jaimin has been told in a dream. But the royals are not the only ones in danger: a fourteen-year-old Destaurian rebel has risked her life to warn the Arrans of an imminent attack by a mysterious, fire-wielding army. One war is not yet over, and another looks set to begin.Despite the new threats, Elaina cannot afford to wait in Arra any longer. She must begin her mission: to rescue Princess Eleonora from a desert prison, and then to turn the ruthless Destaurian king to the light.Jaimin, Alessa, Elaina and Makias lead an expedition across the wild eastern wilderness to progress Elaina’s mission. Meanwhile, Nastasha, Jaimin’s advisor, continues to make sacrifices for her country and those she loves. Will her sacrifices, and those of so many others, be enough to unwind an ancient curse and restore peace? Discover the third book in the Principality series to learn the fate of the allies, and solve the ancient mystery behind the greatest war the region has ever seen. Plus, meet some new heroes that are sure to capture your heart.

While everyone else prepares for war, Elaina is on a divine mission to restore peace. She grew up believing she was an orphan, but Elaina now knows who and what she is, and she’s learning how to use her new powers over nature, life, and death to achieve her goals.Heavy snow is falling in Arra, and its army and royal court are hiding in caves from the Destaurian invaders. Elaina, her mentor Alessa, and Queen Alethea have journeyed northward to secure allies for a counterstrike.Meanwhile, Elaina’s love Prince Jaimin learns how to inspire his people, and Jaimin’s best friend and advisor Nastasha struggles with her feelings for him.Even if the counterstrike succeeds, peace is not assured. Ultimately, Elaina must travel far into a hostile land to find and heal the enemy king. And she will need the help of a family she never knew she had.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Flasks And Flagons: Pastels And Profiles, Vistas And Landscapes<author> Francis Saltus Saltus<publisher> C. W. Moulton, 1892

All about The Knights of the Red Feather Labyrinth: It's the year 2065 and you just found out that everyone in your family in an alien. In fact, the whole planet is inhabited by aliens. As it turns out you are from a planet which was called Earth that was destroyed years ago. And now you are now living on the planet Denmar. Okay, that isn't all that bad, at least you have a home and food. But then you find out that Denmar is set for destruction in fourteen days by someone in another galaxy. What should you do? Call the authorities! Except that the local ruler, Lord Reptillian, has just put out an order to kill every human being anyone can find. Here's what you know: you have to find three other kids and then all of you must meet at the forbidden Plateau of Leon. There must be four of you and it must be in two weeks. No problem, except that you don't know where the Plateau is and you've never met any other humans. And, you have no money, no friends and don't know who you can trust. YIKES! Now you know how Emma, Sarah and Stevic feel. The good news is there guardians sent to help our young heroes along their way. And they're going to need all the help they can get. For in between them and the Plateau are a few obstacles...ambushes, quicksand, red poisonous dust, carnivorous eels, enchanted thorn bushes, gates with no keys, a torturer named Lord Disaster, an executioner named Throatslash, znarf bats, trebors, and the dreaded Roosterdactyl, to name a few of the inconveniences. There you have it, four children, trying to escape while the entire doomed planet is looking to kill them. And the clock is ticking. Emma is the youngest, she grows up on a Demaran farm just southwest of Hashderry. She helps with the chores and has a pet cat named Mr. Phoenix. Emma is angry because nobody ever listens to her and because she doesn't like change at all and she is headed for a lot of it. Sarah grows up with the Humbledinks in the northern village of East Overshoe. Her foster

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Flasks And Flagons: Pastels And Profiles, Vistas And Landscapes<author> Francis Saltus Saltus<publisher> C. W. Moulton, 1892

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.