Books with author Plath Sylvia

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

'The Colossus and other poems' is a collection of Sylvia Plath's poetry.Originally published in 1960, her 44 poems are an inspiring and intriguing read. Sylvia Plath was born on October 27, 1932 in Boston Massachusetts. She was an American poet, novelist, and short-story writer who studied at Smith College, and Newnham college at the University of Cambridge. She is the renowned author of ‘the Bell Jar’, and many other stories.

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

Prominent journalist, poet and literary critic for The Observer newspaper, Al Alvarez, called the posthumous re-release of the book, after the success of Ariel, a "major literary event" and wrote of Plath's work:"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously... There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss."Seamus Heaney said of The Colossus: "On every page, a poet is serving notice that she has earned her credentials and knows her trade."

The Bell Jar is the only novel written by the American writer and poet Sylvia Plath. Originally published under the pseudonym "Victoria Lucas" in 1963, the novel is semi-autobiographical, with the names of places and people changed. The book is often regarded as a roman à clef since the protagonist's descent into mental illness parallels Plath's own experiences with what may have been clinical depression or bipolar II disorder. Plath died by suicide a month after its first UK publication. The novel was published under Plath's name for the first time in 1967 and was not published in the United States until 1971, in accordance with the wishes of both Plath's husband, Ted Hughes, and her mother.[1] The novel has been translated into nearly a dozen languages.[2] The novel, though dark, is often read in high school English classes.Esther Greenwood, a young woman from the suburbs of Boston, gains a summer internship at a prominent magazine in New York City, under editor Jay Cee; however, Esther is neither stimulated nor excited by either the big city or the glamorous culture and lifestyle that girls her age are expected to idolize and emulate. She instead finds her experience to be frightening and disorienting; appreciating the witty sarcasm and adventurousness of her friend Doreen, but also identifying with the piety of Betsy (dubbed "Pollyanna Cowgirl"), a "goody-goody" sorority girl who always does the right thing. She has a benefactress in Philomena Guinea, a formerly successful fiction writer (based on Olive Higgins Prouty), who will later pay some of Esther's hospital expenses. Esther describes in detail several seriocomic incidents that occur during her internship, kicked off by an unfortunate but amusing experience at a banquet for the girls held by the staff of Ladies' Day magazine. She reminisces about her friend Buddy, whom she has dated more or less seriously, and who considers himself her de facto fiancé. She also muses about Julius and Ethel Rosenberg, who are scheduled for execution. She returns to her Massachusetts home in low spirits. She has been hoping for another scholarly opportunity once she is back in Massachusetts, a writing course taught by a world-famous author, but on her return her mother immediately tells her she was not accepted for the course. She decides to spend the summer potentially writing a novel, although she feels she lacks enough life experience to write convincingly. All of her identity has been centered upon doing well academically; she is unsure of what to make of her life once she leaves school, and none of the choices presented to her (motherhood, as exemplified by the vacuous, prolific child-bearer Dodo Conway, or stereotypical female careers such as stenography) appeal to her. Esther becomes increasingly depressed, and finds herself unable to sleep. Her mother encourages, or perhaps forces, her to see a psychiatrist, Dr. Gordon, whom Esther mistrusts because he is attractive and seems to be showing off a picture of his charming family rather than listening to her. He prescribes electroconvulsive therapy (ECT); and afterward, she tells her mother that she will not go back. Esther's mental state worsens. She makes several half-hearted attempts at suicide, including swimming far out to sea, before making a serious attempt. She leaves a note saying she is taking a long walk, then crawls into the cellars and swallows about 50 sleeping pills that had been prescribed for her insomnia. In a very dramatic episode, the newspapers presume her kidnapping and death, but she is discovered under her house after an indeterminate amount of time. She survives and is sent to a different mental hospital, where she meets Dr. Nolan, a female therapist.

With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.From the Trade Paperback edition.