Books with author S. R. Crockett

A chilling debut novel about a time in the future when global warming has sent the world into a new Ice Age.“After the Snow is a coming-of-age novel, first and foremost―a brutal, tough and sometimes truly transcendent one.” ―The New York Times Book ReviewThe oceans stopped working before Willo was born, so the world of ice and snow is all he's ever known. He lives with his family deep in the wilderness, far from the government's controlling grasp. Willo's survival skills are put to the test when he arrives home one day to find his family gone. It could be the government; it could be scavengers―all Willo knows is he has to find refuge and his family. It is a journey that will take him into the city he's always avoided, with a girl who needs his help more than he knows.Don't miss the prequel:One Crow Alone by S. D. CrockettPraise for After the Snow:“Crockett has created a voice that gets inside you, a voice that, though limited in vocabulary and perspective, achieves remarkable emotional range. And Willo proves the perfect narrator for this harrowing tale about the dangerous new world of Crockett's invention. . . . After the Snow is a coming-of-age novel, first and foremost--a brutal, tough and sometimes truly transcendent one.” ―The New York Times Book Review“Suspenseful and powerful.” ―VOYA“In this powerful first novel, global warming has killed the North Atlantic Current, sending the U.K. and much of the U.S. into a new ice age.” ―Publishers Weekly, starred review“A sentimental tale of hardships, resilience and first-time experiences that illustrates a universal truism: Hope springs eternal in the young.” ―Kirkus Reviews, starred review“Marks Crockett as a writer to watch.” ―Booklist“What elevates Snow is the voice Crockett uses to tell the tale.” ―School Library Journal, starred reviewS.D. Crockett on narrative voice and an especially cold winter:What was your inspiration for After the Snow?Well, apart from the unbelievably cold winter during which I was writing―in an unheated house, chopping logs, and digging my car out of the snow; I think much of the inspiration for the settings in After the Snow came from my various travels. In my twenties I worked as a timber buyer in the Caucasus Mountains of southern Russia, and that work led to travels in Eastern Europe and Armenia. As soon as I step off the plane in those places it smells like home. It may sound strange to say when After the Snow is set in Wales, but really the practical dilemmas in the book come directly from places I've been, people I've lived with, and the hardships I've seen endured with grace and capability. I was in Russia not long after the Soviet Union collapsed and I've seen society in freefall. Without realizing it at the time, I think those experiences led me to dive into After the Snow with real passion.What would western civilization look like with a few tumbles under its belt? What would happen if the things we took for granted disappeared? I wanted to write a gripping story about that scenario, but hardly felt that I was straying into fantasy in the detail.What do you want readers to most remember about After the Snow?We all have the capacity to survive, but in what manner? What do we turn to in those times of trouble? Those are the questions I would like people to contemplate after reading After the Snow.How did Willo's unique voice come to you?Willo's voice appeared in those crucial first few paragraphs. After that it just grew along with his world and the terrible situations that arise. I think his voice is in all of us. We don't understand, we try to make good―maybe we find ourselves.How did you stay warm while writing this novel?I banked up the fire―and was warmed by hopes of spring.

Enjoy this classic children's adventure story originally published in 1897, authored by the highly esteemed sentamentalist, S. R. Crockett, featuring two brothers, one calling himself "Sir Toady Lion", and the other "Napoleon", as they set out to discover the world and themselves.All illustrations have been removed, formatting and punctuation updated, and spelling checked, in order to provide the best viewing experience with Kindle.Royal Literature Publishing—2015

