Books with author Robert W Chambers

The King in Yellow is a book of short stories named after a play with the same title which recurs as a motif through some of the stories. The book features highly esteemed weird stories and supernatural tales.Table of Contents:"The Repairer of Reputations" – A weird story of egotism and paranoia which carries the imagery of the book's title."The Mask" – A dream story of art, love, and uncanny science."In the Court of the Dragon" – A man is pursued by a sinister church organist who is after his soul."The Yellow Sign" – An artist is troubled by a sinister churchyard watchman who resembles a coffin worm."The Demoiselle d'Ys" – A ghost story."The Prophets' Paradise" – A sequence of eerie prose poems that develop the style and theme of a quote from the fictional play The King in Yellow which introduces "The Mask"."The Street of the Four Winds" – An atmospheric tale of an artist in Paris who is drawn to a neighbor's room by a cat; the story ends with a macabre touch."The Street of the First Shell" – A war story set in the Paris Siege of 1870."The Street of Our Lady of the Fields" – Romantic American bohemians in Paris."Rue Barrée" – Romantic American bohemians in Paris, with a discordant ending that playfully reflects some of the tone of the first story.

Ten twisted tales that have haunted generations of readers and writers from H. P. Lovecraft to the creators of the hit TV series True Detective Nightmare imagery courses through these stories like blood through the veins. In “The Repairer of Reputations,” a Lethal Chamber stands at the edge of Washington Square Park, open to all who can no longer bear the sorrows of life. A Parisian sculptor discovers a liquid solution that can turn any living thing—a lily, a goldfish, a love-struck young woman—to stone in “The Mask.” The unnamed narrator of “In the Court of the Dragon” seeks respite in a church only to be driven mad by organ music that no one else can hear. Nothing is stranger or more frightening, however, than The King in Yellow, the play that links these tales to one another and to a larger fictional universe containing the ghost stories of Ambrose Bierce, the cosmic horror of H. P. Lovecraft, and the first season of the critically acclaimed HBO series True Detective. Said to induce insanity and despair in those who read it, little is known for certain about the play beyond the ravings of those who have dared to open its pages. They speak of Carcosa, where black stars hang in the heavens. Of twin suns sinking into the Lake of Hali. Of the Yellow Sign and the Pallid Mask. And, in dread-filled whispers or lunatic shouts, of the King in Yellow himself, come to rule the world. A masterpiece of weird fiction, Robert W. Chambers’s The King in Yellow holds the answer to countless mysteries—some of which might just be better left unsolved. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

Ten twisted tales that have haunted generations of readers and writers from H. P. Lovecraft to the creators of the hit TV series True Detective Nightmare imagery courses through these stories like blood through the veins. In “The Repairer of Reputations,” a Lethal Chamber stands at the edge of Washington Square Park, open to all who can no longer bear the sorrows of life. A Parisian sculptor discovers a liquid solution that can turn any living thing—a lily, a goldfish, a love-struck young woman—to stone in “The Mask.” The unnamed narrator of “In the Court of the Dragon” seeks respite in a church only to be driven mad by organ music that no one else can hear. Nothing is stranger or more frightening, however, than The King in Yellow, the play that links these tales to one another and to a larger fictional universe containing the ghost stories of Ambrose Bierce, the cosmic horror of H. P. Lovecraft, and the first season of the critically acclaimed HBO series True Detective. Said to induce insanity and despair in those who read it, little is known for certain about the play beyond the ravings of those who have dared to open its pages. They speak of Carcosa, where black stars hang in the heavens. Of twin suns sinking into the Lake of Hali. Of the Yellow Sign and the Pallid Mask. And, in dread-filled whispers or lunatic shouts, of the King in Yellow himself, come to rule the world. A masterpiece of weird fiction, Robert W. Chambers’s The King in Yellow holds the answer to countless mysteries—some of which might just be better left unsolved. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

