Books with author Richard Middleton

A funny, silly story about two mice who live downstairs from a mad scientist. When a Stinky Hippobottomus falls out of the sky on top of Brie, she wants to know where it came from and, more importantly, can she keep it? Whilst the gross happenings will make readers laugh out loud, the science, word-play and mystery will also challenge them to think. Great for braver parents and children to read aloud (and even act out!), and ideal for reluctant readers.

Richard Middleton followed the very archetype of the dissipated Romantic poet who died young, but before his death he managed to write some truly unique strange stories. His work had an influence on Arthur Machen, and possibly on Raymond Chandler. CONTENTS: The Ghost-Ship A Drama Of Youth The New Boy On the Brighton Road A Tragedy In Little Shepherd's Boy The Passing of Edward The Story Of A Book The Bird In The Garden Children Of The Moon The Coffin Merchant The Soul Of A Policeman The Conjurer The Poet's Allegory And Who Shall Say----? The Biography Of A Superman Blue Blood Fate And The Artist The Great Man A Wet Day

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Richard Barham Middleton (28 October 1882 – 1 December 1911) was an English poet and author, who is remembered mostly for his short ghost stories, in particular "The Ghost Ship". Biography" Born in Staines, Middlesex, and educated at Cranbrook School, Kent, Middleton worked in London for the Royal Exchange Assurance Corporation bank, as a clerk, from 1901 to 1907. Unhappy in this, he affected a Bohemian life at night; he is mentioned, in disguised terms, in Arthur Ransome's Bohemia in London. He moved out of his parents' house and into rooms in Blackfriars, and he joined the club The New Bohemians, where he acquired literary contacts who included Arthur Machen, Louis McQuilland (1880–1946), and Christopher Wilson. He became an editor at Vanity Fair under Edgar Jepson, where he confided to his fellow editor Frank Harris that what he really wanted to do was make a living as a poet. Shortly after, Harris published Middleton's poem "The Bathing Boy": I saw him standing idly on the brim Of the quick river, in his beauty clad, So fair he was that Nature looked at him And touched him with her sunbeams here and there So that his cool flesh sparkled, and his hair Blazed like a crown above the naked lad. And so I wept; I have seen lovely things, Maidens and stars and roses all a-nod In moonlit seas, but Love without his wings Set in the azure of an August sky, Was all too fair for my mortality, And so I wept to see the little god. Till with a sudden grace of silver skin And golden lock he dived, his song of joy Broke with the bubbles as he bore them in; And lo, the fear of night was on that place, Till decked with new-found gems and flushed of face He rose again, a laughing, choking boy. His work was also published by Austin Harrison in The English Review, and he wrote book reviews for The Academy. Middleton suffered from severe depression, known as melancholia at that time. He spent the last nine months of his life in Brussels, where in December 1911 he took his life by poisoning himself with chloroform, which had been prescribed as a remedy for his condition. His literary reputation was kept alive by Edgar Jepson and Arthur Machen, the latter of whom wrote an introduction to Middleton's collection The Ghost Ship and Other Stories, and later by John Gawsworth. His stories have appeared in several anthologies. An encounter by Middleton with the young Raymond Chandler is said to have influenced the latter to postpone his career as writer. Chandler wrote, "Middleton struck me as having far more talent than ....................... Arthur Machen (3 March 1863 – 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons......................

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

Published in 1912, one year after Middleton's death, this volume collects some of the best specimens of his prose. Contents An enchanted place -- A railway journey -- The magic pool -- The story-teller -- Admirals all -- A repertory theatre -- Children and the spring -- On nursery cupboards -- The fat man -- Carol singers -- The magic carpet -- Stage children -- Oxford and Cambridge -- Harold -- On digging holes -- Real cricket -- The boy in the garden -- Children and the sea -- On going to bed -- Street organs -- A secret society -- The price of peace -- On children's gardens -- A distinguished guest -- On pirates -- The flute player -- The wool-gatherer -- The peril of the fairies -- Drury Lane and the children -- Children's drama -- Childhood in retrospect -- The folly of education -- On common sense.