The oceans stopped working before Willo was born, so the world of ice and snow is all he's ever known. He lives with his family deep in the wilderness, far from the government's controlling grasp. Willo's survival skills are put to the test when he arrives home one day to find his family gone. It could be the government; it could be scavengers--all Willo knows is he has to find refuge and his family. It is a journey that will take him into the city he's always avoided, with a girl who needs his help more than he knows.S.D. Crockett on narrative voice and an especially cold winter:What was your inspiration for After the Snow?Well, apart from the unbelievably cold winter during which I was writing—in an unheated house, chopping logs and digging my car out of the snow; I think much of the inspiration for the settings in After the Snow came from my various travels. In my twenties I worked as a timber buyer in the Caucasus Mountains of southern Russia, and that work led to travels in Eastern Europe and Armenia. As soon as I step off the plane in those places it smells like home. It may sound strange to say, when After the Snow is set in Wales, but really the practical dilemmas in the book come directly from places I've been, people I've lived with, and the hardships I've seen endured with grace and capability. I was in Russia not long after the Soviet Union collapsed and I've seen society in freefall. Without realizing it at the time I think those experiences led me to dive into After the Snow with real passion.What would western civilization look like with a few tumbles under its belt? What would happen if the things we took for granted disappeared? I wanted to write a gripping story about that scenario, but hardly felt that I was straying into fantasy in the detail.What do you want readers to most remember about After the Snow?We all have the capacity to survive, but in what manner? What do we turn to in those times of trouble? Those are the questions I would like people to contemplate after reading After the Snow.How did Willo's unique voice come to you?Willo's voice appeared in those crucial first few paragraphs. After that it just grew along with his world and the terrible situations that arise. I think his voice is in all of us. We don't understand, we try to make good—maybe we find ourselves.How did you stay warm while writing this novel?I banked up the fire—and was warmed by hopes of spring.

As Ralph Peden came along the dusty Cairn Edward road from the coach which had set him down there on its way to the Ferry town, he paused to rest in the evening light at the head of the Long Wood of Larbrax. Here, under boughs that arched the way, he took from his shoulders his knapsack, filled with Hebrew and Greek books, and rested his head on the larger bag of roughly tanned Westland leather, in which were all his other belongings. They were not numerous. He might, indeed, have left both his bags for the Dullarg carrier on Saturday, but to lack his beloved books for four days was not to be thought of for a moment by Ralph Peden. He would rather have carried them up the eight long miles to the manse of the Dullarg one by one.

The long, bitter winters are getting worse, and a state of emergency has been declared across Europe. In Poland, where fifteen-year-old Magda lives, there are frequent power cuts and fuel shortages. After the death of her grandmother and the evacuation of her village, Magda joins forces with the arrogant, handsome Ivan and smuggles her way on to a truck bound for London, where she hopes to find her mother. But London, when they reach it, is a nightmarish and far-from-welcoming world. Riots are commonplace, and the growing chaos is exploited by criminals and terrorists alike. Magda's mother is nowhere be found, and as the lost girl struggles to come to terms with her changing situation, she is befriended by a ragtag group of travellers planning a new home and future. Together they will need all the cunning they possess to survive in the frozen wilderness of Britain, which has become just as lawless as the city.

THE WHY! FOUR CHILDREN WOULD NOT READ SCOTT SO I told them these stories—and others—to lure them to the printed book, much as carrots are dangled before the nose of the reluctant donkey. They are four average intelligent children enough, but they hold severely modern views upon storybooks. Waverley, in especial, they could not away with. They found themselves stuck upon the very threshold. Now, since the first telling of these Red Cap Tales, the Scott shelf in the library has been taken by storm and escalade. It is permanently gap-toothed all along the line. Also there are nightly skirmishes, even to the laying on of hands, as to who shall sleep with Waverley under his pillow. It struck me that there must be many oldsters in the world who, for the sake of their own youth, would like the various Sweethearts who now inhabit their nurseries, to read Sir Walter with the same breathless eagerness as they used to do—how many years agone? It is chiefly for their sakes that I have added several interludes, telling how Sweetheart, Hugh John, Sir Toady Lion, and Maid Margaret received my petty larcenies from the full chest of the Wizard. At any rate, Red Cap succeeded in one case—why should he not in another? I claim no merit in the telling of the tales, save that, like medicines well sugar-coated, the patients mistook them for candies and—asked for more. The books are open. Any one can tell Scott's stories over again in his own way. This is mine. S. R. CROCKETT.

Set in the haunting and barren landscape of a new ice age, AFTER THE SNOW is the story of fifteen-year-old Willo, a 'straggler' kid who loses his family in the opening pages. Completely alone, he is immediately flung into an icy journey of survival, adventure, friendship and self-discovery - with only the dog spirit inside his head to guide him. Meanwhile, across Britain, outlawed followers of survivalist John Blovyn are planning an escape to the fabled Islands talked of in a revolutionary book . . . Raw, compelling and unforgettable - this powerfully voiced novel is a YA classic in the making.