Ten twisted tales that have haunted generations of readers and writers from H. P. Lovecraft to the creators of the hit TV series True Detective Nightmare imagery courses through these stories like blood through the veins. In “The Repairer of Reputations,” a Lethal Chamber stands at the edge of Washington Square Park, open to all who can no longer bear the sorrows of life. A Parisian sculptor discovers a liquid solution that can turn any living thing—a lily, a goldfish, a love-struck young woman—to stone in “The Mask.” The unnamed narrator of “In the Court of the Dragon” seeks respite in a church only to be driven mad by organ music that no one else can hear. Nothing is stranger or more frightening, however, than The King in Yellow, the play that links these tales to one another and to a larger fictional universe containing the ghost stories of Ambrose Bierce, the cosmic horror of H. P. Lovecraft, and the first season of the critically acclaimed HBO series True Detective. Said to induce insanity and despair in those who read it, little is known for certain about the play beyond the ravings of those who have dared to open its pages. They speak of Carcosa, where black stars hang in the heavens. Of twin suns sinking into the Lake of Hali. Of the Yellow Sign and the Pallid Mask. And, in dread-filled whispers or lunatic shouts, of the King in Yellow himself, come to rule the world. A masterpiece of weird fiction, Robert W. Chambers’s The King in Yellow holds the answer to countless mysteries—some of which might just be better left unsolved. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout The King in Yellow by Robert William ChambersThe King in Yellow is a book by American writer Robert William Chambers. The book is named after a play with the same title which recurs as a motif through some of the stories.The first half of the book features highly esteemed stories, and the book has been described by critics such as E. F. Bleiler, S. T. Joshi and T. E. D. Klein as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. "The Yellow Sign" inspired a film of the same name released in 2001.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout The King in Yellow by Robert William ChambersThe King in Yellow is a book by American writer Robert William Chambers. The book is named after a play with the same title which recurs as a motif through some of the stories.The first half of the book features highly esteemed stories, and the book has been described by critics such as E. F. Bleiler, S. T. Joshi and T. E. D. Klein as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. "The Yellow Sign" inspired a film of the same name released in 2001.

No undue liberties with history have been attempted in this romance. Few characters in the story are purely imaginary. Doubtless the fastidious reader will distinguish these intruders at a glance, and very properly ignore them. For they, and what they never were, and what they never did, merely sugar-coat a dose disguised, and gild the solid pill of fact with tinselled fiction. But from the flames of Poundridge town ablaze, to the rolling smoke of Catharines-town, Romance but limps along a trail hewed out for her more dainty feet by History, and measured inch by inch across the bloody archives of the nation. The milestones that once marked that dark and dreadful trail were dead men, red and white. Today a spider-web of highways spreads over that Dark Empire of the League, enmeshing half a thousand towns now all a-buzz by day and all a-glow by night. Empire, League, forest, are vanished; of the nations which formed the Confederacy only altered fragments now remain. But their memory and their great traditions have not perished; cities, mountains, valleys, rivers, lakes, and ponds are endowed with added beauty from the lovely names they wear-a tragic yet a charming legacy from Kanonsis and Kanonsionni, the brave and mighty people of the Long House, and those outside its walls who helped to prop or undermine it, Huron and Algonquin. Perhaps of all national alliances ever formed, the Great Peace, which is called the League of the Iroquois, was as noble as any. For it was a league formed solely to impose peace. Those who took up arms against the Long House were received as allies when conquered-save only the treacherous Cat Nation, or Eries, who were utterly annihilated by the knife and hatchet or by adoption and ultimate absorption in the Seneca Nation. As for the Lenni-Lenape, when they kept faith with the League they remained undisturbed as one of the "props" of the Long House, and their role in the Confederacy was embassadorial, diplomatic and advisory-in other words, the role of the Iroquois married women. And in the Confederacy the position of women was one of importance and dignity, and they exercised a franchise which no white nation has ever yet accorded to its women. But when the Delawares broke faith, then the lash fell and the term "women" as applied to them carried a very different meaning when spat out by Canienga lips or snarled by Senecas. Yet, of the Lenape, certain tribes, offshoots, and clans remained impassive either to Iroquois threats or proffered friendship. They, like certain lithe, proud forest animals to whom restriction means death, were untamable. Their necks could endure no yoke, political or purely ornamental. And so they perished far from the Onondaga firelight, far from the open doors of the Long House, self-exiled, self-sufficient, irreconcilable, and foredoomed. And of these the Mohicans were the noblest. In the four romances-of which, though written last of all, this is the third, chronologically speaking-the author is very conscious of error and shortcoming. But the theme was surely worth attempting; and if the failure to convince be only partial then is the writer grateful to the Fates, and well content to leave it to the next and better man.