Books with author Robert Ian Wilson

Come along on this journey of childhood self-empowerment, through the story of Bobby, a young boy who, like all children, struggles to find their place amongst the world. Robert Wilson gives children a character with whom they can all relate. Growing up is never easy, and learning how to accept themselves as they are is just as hard. Children have to find that one thing which inspires and provides comfort, giving them the courage to excel.

Come along on this journey of childhood self-empowerment, through the story of Bobby, a young boy who, like all children, struggles to find their place amongst the world. Robert Wilson gives children a character with whom they can all relate. Growing up is never easy, and learning how to accept themselves as they are is just as hard. Children have to find that one thing which inspires and provides comfort, giving them the courage to excel.

In the 1840s and 1850s, "Brady of Broadway" was one of the most successful and acclaimed Manhattan portrait galleries. Henry Clay, Daniel Webster, Dolley Madison, Henry James as a boy with his father, Horace Greeley, Edgar Allan Poe, the Prince of Wales, and Jenny Lind were among the dignitaries photographed in Mathew Brady's studio. But it was during the Civil War that he became the founding father of what is now called photojournalism and his photography became an enduring part of American history.The Civil War was the first war in history to leave a detailed photographic record, and Mathew Brady was the war's chief visual historian. Previously, the general public had never seen in such detail the bloody particulars of war--the strewn bodies of the dead, the bloated carcasses of horses, the splintered remains of trees and fortifications, the chaos and suffering on the battlefield. Brady knew better than anyone of his era the dual power of the camera to record and to excite, to stop a moment in time and to draw the viewer vividly into that moment.He was not, in the strictest sense, a Civil War photographer. As the director of a photographic service, he assigned Alexander Gardner, James F. Gibson, and others to take photographs, often under his personal supervision; he also distributed Civil War photographs taken by others not employed by him. Ironically, Brady had accompanied the Union army to the first major battle at Bull Run, but was so shaken by the experience that throughout the rest of the war he rarely visited battlefields, except well before or after a major battle. The famous Brady photographs at Antietam were shot by Gardner and Gibson. Few books about Brady have gone beyond being collections of the photographs attributed to him, accompanied by a biographical sketch. MATHEW BRADY will be the biography of an American legend--a businessman, an accomplished and innovative technician, a suave promoter, a celebrated portrait artist, and, perhaps most important, a historian who chronicled America during its finest and gravest moments of the 19th century.

Two decades after radiocarbon dating declared the Turin Shroud a mediaeval fake, brand-new historical discoveries strongly suggest that this famous cloth, with its extraordinary photographic imprint, is genuinely Christ's shroud after all.In 1978 in his international bestseller The Turin Shroud Ian Wilson ignited worldwide public debate with his compelling case endorsing the shroud's authenticity. Now, 30 years later, he has completely rewritten and updated his earlier book to provide fresh evidence to support his original argument. Shroud boldly challenges the current post-radiocarbon dating view - that it is a fake. By arguing his case brilliantly and provocatively, Ian Wilson once more throws the matter into the public arena for further debate and controversy.

Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history.The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.

In the 1800s, the young Clarence King was an icon of the new America: a man of adventure and intellect, a flash-in-the-pan celebrity who combined science and exploration with romanticism and charm. Robert Wilson’s biography, The Explorer King, vividly depicts King’s daredevil feats including his journey to the highest peak of the Sierra Nevada, and uncovers the reasons for the shocking decline he suffered after his days on the American frontier.Through King’s own rollicking tales, some true, some embroidered, of scaling previously unclimbed mountain peaks, of surviving a monster blizzard near Yosemite, of escaping ambush and capture by Indians, of being chased on horseback for two days by angry bandits, Robert Wilson offers a powerful combination of adventure, history, and nature writing, he also provides the bigger picture of the West at this time. Ultimately, King himself would come to symbolize the collision of science and business, one of the sources of his downfall. Fascinating and extensive, The Explorer King movingly portrays the America of the nineteenth century and the man who—for better or worse—typified the soul of the era.

In this biography, Robert Wilson paints a portrait of Clarence King - a scientist-explorer whose mountain-scaling, desert-crossing, river-fording, blizzard-surviving adventures helped create the new West of the nineteenth century.A sort of Howard Hughes of the 1800s, Clarence King in his youth was an icon of the new America: a man of both action and intellect, who combined science and adventure with romanticism and charm. The Explorer King vividly depicts King's amazing feats and also uncovers the reasons for the shocking decline he suffered after his days on the American frontier.The Yale-educated King went west in 1863 at age twenty-one as a geologist-explorer. During the next decade he scaled the highest peaks of the Sierra Nevada, published a popular book now considered a classic of adventure literature, initiated a groundbreaking land survey of the American West, and ultimately uncovered one of the greatest frauds of the century - the Great Diamond Hoax, a discovery that made him an international celebrity at a time when they were few and far between.Through King's own rollicking tales, some true, some embroidered, of scaling previously unclimbed mountain peaks, of surviving a monster blizzard near Yosemite, of escaping ambush and capture by Indians, of being chased on horseback for two days by angry bandits, Robert Wilson offers a combination of adventure, history, and nature writing. He also provides the bigger picture of the West at this time, showing the ways in which the terrain of the western United States was measured and charted and mastered, and how science, politics, and business began to intersect and influence one another during this era. Ultimately, King himself would come to symbolize the collision of science and business, possibly the source of his downfall.

The Annoying Ghost Kid is a funny story about Corky, a ten year old boy, who is tormented by Duke, a younger boy who happens to be a ghost. Duke loves to play practical jokes on Corky. It’s like having a pesky little brother with special powers. The fun begins when Corky, and his friend Jill, are challenged to find imaginative ways to stop the ghost kid’s tricks! In the beginning, the ghost kid clearly has the advantage, but eventually, Corky and Jill finally figure out how to turn things around on their transparent tormenter. Then, it’s back and forth, and the pranks get funnier and funnier as the supernatural nuisance goes head to head with two increasingly clever kids.