Books with author S. (Sabine) Baring-Gould

High Quality FACSIMILE REPRODUCTION: Baring-Gould, S. (Sabine) :In A Quiet Village :Originally published by London : Isbister in 1900. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

WITH 45 BEAUTIFUL ILLUSTRATIONS AND PHOTOGRAPHS! AN AMAZING FIND FROM THE VICTORIAN ERA. THIS IS NOT A HASTILY ASSEMBLED SCAN OR "FACSIMILE EDITION" OF THIS WORK. EVERY LETTER AND WORD OF THE ORIGINAL HAS BEEN RESET AND CAREFULLY PROOFED FOR ACCURACY.THIS IS NOT A STANDARD EDITION OF THIS WORK.Author Sabine Baring-Gould (Squire and Parson of the Parish of Lewtrenchard in West Devon, England, scholar, antiquarian and celebrated composer of the famous Christian hymn, "Onward Christian Soldiers"), created a foundation work of modern supernatural lore when he published his definitive book on were wolves in 1862. The book is a fascinating survey of were-wolf lore from the Greek and Roman era to the mid-nineteenth century. Baring-Gould cites 100's of sources as he builds his case for the “reality” of were-wolverie, from the misunderstanding and distortion of words surrounding the myth to a detailed account of the truths surrounding the Marechal de Retz (the true Bluebeard). His approach to the subject is analytical and modern. His conclusions are extraordinary. By analyzing several famous cases where were-wolves were captured, tried and sometimes executed for their crimes, Baring-Gould , Thirty years before Jack the Ripper, Baring-Gould concluded that were-wolves are what the modern era would later term serial killers or sexual psychopaths, individuals suffering from profound mental illness and sociopathy. Using the best psychological, sociological, historical, mythological and medical theories and ideas of his day, he uncannily identified several key characteristics of these killers. And his conclusions have withstood the test of time. Baring-Gould presents the reader with a surprising, extraordinary and intriguing journey through a poorly understood and dark side of legend, history and human nature. This book is surprising, extraordinary and fun to read.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.