Books with author SAMUEL BECKETT

Samuel Beckett’s first novel and “literary landmark” (St. Petersburg Times), Dream of Fair to Middling Women is a wonderfully savory introduction to the Nobel Prize–winning author. Written in the summer of 1932, when the twenty-six-year-old Beckett was poor and struggling to make ends meet, the novel offers a rare and revealing portrait of the artist as a young man. Later on, Beckett would call the novel “the chest into which I threw all my wild thoughts.” When he submitted it to several publishers, all of them found it too literary, too scandalous, or too risky; it was never published during his lifetime. As the story begins, Belacqua—a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba—“wrestles with his lusts and learning across vocabularies and continents, before a final ‘relapse into Dublin’” (The New Yorker). Youthfully exuberant and visibly influenced by Joyce, Dream of Fair to Middling Women is a work of extraordinary virtuosity. Beckett delights in the wordplay and sheer joy of language that mark his later work. Above all, the story brims with the black humor that, like brief stabs of sunlight, pierces the darkness of his vision.

Samuel Beckett's "high energy and boisterously libidinous" (Booklist) first novel--a wonderfully savory introduction to the Nobel Prize-winning author during this centenary year. Written in the summer of 1932, when the 26-year-old Beckett was poor and struggling, Dream of Fair to middling Women offers a rare and revealing portrait of the artist as a young man. Later on, Beckett would call the novel "the chest into which I threw all my wild thoughts." When he submitted it to several publishers, all of them found it too literary, too scandalous, or too risky, and it was never published during his lifetime. In the novel, Belacqua--a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the Alba--"wrestles with his lusts and learning across vocabularies and continents, before a final `relapse into Dublin'" (The New Yorker). Youthfully exuberant and visibly influenced by Joyce, Dream of Fair to middling Women is a work of extraordinary virtuosity. Beckett delights in the wordplay and sheer joy of language that mark his later work. Above all, the story brims with the black humor that, like brief stabs of sunlight, pierces the darkness of his vision.

A seminal work of twentieth century drama, Waiting for Godot was Samuel Beckett's first professionally produced play. It opened in Paris in 1953 at the tiny Left Bank Theatre de Babylone, and has since become a cornerstone of twentieth-century theater. The story line revolves around two seemingly homeless men waiting for someone — or something — named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as a somber summation of mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existentialism of post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.

Samuel Beckett, the great minimalist master and winner of the 1969 Nobel Prize for Literature, produced some of his most widely praised work for the stage in the form of the short play. This complete and definitive collection of twenty-five plays and “playlets” includes Beckett’s celebrated Krapp’s Last Tape, Embers, Cascando, Play, Eh Joe, Not I, and Footfalls, as well as his mimes, all his radio and television plays, his screenplay for Film, his adaptation of Robert Pinget’s The Old Tune, and the more recent Catastrophe, What Where, Quad, and Night and Dreams.