Books with author SIMON SCHAMA

" A riveting picture, generously rendered, of the stubborn, argumentative miracle of Jewish survival against the odds... Schama has made an eloquent and a far-reaching case for why Jews needed a small piece of earth they could call home.” -- The New York Times Book ReviewIn the second of three volumes of this magnificently illustrated cultural history, the tie-in to the PBS and BBC series The Story of the Jews, Simon Schama details the story of the Jewish people from 1492 through the end of nineteenth centurySimon Schama’s great project continues and the Jewish story is woven into the fabric of humanity. Their search for a home where a distinctive religion and culture could be nourished without being marginalized suddenly takes on startling resonance in our own epoch of homelessness, wanderings, persecutions, and anxious arrivals. Volume 2 of The Story of the Jews epic tells the stories of many who seldom figure in Jewish histories: not just the rabbis and the philosophers but a poetess in the ghetto of Venice; a general in Ming China; a boxer in Georgian England, a Bible showman in Amsterdam; a teacher of the deaf in eighteenth-century France, an opera composer in nineteenth-century Germany. The story unfolds in Kerala and Mantua, the starlit hills of Galilee, the rivers of Colombia, the kitchens of Istanbul, the taverns of Ukraine and the mining camps of California. It sails in caravels, rides the stagecoaches and the railways, trudges the dawn streets of London with a pack load of old clothes, hobbles along with the remnant of Napoleon’s ruined army. Through Schama’s passionate and intelligent telling, a story emerges of the Jewish people that feels as if it is the story of everyone, of humanity packed with detail, this second chronicle in an epic tale will shed new light on a crucial period of history.

In this New York Times bestseller, award-winning author Simon Schama presents an ebullient country, vital and inventive, infatuated with novelty and technology--a strikingly fresh view of Louis XVI's France. One of the great landmarks of modern history publishing, Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural, and narrative history of the French Revolution ever produced.

In the second of two volumes of this magnificently illustrated cultural history—the tie-in to the PBS and BBC series The Story of the Jews—Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain during the Inquisition across six hundred years to the present day.It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds.It spans the centuries and the continents—from the Iberian Peninsula and the collapse of “the golden age” to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentration camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychiatrist forever changes the conception of the human mind.And a great story unfolds. Not—as often imagined—of a people apart, but of a Jewish culture immersed in and imprinted by the peoples among whom they have dwelled. Which, as Simon Schama so brilliantly demonstrates, makes the story of the Jews everyone’s story, too.The Story of the Jews Volume 2 features 24 pages of color photos, numerous maps, and printed endpapers.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by: the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). Rembrandt's Eyes, about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Through a succession of superbly incisive descriptions and interpretations of Rembrandt's paintings threaded into this narrative, he allows us to see Rembrandt's life clearly and to think about it afresh.But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells, and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality.Rembrandt's Eyes shows us why Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has been written, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" . . . "rare, imaginative" . . . "provocative" . . . "astoundingly learned with verve, humor, and an unflagging sense of delight" . . . that of "a master storyteller . . . and "a master of history."**From the New York Times Book Review, Time, The New York Times, The Independent on Sunday, and Nature.

The most authoritative social, cultural and narrative history of the French Revolution, and one of the great landmarks of modern history publishing.'Monumental...provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review

The final stage of Simon Schama's epic voyage around Britain spans centuries, crosses the breadth of the empire and covers a vast expanse of topics - from the birth of feminism to the fate of freedom.The Fate of the Empire asks crucial questions about the nature of empire, journeying from celebrations of industrial and imperialist power at the Great Exhibition, to the catastrophic Irish potato famine and the Indian Mutiny. Through the military and economic shocks and traumas of our past, Schama asks the question that is still with us - is the immense weight of our history a blessing or a curse, a gift or a millstone around the neck of our future?This third and final volume in the series is a vast compelling history, made more so by the lively storytelling and big bold characters at the heart of the action. But alongside flamboyant heroes, like Nelson and Churchill, Schama recalls unsung heroines and virtually unknown enemies. Alongside the grand ideas, he exposes the grand illusions that cost untold lives.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). Rembrandt's Eyes, about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt's paintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh.But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality.Rembrandt's Eyes shows us why Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever been written, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."*Quotes from the New York Times Book Review, Time, the New York Times, The Independent on Sunday, and Nature, respectively.From the Hardcover edition.