Books with author Rupert S. Holland

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Excerpt from Historic Girlhoods, Vol. 1The girl moved, and slowly turned her head, as though she had just been waked from a sound sleep. Oh, Stephen, if you had but seen what I saw, you wouldn't have disturbed me so, she said slowly. Again she looked up to the Church Of San Domenico, but now the vision was gone, and there were only the white walls gleaming in the sunshine.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

I St. Catherine The Girl of Siena: 1347-1380 The old Italian city of Siena lies upon three hills, on one of which gleams the great white Cathedral, and on another perches the scarcely less commanding Church of San Domenico. In the fourteenth century underwood and hanging gardens crept up the sides of these hills, with only a narrow winding road to lead from one part of the city to another. The valley lying between the two hills that were crowned with churches was known as the Valle Piatta, and a little way up one slope stood the small stone-built house of a dyer named Giacomo Benincasa. On the opposite hillside lived his married daughter Bonaventura, and Giacomo's wife often sent her two youngest children, Stephen and Catherine, through the valley on errands to their sister's house. Their message to Bonaventura safely delivered the children were free to play in the valley or pick flowers or rest by the roadside as long as they chose. One summer afternoon Catherine, who was a small girl with dark hair and eyes, felt drowsy with the warm airs of the lowlands and loitered behind her brother as they were returning from Bonaventura's. He went on, humming a tune of the goatherds. She, stopping under a tree for shade, looked down a little path that led to a fountain called the Fontebranda, where most of the people of Siena got their water. Then she looked up across the hillsides of vineyards and hanging gardens to the cliff where the Church of San Domenico shone very white in the brilliant sunlight. She looked, and rubbed her eyes, and looked again. Then her amazement vanished and she simply stood still, rapt in a kind of ecstasy, which would not permit her to doubt what she saw nor turn her eyes away.

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ContentsI.The Lost ChildrenII.The Great Journey of Lewis and ClarkIII.The Conspiracy of Aaron BurrIV.How the Young Republic Fought the Barbary PiratesV.The Fate of Lovejoy's Printing-PressVI.How Marcus Whitman Saved OregonVII.How the Mormons Came to Settle UtahVIII.The Golden Days of 'Forty-NineIX.How the United States Made Friends with JapanX.The Pig that Almost Caused a WarXI.John Brown at Harper's FerryXII.An Arctic ExplorerXIII.The Story of AlaskaXIV.How the "Merrimac" was Sunk in Santiago Harbor

The old Italian city of Siena lies upon three hills, on one of which gleams the great white Cathedral, and on another perches the scarcely less commanding Church of San Domenico. In the fourteenth century underwood and hanging gardens crept up the sides of these hills, with only a narrow winding road to lead from one part of the city to another. The valley lying between the two hills that were crowned with churches was known as the Valle Piatta, and a little way up one slope stood the small stone-built house of a dyer named Giacomo Benincasa.