Film folk; Close-ups of the Men, Women, and Children Who Make the Movies
Rob B. Wagner
eBook
This illustrated volume about the movie business waspublished in 1918.Excerpts from the Foreword:The writer wishes to confess at the outset that he is not an actor, director, extra girl, camera man, movie queen, or any of the other first-persons who voice forth these tales. As a detached, but interested, observer he watched the moving picture industry grow from its crude beginnings to the huge thing it has become, and during all those years he wondered why some one of the great army of publicity men employed by the various studios did not splash in and tell the truth about the film folk, finally concluding that it was either that their familiarity with the truth had bred contempt, or that the companies, for some strange reason, had employed only fiction writers. When these stories were written the author had only one hope : that they would be amusing and entertaining ; and only one purpose: that, being merely a painter, he needed the literary exercise. Imagine then his surprise when he received the following letter from a profound and corrugated professor of English at a large univer- sity: "The arts of music, sculpture, architecture, painting, and the drama are as old as human records. No new art has come into the world within the history of man, until the birth of the photo-drama. Though all the other arts are more or less related to one another, and the photo- drama has borrowed something from her older sisters, nevertheless it is a new art-form. Future historians will regard this new birth as an epoch marking event. "You are fortunate in having been present at this birth, and the intimate pictures you give will be . . . etc., etc. . . . . . . . . . . . . . . . . . . . . . . ."What a contribution to the literature of the drama if some writer of the 16th century (even though he had been a very bad one) had given us a little peek into the lives of Shakespere's actors, stage hands, and press agents ! . . . . . . . . . . . . . . . . . . . . . . .Heavens, to think I had been singing so glibly of a cosmic event! It is just as well that the critics are ac- cessories only after the fact, for had this lofty purpose been in contemplation Posterity would have been denied, as the writer would have been too self-consicous to have sung at all. But here are the tales; written for the moment, but destined by the prof, to go bowling down the ages as Dramatic Literature (even though it be very bad litera- ture) . An author has one great advantage in writing for Posterity. It, at least, cannot get out an injunction for- bidding publication.