Books with author S. Baring-Gould

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Rev. Sabine Baring-Gould of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist and eclectic scholar. This is a classic work created by a true master of words. Any profits made from the sale of this book will go towards supporting the Freeriver Community project, a wonderful project that aims to support community and encourage well-being. To learn more about the Freeriver Community project please visit the website- www.freerivercommunity.com

WHO, that has looked on Gustave Doré’s marvellous illustrations to this wild legend, can forget the impression they made upon his imagination? I do not refer to the first illustration as striking, where the Jewish shoemaker is refusing to suffer the cross-laden Savior to rest a moment on his door-step, and is receiving with scornful lip the judgment to wander restless till the Second Coming of that same Redeemer. But I refer rather to the second, which represents the Jew, after the lapse of ages, bowed beneath the burden of the curse, worn with unrelieved toil, wearied with ceaseless travelling, trudging onward at the last lights of evening, when a rayless night of unabating rain is creeping on, along a sloppy path between dripping bushes; and suddenly he comes over against a wayside crucifix, on which the white glare of departing daylight falls, to throw it into ghastly relief against the pitch-black rain-clouds. For a moment we see the working of the miserable shoemaker’s mind. We feel that he is recalling the tragedy of the first Good Friday, and his head hangs heavier on his breast, as he recalls the part he had taken in that awful catastrophe.

Sabine Baring-Gould (1834-1924) was an appealing character who was a member of the Anglican clergy. As an English antiquarian, hagiographer, novelist, and diverse scholar, he is remembered particularly as a writer of hymns, the best-known being "Onward, Christian Soldiers." Baring-Gould was also well-known for his works on folklore and myth. One of his most lastingly admired works is "Curious Myths of the Middle Ages", a collection of 24 of the most universally held superstitions of the Medieval era. This volume reveals his knowledge and research when dealing with various accounts from the beliefs of the Middle Ages, as well as presents his research into the history and possible inspirations for the myths. Among these familiar tales are: "The Wandering Jew", a story of a Jewish shoemaker who is doomed to wander Earth until the Second Coming; "William Tell", a Swiss hero who shot an apple off his son's head; "The Fortunate Isles", also known as "Atlantis", posits the existence of a magical land in the west where paradise awaits, and many more distinguished stories.

Book of Were-Wolves - By Sabine Baring-Gould – Their History and Folklore. The werewolf, also known as a lycanthrope, is a mythological or folkloric human with the ability to shapeshift into a wolf or a therianthropic hybrid wolf-like creature, either purposely or after being placed under a curse or affliction (e.g. via a bite or scratch from another werewolf). Early sources for belief in lycanthropy are Petronius and Gervase of Tilbury. The werewolf is a widespread concept in European folklore, existing in many variants which are related by a common development of a Christian interpretation of underlying Indo-European mythology which developed during the medieval period. From the early modern period, werewolf beliefs also spread to the New World with colonialism.

Sabine Baring-Gould was a Vicar in the Church of England in Devon, an archaeologist, folklorist, historian and a prolific author. Baring-Gould was also a bit eccentric. He reputedly taught classes with a pet bat on his shoulder. He is best known for writing the hymn 'Onward Christian Soldiers'. This book is one of the most cited references about werewolves. The Book of the Were-Wolf takes a rationalistic approach to the subject. The book starts off with a straightforward academic review of the literature of shape-shifting; however, starting with Chapter XI, the narrative takes a strange turn into sensationalistic 'true crime' case-studies of cannibals, grave desecrators, and blood fetishists, which have a tenuous connection with lycanthropy. This includes an extended treatment of the case of Giles de Rais, the notorious associate of Joan of Arc, who was convicted and executed for necrosadistic crimes.

Between the mouths of theB lackwater and the Colne, on the east coast of Essex, hes an extensively marshy tract veined and freckled in every part with water. It is a wide waste of debatable ground contested by sea and land, subject to incessant incursions from the former, but stubbornly maintained by the latter. At high tide the appearance is that of a vast surface of moss orS argasso weed floating on the sea, with rents and patches of shining water traversing and dappling it in all directions. The creeks, some of considerable length and breadth, extend many miles inland, and are arteries whence branches out a fibrous tissue of smaller channels, flushed with water twice in the twenty-four hours. At noon-tides, and especially at the equinoxes, the sea asserts its royalty over this vast region, and overflows the whole, leaving standing out of the flood only the long island of Mersea, and the lesser islet, called the Ray. This latter is a hill of gravel rising from the heart of theM arshes, crowned with ancient thorntrees, and possessing, what is denied the mainland, an unfailing spring of purest water. At ebb, the Ray can only be reached from the old Roman causeway, called theS trood, over which runs the road from Colchester toM ersea I sle, connecting formerly the city of the Trinobantes with the station of the Count of theS axon shore. But even at ebb, the Ray is not approachable by land unless the sun or east wind has parched the ooze into brick ;and then the way is long, tedious and tortuous, among bitter pools and over shining creeks.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historicall

Jason Quarm riding in his donkey-cart to Coombe Cellars. Jason Quarm was a short, stoutly-built man, with a restless grey eye, with shaggy, long, sandy hair that burst out from beneath a battered beaver hat. He was somewhat lame, wherefore he maintained a donkey, and drove about the country seated cross-legged in the bottom of his cart, only removed from the bottom boards by a wisp of straw, which became dissipated from under him with the joltings of the conveyance. Then Jason would struggle to his knees, take the reins in his teeth, scramble backwards in his cart, rake the straw together again into a heap, reseat himself, and drive on till the exigencies of the case necessitated his going through the same operations once more.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at

Excerpt from Kitty Alone, Vol. 2 of 3: A Story of Three FiresThis angered Pasco further, and, losing command of himself, he said, 'twas scurvy - that selling me at such a price when you knew wool was down.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.