The oceans stopped working before Willo was born, so the world of ice and snow is all he's ever known. He lives with his family deep in the wilderness, far from the government's controlling grasp. Willo's survival skills are put to the test when he arrives home one day to find his family gone. It could be the government; it could be scavengers--all Willo knows is he has to find refuge and his family. It is a journey that will take him into the city he's always avoided, with a girl who needs his help more than he knows.S.D. Crockett on narrative voice and an especially cold winter:What was your inspiration for After the Snow?Well, apart from the unbelievably cold winter during which I was writing―in an unheated house, chopping logs and digging my car out of the snow; I think much of the inspiration for the settings in After the Snow came from my various travels. In my twenties I worked as a timber buyer in the Caucasus Mountains of southern Russia, and that work led to travels in Eastern Europe and Armenia. As soon as I step off the plane in those places it smells like home. It may sound strange to say, when After the Snow is set in Wales, but really the practical dilemmas in the book come directly from places I've been, people I've lived with, and the hardships I've seen endured with grace and capability. I was in Russia not long after the Soviet Union collapsed and I've seen society in freefall. Without realizing it at the time I think those experiences led me to dive into After the Snow with real passion.What would western civilization look like with a few tumbles under its belt? What would happen if the things we took for granted disappeared? I wanted to write a gripping story about that scenario, but hardly felt that I was straying into fantasy in the detail.What do you want readers to most remember about After the Snow?We all have the capacity to survive, but in what manner? What do we turn to in those times of trouble? Those are the questions I would like people to contemplate after reading After the Snow.How did Willo's unique voice come to you?Willo's voice appeared in those crucial first few paragraphs. After that it just grew along with his world and the terrible situations that arise. I think his voice is in all of us. We don't understand, we try to make good―maybe we find ourselves.How did you stay warm while writing this novel?I banked up the fire―and was warmed by hopes of spring.

A new Ice Age is descending. . . .Food is expensive. Fuel is rationed. People are hungry, cold, and desperate.Living in an isolated Polish village with her grandmother, fifteen-year-old Magda Krol has no idea of the troubles sweeping across the planet. But when her village is evacuated without her, Magda must make her way alone across the frozen wilderness to Krakow, and then on to London, where she dreams of finding warmth and safety with her long-lost mother. In One Crow Alone, the prequel to After the Snow, S. D. Crockett turns back the clock to follow practical Magda (Willo's stepmother) through a world of growing lawlessness, hunger, brutality, and fear.

Samuel Rutherford Crockett (24 September 1859 – 16 April 1914), who published under the name "S. R. Crockett", was a Scottish novelist.He was born at Duchrae, Balmaghie, Kirkcudbrightshire, on 24 September 1859, the illegitimate son of dairymaid Annie Crocket. He was raised on his grandfather's Galloway farm, won a bursary to Edinburgh University in 1876,and graduated from there during 1879. After some years of travel, he became in 1886 minister of Penicuik. During that year he produced his first publication, Dulce Cor (Latin: Sweet Heart), a collection of verse under the pseudonym Ford Brereton. He eventually abandoned the Free Church ministry for full-time novel-writing in 1895.The success of J. M. Barrie and the Kailyard school of sentimental, homey writing had already created a demand for stories in Lowland Scots, when Crockett published his successful story of The Stickit Minister in 1893.It was followed by a rapidly produced series of popular novels frequently featuring the history of Scotland or his native Galloway. Crockett made considerable sums of money from his writing and was a friend and correspondent of R. L. Stevenson, but his later work has been criticised as being over-prolific and feebly sentimental.Crockett's connection with Kailyard is now beginning to be acknowledged as nebulous at best, as evidenced by a re-appraisal of the whole Kailyard concept by writers such as Andrew Nash.In 1900, Crockett wrote a booklet published by the London camera manufacturer, Newman & Guardia, comparing cameras favourably to pen and pencil and explaining how he encountered the N and G advertisement. Crockett was well travelled in Europe and beyond, spending time in most European countries and he wrote several novels of European history including The Red Axe (1898), A Tatter of Scarlet (1913), and the non fiction The Adventurer in Spain (1903) which holds its own against Robert Louis Stevenson's travel writing. He died in France on 16 April 1914. The subsequent outbreak of the First World War meant a delay in his remains being buried in his home kirkyard at Balmaghie. A memorial to him was erected in Laurieston by public subscription in 1932.

Excerpt from The Raiders: Being Some Passages in the Life of John Faa, Lord and Earl of Little EgyptSO it was in the height of the moon of May, as I said, that I heard their bridle-reins jingling clear and saw the harness glisten on their backs.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.