Books with author R. K. Narayan

His greatest passion is the M CC - the Malgudi Cricket Club - which he founds together with his friends: his greatest day is when the examinations are over and school breaks up - a time for revelry and cheerful ritousness. But the innocent and impulsive Swami lands in trouble when he is carried away by the more serious unrest of India in 1930. Somehow he gets himself expelled from two schools in succession, and when things have gone quite out of hand he is forced to run away from home ...This is far more than a simple narrative of Swami's adventures - charming and entertaining as they are. By the delicate sympathetically observed, the author establishes for us the child's world as the child himself sees it: and beyond, the adult community he will one day belong to - in Swami's case, the town of Malgudi, which provides the setting of almost all Narayan's later novels.

R. K. Narayan (1906—2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. Swami and Friends introduces us to Narayan’s beloved fictional town of Malgudi, where ten-year-old Swaminathan’s excitement about his country’s initial stirrings for independence competes with his ardor for cricket and all other things British. Written during British rule, this novel brings colonial India into intimate focus through the narrative gifts of this master of literary realism.

"There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad for example—but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune"The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph

This is an enchanting collection from India's foremost storyteller, rich in wry, warmly observed characters from every walk of Indian life - merchants, beggars, herdsmen, rogues - all of whose lives are microcosms of the human experience. Like Nambi in the title story, Narayan has the mesmeric ability to spellbind his audience. This he achieves with a masterful combination of economy and rhythm, creating haunting images and a variety of settings to evoke a unique paradox of reality and folklore.

Ten-year-old Swaminathan is living in exciting times. The sleeping giant of India is beginning to stir to the dwelling reverberations which herald the great struggle for independence. But it's all rather confusing for the boy. For like his family and friends, Swami has been immutably moulded by his British rulers - and though he might happily demonstrate against them, he wouldn't dream of missing cricket practice.